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The hard life below decks is brought horrifically home in the first few pages - the impotence of the younger gentlemen in the face of overbearing bullying is brought sharply into focus, as is the rough justice of the foremast jacks - stark reality is served up in healthy measure here, with a side salad of intrigue and a dressing of young love.
None of the incidents or fortunate strokes of luck seem contrived, rather they develop naturally as Nat matures from innocence into almost cynical youth.
Read the following books - they get better with each tale. *****
Here is a list of the Nathaniel Drinkwater novels in chronological order: An Eye of the Fleet, A King's Cutter, A Brig of War, The Bomb Vessel, The Corvette, 1805, Baltic Mission, In Distant Waters, A Private Revenge, Under False Colors, The Flying Squadron, Beneath the Aurora, The Shadow of the Eagle, Ebb Tide.
Few books cause me to search out those extra few minutes of reading time so that I can get on with the story, but these books fall into that catagory.
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The battlefield scene desciptions are very good and alone make it worth reading. I just was not impressed with the character development, especially for the new ones introduced in this book.
I do hope that Mr. Cornwell continues the series, I would hate to see it end at this point.
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In seeking help of the kind this book is offering, it's helpful to understand the limitations of self-help books in general. If you can afford therapy, then I strongly recommend that you seek therapy. An interesting question for you to ask yourself might be - if I need help, why must it be SELF-help? If the answer isn't money, I'd advise you to rethink it.
I've worked with this great book for over a year, and I have been to therapy for several months. My impression is that there are improvements that are MUCH HARDER to achieve on your own. I think some of the reasons for me were:
- As I worked on my own, my defense mechanisms were trying to make it easy for me, by dealing with problems that were relatively easy for me to deal with. For instance, it was easier for me to deal with my problems in my relashionships with my friends, so I avoided my relashionships with members of my family. Naturally, the latter have significantly more effect on me.
- A self-help book tries to help as many people as possible, therefore describing many different problems that people have. Another defense mechanism would make me adopt problems which I don't have, as it is much easier to deal with problems that you do not have. A therapist can help you filter these out.
- Finally, any amount of words written in a book could not have the effect for me of the nurturing relationship with a human being, that seems empathetic to my problems, is dedicated, and accompanies me on this very difficult, painful and frightening quest for happiness.
If you do decide to buy this book, be prepared for a long rewarding journey, with ups and downs, pain, anger and tough decisions to make.
The two things I liked most about this book: First, it helped me feel good enough about myself to be able to seek help, to share my problems with a therapist, and gave me hope (by proving it) that good may come out of it. The second, it is honest. As opposed to the many "Suddenly it's all so simple and easy..." self-help books, it prepares you for hard work, and does not pretend to have some voodoo technique of helping you. Thanks
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This is not a novel for everyone; it takes a patient and persistent reader to tackle the rich but complicated writing style of Melville, as well as the author's penchant for going off on detailed, descriptive tangents. However, the writing style almost becomes poetic at times, and symbolism and metaphor abound. The closest thing to Melville's style I've found amongst contemporary writers is Gene Wolfe ("The Book of the New Sun", "The Book of the Short Sun", "The Book of the Long Sun"). Wolfe also borrowed from Melville the device of telling the story from the viewpoint of young, naive observers, who report what they see with little bias or editorializing, which leaves the reader to interpret the story on his/her own.
To me, this story is a detailed and adventurous tale of obsession verging on insanity. Ahab is so focused on catching and killing Moby Dick that he loses sight of his own welfare and the welfare of his men. He never questions his own motives; he is out after revenge for losing his leg, as well as out to redress the insult of a simple beast not accepting the dominion of Man. Moby Dick's defiance of Mankind's superiority and sovereignty is seen as an outrage, a matter of honor for Captain Ahab to resolve. But, why did Moby Dick bite off Ahab's leg in the first place? Ahab sees it as an act of war by the whale, a refusal to bow down to the Master of the Earth (Mankind). Might it not just as easily be an animal naturally defending itself against a predator (Mankind) invading his (Moby Dick's) domain?
Jay Nussbaum wrote a book called "Blue Road to Atlantis" which is a gem of a story that retells Hemingway's "The Old Man and the Sea" from the fish's point of view. Mr. Nussbaum could make quite a story out of Moby Dick's point of view of this puny maniac who keeps harassing him and trying to kill him.
Initially, I was startled, and almost discouraged by the high level of vocabulary used; much less the large list of sailing terms used within it. At the beginning, it takes a while to acclimate to the phrasing and sentence structure that Melville uses, unless one is used to reading older works. Once acclimated, it becomes easy to understand the piece.
Concerning the plot, I found it enjoyable, however, at times confusing. I know that many have heard the traditional yarn of the insane Captain Ahab, seeking the whale that crippled him; but reading the actual tale presents a whole new aspect. I found that the incessant interruptions of information on cetology became somewhat of a nuisance; however, very informative and worthwhile reading, as it gives the reader a better understanding of the book. After having finished the book, I went on to read another book on cetology, and found it quite interesting comparing modern day whaling to 19th century whaling. Unfortunately, in the elongated sections about the anatomy of a sperm whale, one feels as if the majority of this book is an encyclopedia of miscellaneous information. Without this factual information, it seems as if it would be nothing but a mere short story.
Despite my complaints, I would recommend this book to all who are seeking a thoroughly challenging literary work. I enjoyed being able to read one of the great all time American novels, and read it in its raw form. I would have to rate this book as being one of the best I have ever read.
