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A carefree country girl goes on a ramble as the hymn unfolds. My children (me too!) want to kick off their shoes and share in the child's absorption of the beauty around her.
Great way to children-ize a hymn.
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It is a fine line between presenting dialogue that is authentic from the 18th Century, and writing so faithfully to every bit of slang then in use so as to make reading a work frustrating to impossible. When I read historical fiction, one of the last burdens I want to have is the constant interruption of language that has become arcane, or footnotes that interrupt the narrative flow. Another failing of some writers is that they take great liberty with the historical figures they place within their fiction. Fidelis Morgan uses Samuel Pepys as a player in her tale, and nothing she portrayed was inconsistent with what I have read of the man.
Her two heroines who are the sleuths are both wonderful, and are a good team while often being the perfect odd couple. This piece has all the drama of hands drenched in blood, blood spouting from public fountains, and bodies that either appear or actually seem to have misplaced some of their parts. The book is fun and entertaining with the author adding enough levity to keep her work from becoming another bloodletting ripper tale. I definitely will be going back to her first work, and I look forward to reading many more.
While chasing down what they hope will be the latest society scandal involving the only daughter of a rich City alderman, the Countess and Alpiew, (the 'scandal' column reporters for the "London Trumpet"), make the acquittance of Colley Cibber (a playwright and actor currently working at Drury Lane). Always on the lookout for publicity for himself, Cibber invites the Countess and Alpiew to a lecture on the Passions. And because the Countess is (again) trying to evade the bailiffs for nonpayment of the Poor Rate (and because Alpiew is truly interested in attending the lecture) the ladies accept Cribber's invitation with some alacrity. The lecture, however, turns out to be instructional in a manner in that neither the Countess nor Alpiew anticipated as they are treated to a very public and bitter squabble between two of Drury Lane's leading actresses: the even tempered and universally adored Anne Lucas and the fiery tempered Rebecca Montagu.
But it is the morning following the lecture that turns out to be the really momentous one for both the Countess and Alpiew. First, they are greeted with the grim news that Anne Lucas has been murdered. Secondly, the Countess gets arrested by the bailiffs for nonpayment of the Poor Rate. And finally, Rebecca Montagu turns up at the Countess's doorstep, intent on hiring both the Countess and Alpiew to discover who Anne Lucas's murderer is and to protect her from her more ardent fans (the 'phanatiques'). Desperate for the money so that she can spring the Countess, Alpiew accepts the case with some reluctance, for she cannot rid herself of the feeling that Rebecca Montagu is not to be trusted. Soon, with the Countess at her side, the duo begins what could be their most frustrating of cases as the most obvious suspect in Anne Lucas's murder seems to be their client (Rebecca Montagu), who seems to be playing a deep game of her own, and who seems intent on making a may game of them. The more they dig, the more evidence they come up with that seems to imply Rebecca's guilt. What are they to do? And more importantly, what will it say of their reputations as private inquiry agents if they come up with the evidence that will send their own client to jail for murder?
"The Rival Queens" proved to be a rollicking fun read. The action never let up, and the plot unfolded at a brisk and smooth pace that had me fairly devouring the bok until I reached the last page! The storyline was a totally engrossing one, and there were enough cunning plot twists and red herring suspects to keep most mystery buffs happy. Best of all was Fidelis Morgan's prose style, which turned out to be witty, hilarious (I esp liked the bits where the Countess would purposely misremember Cibber's name, and address him by a fishy name instead) and very graceful. I really enjoy mystery novels that allows me to appreciate the history and the culture of the period, and "The Rival Queens" fulfilled this requirement admirably. Here's to future Countess Ashby de la Zouch & Alpiew mystery novels!
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The result is a comedy of errors as the aging Countess Ashby exploits her memorable dalliance with the former King Charles II, now deceased. With the buxom and youthful Alpiew as a partner, the two unlikely detectives uncover more fodder for gossip and accusation than anticipated, from secret experiments to an alchemist's laboratory and suspects in high places. The two women are as engaging as they are foolish and impetuous and render the story with a broad wink at the vagaries of human nature. And, of course, in the nick of time, all is made right and fortunes restored. Snappy dialog and quirky characters make this back alley romp a pleasant experience.
At times the language of another era is somewhat difficult to follow, but usually all is explained soon after. The characters of the aged former royal favourites and their servants are very entertaining, as are the characters themselves. The mystery can be difficult to solve, but all the clues are there if you only look. I am definitely going to read more of this series.
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I give my highest recommendation for this outstanding review book.
According to the writers, constructivism is a theory of learning derived from the fields of philosophy, psychology, and science. Constructivism in simplest terms posits that learning is the process of reforming what we know, believe and value based on the connections between new and already held knowledge, values and beliefs. In other words, people are in a constant state of learning in order to secure or enhance their existence. In the school context, Lambert defines 'Constructivist Leadership' as 'the reciprocal processes that enable participants in an educational community to construct meanings that lead toward a common purpose about schooling.' (p.29) These reciprocal processes entail building trust through social and professional relationships, identifying and reconstructing commonly held assumptions and beliefs, building new shared knowledge, and altering individual and group behaviors to create new ways of doing school. In this way, Lambert and her colleagues argue, we begin to see leadership, community, and schools themselves not as roles or physical entities, but as social processes, which require constant tending and development. In a biological sense, individuals are in a constant state of constructing their understanding of the world. In an ecological sense, interdependent groups of individuals must co-construct their understandings in order to create a desired reality. In this way, Lambert's constructivist view of learning and leadership is in close company with Senge's view of the learning organization, which strives to move from status quo to a shared ideal of something better.
Theoretically, constructivism owes much Lee Vygotsky's work on the relationship between language and learning. Not surprisingly then, this book's core chapters all deal with the role of communication in constructivist leadership. In 'Leading the Conversations', Lambert argues that conversations 'are the visible manifestation of constructivist leadership' (p.83). On page 86, she provides a useful 'Typology of Conversations' model, which shows that four conversation types (dialogic, inquiring, sustaining, and partnering) contribute to, among other things, collaborative sense-making, remembrance and reflection, sharing and building ideas, and respectful listening. In 'The Linguistics of Leadership', Diane Zimmerman deconstructs the processes of paraphrasing, inquiring, and articulating ideas, and argues that when used in balance they help groups uncover 'the unspeakable', make sense of assumptions and beliefs, and find new patterns and paths to improvement. In 'The Role of Narrative and Dialogue in Constructivist Leadership', Joanne Cooper argues that 'stories provide a vision and a desired direction for adults working in schools'' (p.122) Narratives bring to life 'tacit knowledge' and in so doing imbue groups with connectivity, and common purpose and vision. In these chapters, we see strong practical and theoretical themes that are consistent with the change work of Fullan, Senge's work on learning, and the organization work of Schmuck and others.
Constructivism, as an epistemological theory, has a long and broad history in this century. I found this book refreshing for making clear connections between a theory of knowledge and the practices and perspectives relevant to organization development and learning communities.
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The book focuses on sounds (my kids call it the "crunch book") while telling the story of a sweet friendship. The poetic text is pleasing to hear but not too hard for young kids to understand. This is the kind of book I imagine will fuel my kids' love of reading.