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I believe the author's intention in this book is to teach canine communication skills. If I am correct in this assumption, she not only failed miserably but may have caused more harm then education.
She advises "To say hello to your dog, sniff toward his nose. That's dog talk. He will answer by pulling his ears back and close to his head. What he is saying is 'Hello, Leader". Ms. Craighead-George is describing a dog who is telling their nose-sniffing-human "This is a bit uncomfortable, please stop". A dog's ears going back can be a conflict behavior.
She goes onto say "'Good night' in dog talk is physical. Rub your dog's head, ears and neck. Lower your lids and sigh into his fur. You are the mother dog licking her pup off to sleep." Although I often enjoy a nice snuggle with my dog I am relatively certain he knows I am not his mother or a dog. I was relieved that she did not suggest I lick my dog, we all have to draw the line somewhere.
Ms. Craighead-George advises "'Good-bye' is a whisk of the tail, then turning and walking off. Since you don't have a tail, swish your hand downward and show your back. If your dog does not choose to hear this unwelcome message and races after you, tell him, 'I am the boss,' in dog talk, then repeat the dog 'good-bye'." I will admit to frequently suffering from serious bouts of tail-envy but I'm afraid my hand waving behind my rear end is a bit of a stretch in wishful thinking.
Ms. Craighead -George crosses the line from embarrassingly silly to potentially dangerous in her section titled "How do you say 'I am the boss'?" She advises, "The most effective way is to put your mouth on his muzzle. That means in dog talk that you are the leader. His ears will go back and against his head, and his tail will lower. This is his way of saying, 'Yes, you are my leader'." I suspect many people who attempt this will have time to contemplate what their dog was really saying ("You have totally lost your mind and you are frightening the heck out of me") while they wait patiently in the emergency room to have their dog bite treated.
She suggests if your dog becomes anxious or confused you should "Sniff his nose to tell him not to be angry or confused. Nose sniffs are peace talk." I have a sincere concern that for a dog that is in an anxiety situation, a human sticking their face in his to sniff his nose may increase the stress level to a point where the dog may feel he has no other option but to bite the face that sniffs him.
It is cautioned in "How to Talk to Your Dog" that children should not roll onto their backs while playing with their dog or they will be saying in dog language "I am your humble servant". My own dogs must be the most misinformed canines on the planet. They have three young humble servants in their household and they don't even realize it!
I would recommend that the author stay with ridiculous but harmless comments suggest as "You can pass other messages with your eyes. Think, 'I love you. I love you,' and your lower lid will involuntarily come up and soften your expression. Your dog will read that and return this message by softening his eyes."
I am still uncertain to what population this book is directed. I can only hope it was not written for innocent children and will only fall into the hands of adults who will quickly realize this book for the nonsensical hogwash that it is.
talk. Don't growl back. Dogs don't like that." As special as her words is the whimiscal use of arkwork: actual color photos of the animated author interacting with illustrations (by Sue Truesdell) of equally animated cartoon cats and dogs. (We just love the one of George on all fours, rubbing heads with a cat!) Four paws up!
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One problem lies in that each verse cites up to five different animals and that not all the animals are pictured on the pages. This is very confusing for my four year old who asks me where a certain animal is pictured and it simply is not there. Other pages where the verse references time of day (afternoon) and no animals, show animals. Why not have pictured simple landscapes with skies that relate to that time of day instead? For example the picture for noon doesn't even show a sun, let alone a bright shining sun, it shows a close up of bison, and bison are not mentioned in that passage at all.
Sometimes the animals within one passage are not even related to each other by habitat. An example is mentioning a stork, killdeer and a cardinal in the same passage. Yes, they are all birds but they just aren't in the same habitat, preventing them from being depicted in an illustration together. I'd have prefered mentioning three ocean dwelling creatures within one passage, even if some were birds, some fish, and some ocean dwelling mammals.
