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The rhyming text poses questions about the fate of lost balloons and creates a sense of wonder that almost everyone can relate to. The colorful, engaging illustrations help to spark the reader's imagination. I especially enjoy the fold-out picture in the center, that adds an element of surprise for young
readers.
Although I purchased this book to use in a third grade classroom, as I read it for the first time, I became so engaged in wonder and so filled with warm memories of my own childhood and my children's, that I highly recommend it for all ages.
Most good children's books have a primary story line that entertains the children, and brings home an important lesson. The outstanding children's books manage to combine more than one lesson. The great children's books appeal to adults as much as to children. The classic children's books take children and adults to places, thoughts, and lessons that they would never otherwise have considered. Where Do Balloons Go? has all of the elements of a classic children's book, with some novel improvements in combining text and illustrations to expand your imagination.
Where Do Balloons Go? begins with this query:
"Where do balloons go when you let them go free?
It can happen by accident. It's happened to me."
Now, if you are like me, you assume that the helium-filled balloons are carried high into the air until they either develop a hole and burst or explode from the expansion of the helium into the near-vacuum around the balloon. Not very exciting as alternative thoughts, are they? That dead-end in your mind, though, sets you up for the wonderful, mind-expanding speculations in this interesting book.
"Are they always alone? Do they ever meet up in pairs?
Do they ever get married and make balloon heirs?"
To fully appreciate this set of questions, you have to imagine the illustrations that complement the queries. Balloons are dining in a restaurant, having a romantic time. Using that illustrative vision to launch into the idea of balloon "heirs" (pun obviously intended for "airs") is hilarious. I just loved it.
The illustrations are done in vibrant colors, emphasizing lots of purples, that create a play with the text and vice versa as the above example shows to greatly expand the meaning of the book.
For a further example, the text says that balloons are
" . . . always concerned that they'll POP --
maybe caught up in wires
pushed by the breeze . . . or tangled in trees . . . . "
The corresponding illustration emphasizes professional human balloon detanglers with advertisements and all kinds of specialized gear untangling balloons from trees. The illustrations have a Richard Scarry-type appearance combined with a New Yorker-style sophistication that effortlessly engage these illustrations to nicely bridge the gap between children and adults, without excluding either side of the audience. In this sequence, you have an additional reversal in that people are serving the balloons, rather than our usual conception of the object serving the person. Without this illustration for the text, that final visual play on the verbal concept would not have been possible.
A standard technique for children's books is just to anthromorphize the objects. This book goes well beyond that. First, different types of anthromophization are employed (as objects with senses "twisted by clowns" as well as self-animate objects "Do they tango with airplanes?"). The balloons are also made into creatures with animal-like qualities ("Or cha-cha with birds?") and spiritual beings (with a relationship to the stars).
You will have to read the book to appreciate its full power. Along the way, you will be exposed to concepts that explore balloon communication methods, how balloons relax, benefits achieved by floating away, activities they pursue unseen in the sky, and the mental perceptions of the balloons as all this occurs. In one nice surprise, there's an enormous fold-out illustration. At the end, you also have stickers that your child can put on the book or anywhere else that she or he wants to.
The ending is brilliantly done, in closing the seemingly open-ended circle of the questions and the action. You will appreciate the way the ending connects parent and child in a particularly nice way.
After you have enjoyed the mind-expanding, humorous, and versatile perspectives in this book, I suggest that you take another question to which there is a scientific answer available, and build your own set of speculations and interactions. In the process, you and your child can create the story together . . . along with your own illustrations. If you cannot think of any other question, I suggest "Why does popcorn pop?" as a starting point. The punny potential of that question could even take you beyond the heights reached in Where Do Balloons Go?
Reach mentally for the stars and grab the physical and emotional closeness that rewards both you and your child!
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A previous reviewer (apparently an unhappy adoptee) spouted opinions full of anger and resentment, alluding to "Jamie Lee's obvious bias against birth mothers." I found that very sad. After all, this is a children's book, and IMHO, it was created as a means of expressing an adoptive parent's joy and love for this child, and told through the eyes of the child, it has a precious quality, reminding us how easy it is to teach a child to love and be loved. This book is a treasure, and while I think it's a special gift for any adopted child, it's warmth and whimsy will prove irresistible to anyone who reads it!
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Kathleen McDeavitt
Age 7
I have a copy of this book, hardcover printed in 1962 and I love the book Angel
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My husband ordered me a Handiquilter for Christmas, which depends
on the stitcher having some motor control in tracing continuous quilting patterns. I have very little practice in drawing, so when I saw this book of continuous line drawings, I bought it immediately. I would have bought this book for all the drawings of Pelicans if for no other reason.
Laura gives great instruction on how to set up an overall pattern, by choosing a focus design, then filling the background
with complimentary patterns. She also offers tips on the density of background stitching so that it does not become jumbled.
The book is presented clearly, and the continous line patterns are numerous. These are nice, solid, nature insprired patterns that I forsee using more than once. (I hate it when the designs are so cutesy that you never use them.)
I am already using this book to train my hands and eyes. I've tried sketching some of the leaf patterns onto a quilt border, and I trace around the continous designs with my finger to get the feel of them.
If you are already an accomplished machine quilter and have substantial art background, you won't need this book. But it is perfect for me in helping me in my quest for nicely designed machine quilting.
:)
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I really liked this book. It was super-duper exciting! I bet you'd love it too!
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