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What this book does provide, however, is insight into what a meal would be like at Norman's Restaurant. Also, all information about the wonderful fresh vegetables and fruit of South Florida--complete with great photographs-- makes those of us who must drive half a day to see the ocean hungry for salt air.
Norman's dishes are all generally rich and spicy. His themes are Caribbean and South American, with Asian and European (primarily French and Spanish) influences. He uses a lot of Habanero (VERY hot), red onion, assorted tubers, and plantains, he is clearly very influenced by creole cooking (he is based in Florida afterall).
Starters: He has a great "starter" section with drinks (his delicious "Hot Lolita" is a tequila drink with honey and hot peppers) and accompanying nibblers (Norm's "Not and Nasty Nuts", peanuts baked and spiced); a great way to kick off a dinner party. His guacamole with fried plantain chips are great for picnics. He also has an eggplant with goat cheese that is simply excellent.
Soups: Very very rich, but oh so good. He has a plantain chicken soup that is to die for. Again, so rich it's good in small portions for a dinner party. He also has a gazpacho that is completely unlike any you've tasted, and a "conch" soup that he says his "patrons would riot if I took it off the menu". I believe him.
Salads and Main dishes: Tea Spiced Pan Seared Tuna and Spinach Salad has become one of my favorite quick meals (great citrus dressing). Juicy steaks (venison and traditional beef), lobster dishes, chicken (creole in nature), and others, his main dishes are a little eclectic, but generally excellent.
You'll also find side dishes (lots of peruvian potato and boniate sides), sauces, and prep kits in the back which I've enjoyed. I made BBQ oysters with his BBQ sauce and they we're superb. He has desserts, bit I personally haven't gone there yet...
If you are into the effort (for intermediate to advanced cooks) and like or want to get into (spicy) fusion then you should buy this book. I've given it away to two friends and will likely continue to buy it for others.
Norman's dishes are all generally rich and spicy. His themes are Caribbean, with an Asias influence. There's also a little French in there (rich and buttery), which makes for a great combination. He uses a lot of Habanero (VERY hot) and plantains, he is clearly very influenced by creole cooking (he is based in Florida afterall).
Starters: He has a great "starter" section with drinks (his delicious "Hot Lolita" is a tequila drink with honey and hot peppers) and accompanying nibblers (Norm's "Not and Nasty Nuts", peanuts baked and spiced); a great way to kick off a dinner party. His guacamole with fried plantain chips are great for picnics. He also has an eggplant with goat cheese that is simply excellent.
Soups: Very very rich, but oh so good. He has a plantain chicken soup that is to die for. Again, so rich it's good in small portions for a dinner party. He also has a gazpacho that is completely unlike any you've tasted, and a "conch" soup that he says his "patrons would riot if I took it off the menu". I believe him.
Salads and Main Dishes: Tea Spiced Pan Seared Tuna and Spinach Salad has become one of my favorite quick meals (great citrus dressing). Juicy steaks, lobster dishes, chicken (kinda creole in nature), and others, his main dishes are a little eclectic, but generally excellent.
You'll also find sauces and kits in the back which I've enjoyed. I made BBQ oysters with his BBQ sauce and they we're superb. I honestly can't remember if he has desserts, haven't gone there...
If you are into the effort (for intermediate to advanced cooks) and like or want to get into fusion then you should buy this book. I've given it away to two sets of friends and will continue to buy it for others.
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The presentation is very illuminating because it often explains the rationale behind features of protocols and architectures.
Descriptions of telecomm networks, transmission etc, given in the book as background, are very good for overview and general understanding.
I warmly recommend the book.
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The legend of Sleepy Hollow is a great thriller. You can tell the tale at night, when you have a sleepover, or around a campfire. The book has a good story line and can be easily followed. I hope you don't get too scared when you read about the Headless Horseman...
However, Moses's simplification of the narrative is masterfully executed, and the colorful, playful, and numerous paintings which adorn the book have a warm period charm of genuine Americana. Moses portrays the Hudson River Valley as a lush expansive valley not unlike the Garden of Eden on the first day of creation. Happy farmers, their wives and children, cows, geese, ducks and pigs frolic together amid fields of wheat and corn; galleons approach dramatically from the river; and the Catskill Mountains, sun, and sky suggested an infinite panorama and endless horizon full of promise.
