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That fact is also established in other books that provide a very realistic and credible view of prophecy that we can celebrate. One explains how and why the myths of an "end of the world" and a "second coming" were created and perpetuated. It explains the fulfillment of real prophecy and delivers a message designed to liberate and empower the people in a way we have only dreamed of.
Granted, books on Nostradamus, Cayce, etc. are interesting, but we must recognize that their work is open to interpretation. Also, we must recognize when such books (perhaps unwittingly) help perpetuate false religious doctrine and dogma and false prophecy. That is important because prophecy actually foretells that God's "new kingdom" will be established on the earth and "last forever, never to be destroyed."(Daniel 2:44, Revelation 11:15, Psalm 104:5, etc.) And best of all, we shall all share the throne as equal joint heirs, and no more be divided and ruled by a pretender to the throne as we are now. That's what the fulfillment of prophecy is all about.
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This book has plenty of words, but none about the clan Tremere. Which is sad, considering it's such an interesting clan. This book read more like a 3rd rate detective book. Snore.
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In later chapters, the case studies are helpful as one can start relating the myriad of concepts learned in previous chapters.
It is obvious that the authors know their stuff but their teaching style has a lot to be desired.
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Another criticism is that Collis seemed to focus a disproportionate amount of his ten chapter biography on Van's years with Them and Van's early solo career. The first seven chapters roughly cover Van's childhood in Belfast up to the release of the WAVELENGTH album in 1978. It is thus left to the remaining three chapters to cover a twenty some odd year era which many fans consider to be Morrison's most consistently rewarding years.
Considering that Van has, on average, released an album every year, Collis' focus on this early era comes at the expense of adequately covering the middle and later periods of Van's career. Indeed, the overall feel of Collis' book is that it was rushed into to print to capitalize on the fact that no Van biographies were available when it was published in 1996.
Fortunately, with the publication of Brian Hinton's CELTIC CROSSROADS, this is no longer the case. Collis does offer some insightful comments on Van's albums, but I would recommend Patrick Humphries' THE COMPLETE GUIDE TO THE MUSIC OF VAN MORRISON to fulfill this task. Overall assessment: inconsistent and incomplete. Not recommended.
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Maybe the book is good for another year not for the 1999 Grand Caravan model.
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