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It is an oversized,full color photo book about the ocean realm.
David Doubilet revolutionized UW photography in 1989 with "Light in the Sea",which was a remarkable book. This is like a sequel book,released ten years later,which is even more remarkable.
Because it is so huge,it is usually too broad for most book cases. Therefore,I have it laying in my bookcase,instead of standing.
The book is introduced with a story of Doubilet`s life and how he came in contact with the underwater world.
Every picture is worth a thousand words,but I have got some favorites among them.
One is a picture of a tuna skeleton,which is very unusual - a tuna that has met a natural death,not captured by man. The stingray pictures (one of them the cover pic),are also very remarkable,and truly portrays the grace and beauty of these magnificent but dangerous animals.
The black and white photos of Sea lions and Mantas are also spectacular,and in b/w,they become even more artistic.
The enormous schools of Jellyfish are also rather impressive. There are many good pictures of sharks in this book,especially white-tipped reef sharks and an incredible picture which truly portrays how fearsome a 20-foot great white really is,when throwing it`s jaws against the cage.
There are also some ultraviolet photos of corals,which are quite spectacular too. And so are the scorpionfish pictures,especially of the Rhinopias,which is the most well-camouflaged fish in the world.
And there are so many more,which would take an entire book to mention. As my review cannot be that long,you`ll have to buy the book for yourself and find out what the other images are.
The book perfectly captures the beauty,mystery,danger,and wonder of our oceans,with a varied library of images. It is quite inspiring,and my stories "The Magic Shell",which are about marine animals,will partly be based on the look of these habitats and animals. It really makes your fantasies lift off. Just open the book and look at the intro picture of a sardine school beneath the waves. It will blow you away!
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Highly recommended for anyone out there fascinated by fish and the marvellous public aquariums around the world. Enjoy it!
Powell took the first fish he caught as a kid and slept with it under his pillow. He maintained the lobster tank at a fancy Malibu restaurant. When he read Cousteau's first book, _The Silent World_, he knew he had to start diving. As he kept specimens in his home aquarium, he joined the Marine Aquarium Society of Los Angeles. A fellow member told him of a job opening as an aquarist at Marineland of the Pacific; it was just what he wanted to do, and from there he worked at various aquariums, directing the live exhibits at the Monterey Bay Aquarium until retiring four years ago. He now seems to be the most frequently consulted consultant whenever towns or nations want to set up aquariums.
Powell writes with admiration and affection about the creatures he has to capture and then keep in as home-like an environment as possible, including the wonderfully named sarcastic fringehead, the "thumbsplitter" mantis shrimp with its faster-than-the-eye claw, and many more. He tells about the process of capturing samples in many different ways, but diving and capturing fish is the easy part. Transporting them is hard. There are different gadgets and containers that have to be used, including the truck transport named the "Tunabago." It is planning the displays of the fish that obviously has given Powell the most satisfaction in his career. His description, for instance, of the responsibilities of putting up the largest window in the world, a gigantic acrylic pane fifty-five by fifteen feet, thirteen inches thick, and weighing thirty-eight tons, is completely engrossing.
Powell's book, a mixture of autobiography, oceanography, ichthyology, museology, and funny stories, is a delight. In seemingly effortless style, he conveys the excitement even in the minor aspects of his career. He gives a final essay on the importance of aquariums (disdained by Cousteau as "fish prisons") in bringing people closer to nature and in promoting the conservation that could keep the oceans healthy. His book is a worthy summary of a lifetime's effort in that cause.
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The photos are one of the strongest parts of the book, and a good argument for buying it- next to the "Perforamance Sea Kayaking" video Seidman's book has the best illustrations of basic moves to be found anywhere. If you were only going to buy one kayaking book, this would not be a bad choice- but after working your way through it you'd be well advised to move on to more detailed and specialized books as well.
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Books should have a central theme, and the philosophy blurred whatever the theme was supposed to be. A good editor would have removed most of it.
The word "mystical" has been used to describe the writing of the book. "Mystical" implies something apart from the human experience. The Blue Edge is experiential. It is about experiences that we all face. It is apropos that the boat is named Nirvana, which is the Buddhist term for "enlightenment." Some of the things that the Buddha realized on the road to enlightenment were, that the world is suffering, all things are impermanent, and that there is no Self. The Blue Edge takes us through part of that journey. It shows us the pain, and the joy, as one man struggles with finding his place in the world. As he tries to balance his love for the ocean, his love for his family, and his love for himself.
Carlos leads the reader through the fragile, and thus transitory, illusion of the permanence of job, family, possessions, and our natural resources. He describes how man's greed, and ego, has affected the balance of the once pristine waters of the Sea of Cortez, and how it also is taking its toll on the San Benedicto islands.
For the spearfishmen this is the journey that some of us go through in our diving careers. Our pictures of full stringers of fish on our desks and walls. Our attempts to give permanence to a moment in time. Our attempts to catch the "most" fish. As our diving careers progress we find we take fewer and fewer shots looking for the "right" fish. The contrast Carlos paints with Jack, who is struggling to find his place in his relationship with Pam and with the ocean, and the spearfishermen aboard the Ambar III that are dumping the carcasses of the filleted fish into the water, to Brian Yoshikawa not taking any shots waiting for the 200 pound tuna.
The Blue Edge may be difficult reading for people who have no ties to the ocean, since the sixty-five day journey is aboard a boat. It, however, is must reading for anyone who spends any time with the ocean. The book encapsulates our life journey in those sixty-five days. It gives us glimpses of Nirvana (enlightenment) through Carlos's eyes. It is this poignant glimpse which is what wraps us up page after page, because we feel from the very beginning of the book that Nirvana is not to be attained for Carlos at this time. The struggles through the grinding teeth of sharks, and lawnmowers, is something the ocean takes us through. The longing to play in the ocean, the longing for wealth, the longing for pleasure, the longing for the kill. The experiences Carlos goes through in The Blue Edge shows us that "Nirvana", on one level, or more simply the struggle to find balance with the ocean, on a lower level, is unattainable as long as we long to possess it.
I was proud of a few photos I took on that holiday but when I saw this book I almost threw my camera away. Doubilet takes underwater photography to another level altogether. This book displays Doubilet's talent and dedication to the full with a diverse portfolio taken over many years from all over the world. The light in his trademark above & below water photo's is so perfectly balanced my friends assumed it was manipulated.
Buy this book for anyone who appreciates natural beauty. My Mother and girlfriend were first on my list and just as impressed.