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These are not simple quilts - the biggest change is that you let the fabrics choose the shape of the template - but boy is it a rewarding experience. I also own her book Snowflakes & Quilts which takes the kaleidescope a bit further and turns it into a snowflake. I recommend both books very highly.
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The other characters in the story were well described and served to make the story a good one.
I hope Mr. Butts is planning to write sequels because I want to know the "rest of the story".
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Particular note goes out to the two introductory writers, Peter Hunt and Christopher Lee, who both offer excellent background and depth.
One downside is that a map would have been quite effective to achieve the sense of geography and distance to these locations. As only a one-time visitor (so far!) to London, I don't quite know the relationships to the districts and locales, etc. In this case a map would have been quite helpful.
Gary Giblin took up the challenge of writing such a book in January 1998. I shall not go into full details here as they're covered in Jordan Charter's interview located here. However, what started as a book entitled James Bond's Britain eventually had to be subdivided into two books. As a result of a lot or hard work James Bond's London was published in December 2001.
To begin with, James Bond's London isn't your average book, nor is it what I originally envisaged it would be; but that's not a bad thing, quite the opposite actually. What Giblin has presented is a travel guide to the world of James Bond in London. Quite simply, the book is the most useful source for anyone who wants to travel in the footsteps of James Bond, something, which could easily seem a mammoth undertaking.
Giblin has been very particular in the material that he has covered. By his own admission in an interview with CommanderBond.Net he has omitted literary material not written by Ian Fleming; of course indicating he is a purist to the work. Giblin has also omitted non-EON Productions cinematic material; again a sign of purity as there is only one true James Bond film series.
That said, the amount of material Giblin has included is still amazing. There a literally hundreds of locations that can be found in the novels and in the films. What is most amazing about the film locations is how many of them were used for non-British locations in the films. For instance the car park from Tomorrow Never Dies is actually in London and not Hamburg. Also, aside from locations that we read of and watch are locations where significant events of the Bond world took place. For instance, the birthplace of Ian Fleming or the former offices of EON Productions. If it's Bond related and it's in London you'll find it in "James Bond's London".
Thankfully, for those of us not well versed in travelling around London Giblin has an explanation of how to get to each location. Not only does he include the standard address, suburb and postcode but also details for getting there via the London Underground. As a part of this he's mentioned the platforms and the stations one should use and once leaving the station which streets one should follow.
The locations in the book are also well categorised. Rather than organising the locations by film, novel or perhaps relation Giblin has taken the initiative of organising them by location. So one could simply spend a day in a certain part of London and visit several Bond related locations. The guide makes it that simple.
As for the detail on each location Giblin has included quite a lot. To describe each location Giblin has used icons to begin with; for instance a clapperboard icon represents a film related location. As a part of the textual description for each location Giblin has not only included Bond related information but information on the locations non-Bond history. Readers will not only learn a great deal about Bond but a great deal about London too.
In passing good comments about the work that Giblin has done one must also highlight downfalls to "James Bond's London" - something that is not an easy task let me assure you. While I can find no fault in the material that Giblin has presented I must say that I was disappointed to find that the book was not offered in a hardback edition. However, in saying that one can definitely appreciate the fact that Giblin and the Daleon, whom published the book, made all attempts to keep the prices low. My only other complain is about one of the icons in the book; the skull and cross bone. The icon is disproportionate and according to Giblin this is a problem that occurred at the printers.
All in all James Bond's London is a must have for any Bond fan of any calibre. Gary Giblin has researched extensively into all aspects of the locations and the films and help from Bond legends such as Peter Lamont have made this a completely unique and factual reference guide.
Immerse yourself in this one!
John Haury
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"One evening, a group of friends and I were having dinner at a local restaurant. Our waiter was very distracted and he appeared to be agitated and depressed. He was abrupt, slow and unfriendly. As a result, our service left a great deal to be desired. Since I wanted to have an enjoyable evening, I decided to "talk funny" to him in order to help him feel better.
As he walked by our table holding a coffee pot, I touched his arm and said, "I'm sorry that you forgot that special night ... with that special person ... those exciting things that happened ... those very warm feelings that would embarrass you to talk about ... since we are all strangers."
For a moment his face went blank; he looked up to his left; his face then lift up and he said, "How do you know about that?" He then smiled and began to laugh, and his whole attitude changed as if by magic. He said, "Wow. that was some night. I don't know how you know about it."
The next time he came to our table, I said to him, "Wasn't it simply amazing that when you remember those happy, warm feelings, your attitude continues to change, and you continue to feel even better?"
We received a delightful service throughout the rest of the evening. What was even nicer, was that as we left he told us that we were one of the nicest parties he had ever waited on. He also asked us to be sure and ask for him whenever we returned.
Now, I have absolutely no idea as to what he hallucinated, but my communication resulted in his going back into his own history. He then found an experience that filled in the blanks, and that memory helped him to change his whole attitude in a matter of seconds. Of course, there's no such thing as hypnosis, and if there is, he should have gone deeper and deeper into a trance."
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And so begins one of the real gems of the contemporary American Theatre written by perhaps the best home-grown playwrights to appear in the last 15 years.
In Eleemosynary playwright Lee Blessing, like he does in all his work, celebrates the joy of language and its intrinsic power to create storms of imagery. In this short, eliptical and direct play which demands a symbolic staging, Blessing gives us three generations of Westbrook women- a unique family blessed (and cursed) with supreme intelligence and eccentricity.
I have directed the play once and seen it staged several times and each encounter has proven fullfilling past expectation. It is poetic without pretension and it is charatible without resorting to maudlin posings. The matriarch of the clan- the bold Dorothea is so carefully drawn as is her daughter Artie and grandaughter Echo. Dorothea's eccentricities do not become shallow manipulations here (as say similar characters do in Steel Magnolies for example), and that truly is a testement to Blessings sublime mastery of language and space. Like all great plays, Eleemosynary touches the heart and the head at the same time as it is filled with laughs and tears.
Discover and savor this highly polished diamond!