Moby Dick may not be everyone's cup of tea, it can be rather long and tedious to get through as Melville likes to lecture almost as much as tell a story. But from the first line "Call me Ishmael" it's hard not to be sucked into the story as we follow Ishmael on his journey across the sea with the nefarious Captain Ahab. The story centers around Ahab's quest to find and destroy the White Whale. Of course Ishmael plays just as important of a part.
Melville's use of language is spectacular and he truly did write a classic novel. This is a fascinating tale of adventure that shouldn't be missed.
God Bless, James Yoder
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Nathanael West was an exceptionally dense writer, in that his pages contain no wasted words, no needless characters, and no pointless characters. Every sentence, every word, every comma plays an essential role in his work. Both works are distilled to their most concentrated form. As a result, although they are highly readable and brief, they contain far more content than even much longer books.
Both of the books are littered with moments of devastating power. In MISS LONELYHEARTS, these are more intimate, deeply personal, miniature scenes. The same is true of THE DAY OF THE LOCUST, though it ends with one of the greatest crowd scenes this side of Tolstoy's WAR AND PEACE. The riot scene ending the novel is so vivid, so clearly presented, so terrifying that one might legitimately argue that it is the greatest crowd scene in literature. On the other extreme, the opening letters at the beginning of MISS LONELYHEARTS are as heartbreaking as anything in literature. They are worthy of comparison with the most horrific examples of suffering that Ivan in THE BROTHERS KARAMAZOV (a book that Miss Lonelyhearts reads and West loved) comes up with when talking with his brother Alyosha.
These are not happy books. West was one of the foremost spokesmen for pessimism of the early 20th century. At the time of his death, however, he was working on a novel that, he claimed, was far less negative and dealt with 'the Milk of Human Kindness.' But in these two, the misery of individual lives and the ultimate meaningless of the lives of all the characters can depress some readers. There are no admirable characters, no one that we can pull for sympathetically. There are, however, some astonishingly vivid characters'Miss Lonelyhearts, his editor Shrike, Tod Hackett, Faye Greener, or Homer Simpson (Matt Groening has indicated awareness of that character). But if one can handle the unrelieved tragedy and the hopelessness that pervade West's pages, one will find these to be two gloriously original and unique masterpieces.
Probably West's most powerful work, MISS LONELYHEARTS concerns a nameless man assigned to produce a newspaper advice column--but as time passes he begins to break under the endless misery of those who write to him for advice. Unable to find answers, and with his shaky Christianity ridiculed into destruction by his poisonous editor, he tumbles into a madness fueled by his own spiritual emptiness. First published in 1933, MISS LONELYHEARTS remains one of the most shocking works of 20th Century American literature, as unnerving as a glob of black bile vomited up at a church social, empty, blasphemous, and horrific.
THE DAY OF THE LOCUST is the best known of West's works, and presents the story of a Hollywood art designer as he drifts through the California dream factory--a place in which reality exists only as something to subvert into a saleable commodity: an addictive series of dreams that won't come true for the increasing numbers of malcontents that crowd Los Angeles in search of the fantasies seen on the movie screen. And their seething disillusionment proves more deadly than even Hollywood could ever imagine. First published in 1939, THE DAY OF THE LOCUST is still considered the single most scathing novel ever written about Hollywood.
Like much of West's work, these two novels are written in a comic style that the author deliberately and quickly sours: laughter quickly gives way to despair, despair to surreal horror, and all of it condensed into tightly written, noir-ish, and double-gritty prose that has the impact of a wrecking ball. West is not a writer for every one, not by a long shot, but his power is undeniable, and these two works are his best, essentials in American literature. But brace yourself: they offer one-way tickets going straight down all the way.
While certainly a fascinating read, The Midwich Cuckoos has a somewhat dated feel. Certainly alien invasions and the raising of alien beings wouldn't go down well with most folks nowadays. And unlike other Wyndham novels I fail to see any underlying social message here (..other than don't raise kids that aren't humans?). Still, Wyndham is a clever writer. And The Midwich Cuckoos is one of his better efforts.
Bottom lines: strange, disturbing, and not terribly believable. But certainly an interesting read.
"The Midwich Cuckoos" is a metaphorical title for a book about collective intelligence. The alien children born in the village are identical. Golden eyed, unemotional, endowed with mental powers and superior intelligence. Over the years the Children become a bigger problem. They commit a murder and contol the minds of others. They are cold, ruthless and calculating.
This book has been described as disturbing. When it was first published the idea of children committing murderer was probably quite shocking. These days it seems normal. This is an interesting book but I prefer the apocalyptic scenarios in "The Day of the Triffids" and "The Chrysalids".
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I have become extremely jaded by a lot of the feel-good new-agey speak that has become closely identified in my mind with "self-esteem" and these days. Initially that association caused me to hesitate in buying this book. To the contrary, and to my relief I found Branden's message free from that kind of shallowness. If you merely seek self-flattery Branden offers none. On a personal note, in this book Branden even succeeded in rehabilitating the word "spirituality" for this once self-identified "atheist" who still occasionally refers to himself as a "secular humanist." On the whole his message proved very accessible, and I even found myself eager to reread it after getting through it the first time.
McEwan is a subtly brilliant writer with amazing psychological understanding and insight. With equal ease, he navigates the political landscapes of family; personal life; commercial London, and Thatcher's 1980's Whitehall.
The tribulations of his friend, publisher Charles Darke in the treehouse in rural Suffolk is altogether telling and allegorical in itself. The stark tragedy of losing his child Kate, brings the neccesary focus needed to capture the reader's attention for the duration of the novel.
Heartfelt, and very well worth the read.
It is a novel about loss and the effort to find meaning despite of it. It probes issues of family, marriage, and personal growth.
I found The Child in Time to be one of the most satisfying novels I have read in years. The rewards in reading it are many.