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Mallon's skill at conveying a sense of what the world was like in 1963 is remarkable, and very welcome. In several paragraphs, he details just how un-sophisticated a planet we lived on then; it was a day of hand-typed copies instead of Xeroxes and the 8-cent stamp instead of e-mail. As someone who was around at that time, I've often wished that more authors dealing with this topic would take more care to remind readers that the world was a very different place then. Forgetting that has led many assassination researchers and theorists down many a specious and unproductive pathway. One example (which is not to be found in Mallon's work) is Michael Paine's ownership of a Minox camera. Today's researchers have made the most prodigious hay out of that, never suspecting the truth- the Minox was heavily promoted and sold in the early Sixties as a toy for the well-off (which Mr. Paine was, despite his unassuming lifestyle), advertised in 'National Geographic'. The camera- in the context of its time- was no more meaningful than possession of a laptop is today. Yes, both COULD be used for nefarious purposes, but most owners use their laptops for peaceful, private purposes, and so did most Minox buffs. Mallon's work is always scrupulous in remembering the difference between Now and Then, and it is most refreshing.
Ruth Paine seems to have given much of herself to Mallon, and therefore to us. She is revealed to have been very pained at several questions and revelations that came up both before and during the interviews for the book, but she seems never to have cut off the author's lines of inquiry, nor even to have directed them, answering frankly. Touchingly, Mallon's research revealed things to Ruth Paine even she had not known about the central event of her life, and her reactions to them are interesting indeed.
Mallon has not produced a perfect book- there does not seem to have been much direct questioning of Mrs. Paine on some of the topics that assassination researchers raise the most questions about, and so the book will give a great deal of unnecessary ammunition to those who feel that Mrs. Paine has something to hide, rather than clearing matters once and for all. And there are a few places where Mallon does not make clear that he's quoting from previously published material, giving rise to the impression that he interviewed people he did not. While a reader familiar with the subject will be able to discern immediately that, say, Robert Oswald did not grant Mallon an interview, the author waits a bit to let the average reader in on that.
Still, it's a remarkable look at a remarkable witness to history, a woman who has had staggering events roll over her, and like the slender reed she resembles, has sprung back, ready for new life, ready to bend in new directions, respecting the force of the storm, but quietly, serenely confident in her ability to survive it.
As an idealist, a humanitarian, and a Quaker, Ruth Paine was in a truly unique position to relate to Marina and Lee Harvey Oswald and their children in 1963. Driven by both a desire to avail herself of an opportunity to learn Russian and an empathy for Marina's plight as an emigre with an abusive husband, Ruth Paine welcomed this troubled couple into the bosom of her family, including her two young children. To say that her trust was betrayed by both Marina and Lee is an understatement. Marina knew about Lee's attempt to murder another public official before JFK and of his possession of a powerful rifle while living in the Paine household, but never revealed either to Paine. Paine went so far as to even find a job for Oswald--with fatal implications, in the Texas School Book Depository.
Mallon presents the facts of what happened in the Paine home but also asks critical questions about what the rather naive but charitable Paines knew or should have known up to November 22, when Oswald left their home in the morning with an apparent plan to murder the President. Ruth Paine comes across as perhaps too trusting but also relatively pure of heart; asked about whether she harbors anger or resentment toward Oswald and about what she would ask him in an afterlife, she responds that she got over the anger soon after the event and would want to know "Where are you now in your learning, and your understanding of life?"
Mallon has less empathy for Paine's ex-husband Michael, who apparently knew in advance that Oswald had the rifle that would be used to kill JFK and never revealed it until 1993--30 years after the assassination. It is hard to fathom how Michael, even as Ruth's estranged husband, would have so little regard for her safety or that of his children, who lived in the house with the Oswalds--much less the safety of society in general. Mallon speculates that Michael might have succumbed to a family tradition of strangeness--his forbears include Ralph Waldo Emerson and another man intensely interested in ESP and the paranormal. But the book never explains Michael's motives as it convincingly captures Ruth's.
It is unfortunate that so many other reviews of this fine book get caught up in the never-ending disputes about whether there was a conspiracy to kill JFK or whether Oswald acted alone. Regardless of where the truth lies in these debates--and I for one believe that we will never completely know what really happened--this book warrants the consideration of thoughtful readers for its many positive attributes.
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I respect his privacy but would have liked to have known more about his private life, does he have children, being married to a soprano, etc. No one need ask what toll all that stress has taken on him. The last pictures of him in his 70's clearly demonstrate it.
I love the CD despite the prompting heard in the background. That and the picture album are worth the price alone.
Really interesting material that is not destined to be bought by a great lot of people but only by "some" interested ones is not sold any more by the great companies (neither by amazon.com!). This concerns good books (eg even the not so famous ones of truly famous authors) or rare recordings (eg Corelli and Tebaldi Met Gala for Rudolf Bing, singing Manon Lescaut...). It just shows that "culture" is constantly diminishing to "mass- and subculture". O tempora...
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This is political correctness applied to Mary.
Yawn.
JMNR