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The ancient Mesopotamians come across as practical, no-nonsense people who, in contrast to the ancient Egyptians, weren't especially religious and believed in living life in the here and now as best one could. Although they did have a religion, it was mostly for propitiating various gods and deities who they hoped would bestow their blessings on them in their personal or public affairs. There was a concept of the afterlife, but it was basically a dark, dingy, netherworld where not much happened, it seems, and they regarded the present life as far preferable to it.
A good example of their practical approach to affairs is that marriage was a simple contract without much ceremony. Women could marry who they wanted and could divorce much as men could, although adultery was tolerated much less for women than for men. A surprising fact is how extensive their food and cuisine was. According to the writer of the chapter, the Sumerians knew how to make hundreds of different types of breads, soups, beer, and other dishes, depending on the ingredients and how they were prepared.
Overall, a fine book and addition to the practical history and understanding of the ancient Mesopotamians.
I got totally caught up in Nathan's struggles with "burying" his own Jewishness and with the anti-semitism of his era.
Great stars and writers like H. L. Mencken, Eugene O'Neill, Laurette Taylor, Lillian Gish, and Tennessee Williams crowd the book's pages and bring Broadway's glory days to life. Nathan was a real "man about town" and this book captures the wit and glamour of the Great White Way.
Connolly also shows how critics today live in Nathan's shadow. He challenges them by questioning their methods and standards. (And even takes on some "high-brow" reviewers like John Lahr and Robert Brustein.)
This is a fascinating book for theatre lovers, history buffs and scholars alike. Lot's of great--never before published dish too!
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This is such a worthwhile book. It will especially appeal to people who love falcons.