I do love picture books that feature seasonal themes or time-of-day themes. I also love books that feature animals.
I have never seen such an annoying arrangement of verses and such a mismatch of words with illustrations in a picture book for young children. For this confusion and annoyance, I grant one star. I dislike it so much that I can't stand to read it to my children and am donating it to my local library.
I have always loved George's work and now there is a book that even the youngest of children can enjoy, from this nature loving Newberry Medal-winning author.
To date I have bought four copies as gifts for friends and family members who just had newborn babies.
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There are a few authors that do the subject justice: De Hartmann, Anderson, Peters, however, James Webb is NOT one of them. Other books are first hand accounts and though subjective too, reading of the difficulties that those students encountered, as well as the insights they experienced, can be useful to those seeking a path. On the other hand, this book is written by an author who is unfortunately not qualified to write about Gurdjieff (or his "followers"). This book is far from being "the best" (maybe the "best" of the worst).
Full of a few interesting stories and much conjecture, this is not a book for those looking at gaining a deeper understanding of the significance of Gurdjieff's ideas or an accurate picture of the man. However, water does indeed seek it's own level and for those wanting a good fix of the superficial, this book is for you - an easy read especially if you like reading rambling opinions. I'd be careful about buying this book as a gift. Try James Moore's Anatomy of a Myth, instead. I give The Harmonious Circle 2 stars because it might be of some use - like lining the cage of your American canary.
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At various times, he agonizes over his relationships with his wife, his sexual partners, and his deceased mother. He becomes embroiled in a Communist revolutionary plot in Barcelona, with one of his sexual partners, a Jewish woman, involved in its planning and execution. He reveals his necrophilic obsession to two of his partners, further revealing the exact, even more sickening, subject of his obsession to one of them. He has sex, he gets sick, his women have sex, they get sick, everybody has sex, everybody gets sick. For the punchline, near the end of the novel, Bataille throws Nazis into the picture, showing us that all the depravity of fascism is comparable to the depravity he has shown us all along. Though published in 1957, the book was originally written in 1936.
This reviewer isn't buying it. Not a word of it. Not the story, not even the "1936" part. For one thing, the writing style is actually more mature than that of "L'Abbe C", published in 1950. Bataille is most probably trying to show off that he detected the evil inherent in the Nazis "way back when". I don't give him that much credit.
For another thing, I think he uses Nazis as an easy way to score "scary" points. One might intellectualize his choice by saying Bataille is trying to tell us that no matter how disgusting humans may act, at least we're not as bad as Nazis. Imagine a murderer begging leniency because he's not a Nazi. He's still a murderer. It seems Bataille is using Nazis to justify the pornography he just wrote, as if the world is such a horrible place that pornography is just another little bit of it, and tries to throw a philosophical wrench into the works, as if saying life is meaningless in the face of all the horrible things fascism is doing to us in Europe, but I suspect it was all done just for the hell of it. I frankly don't see any rhyme or reason to the thematic choices he makes.
I have nothing against the depravity or explicit nature of the book. "Been there, done that", right? It's not even all that explicit, there's probably less sex in this book than the average mainstream novel today, and he's certainly not advocating committing even the slightest harm to anyone. There are a few disturbing or distasteful ideas here and there, but one never gets the sense Bataille really means what he's writing. One gets the sense he's simply trying to come up with every juxtaposition of immoral behavior and social taboo he can, just to tweak the reader's moral compass a bit, trying to get a cheap rise out of his audience. Maybe this was an interesting exercise in 1957 (or "1936"), but given the state of depravity which existed in Germany during the 1920s, and the state of sexual liberation which swept Europe from the late 19th century through the early 20th century, I strongly doubt it.
Perhaps the target reader for this book will be the person interested in twisted versions of 19th-century literature (Bataille wrote like someone living 50 or 100 years before his time), or the works of De Sade (albeit in highly shortened format, this book being only 126 pages).
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