The story tells us that the Dutch colonists were a superstitious lot, and that the Sleepy Hollow region itself was or seemed to be under a spell of some kind. The farmers and their wives suspected witchcraft; strange music was heard in the air; visions were seen; and the inhabitants themselves lived their lives in a kind of continuous dreamy revery. These tales and superstitions give rise to the legend of the headless horseman, said to be the ghost of a Hessian soldier who lost his head to a canon ball in the war, and now nightly prowling the region in search of it. Moses' nocturnal landscapes of the swamps, hills and the Old Dutch Cemetery under a bright harvest moon are particularly effective. Significantly, these stark, haunted landscapes do not violate the spirit of the book, but enrich its sense of wonder.
Moses' Ichabod is a cheerful but somewhat hapless fellow, confident and foolish in equal parts. His Katrina is a strong but innocent blond beauty, and a friend to children. Brom Bones is an appropriately square-shouldered, square-jawed hooligan, rowdy and full of mischief, if not absolute spite.
Anyone familiar with the tale knows that it is not a horror story but a folktale, a fireside spook story, and a 'legend' as Irving, writing here as Diedrich Knickerbocker, himself called it. This edition of the book is appropriate for children but is equally suitable for adults. Highly recommended.
Find out for yourself by reading Washington Irving's The Legend of Sleepy Hollow. I enjoyed reading this book and i think anyone who has a liking for mysterious legends and superstitions should read this book beacause of the interesting legend the town believes in. There are few characters to keep track of and the story is not hard to follow. The book is long but the reading goes quickly.
The story is set in the late 18th century in a town in New York called Sleepy Hollow. The town believes in a legend of a headless horseman who rides through the woods at night anf attacks people. The main character is a man named Ichabod Crane who is a schoolteacher from Connecticut. He moves to Sleepy Hollow in search of work and ends up going from home to home working as a tutor. One of his students is 18 year old Katrina Van Tassel who comes from a wealthy family. Ichabod gets the idea that he will try to marry Katrina in order to obtain the family's wealth. However, Katrina's boyrfriend Abraham "Brom Bones" Brut has other plans for Ichabod. As the tension rises, Ichabod continues trying to win Katrina until a breathtaking surprise appearance by the town's legend creates as mysterious an ending as they come.
The book has many strengths and few weaknesses. The author manages to create a mood in the book that keeps you always on th edge of your seat waiting for the legend of the Headless Horseman to come into play. The story is simple and easy to follow but is still very interesting. The characters are developed well and have personalities that you can understand and relate to. One such character is Brom Bones who is easily seen as an arrogant egotist. The only weakness of the book was one based on my personal opinion. The end of the story leaves too much to be concluded for my liking.
All in all, this book was a great story. The author wrote the characters in such a way that you had definite feelings towards each one of them. Also, the story line was definitely not without surprise. But if you want to discover what surprises I am talking about then I suggest you read The Legend of Sleepy Hollow.
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Another problem is the book's extremely terse, high-level approach to many important concepts; often a mathematical approach or an algorithm will be mentioned as a solution to a given problem (quadtrees, let's say), but once you try to take that knowledge from the chalkboard to the compiler, you begin to realize that there are some important pieces missing. Of course, no one expects a text like this to be a cookbook of code snippets, but as a primary textbook for an applications programmer this falls short. The tiny print and unhelpful illustrations don't improve matters much for pedagogy.
So, even though this is the Classic Textbook, I've found myself better served by a combination of other, more recent books -- Alan Watt's text on graphics in combination with Eric Lengyel's on 3D Mathematics, specifically. They won't cover *everything* there is to know, but they'll do a better job of getting you started than Foley, and the stuff they don't address can be found in other books or SIGGRAPH papers.
"This book is for thinking and researching."
"This is not a book that you can read while sipping a glass of wine..."
"the bible of computer graphics"
This is not a book that you will end up copying source code out of(a good thing). This book was my first step into the hardcore graphics world, and it was great. I don't think that more source code would enhance this book at all, mabye even the opposite. Source code is not what this book is about. If you are planning on implementing some of these algorithms, you must know how to code well, period. This is not a "here's how to code in C" manual, it's a "these are the principles of Computer Graphics." It's everything it claims to be.
I particurally like the excercises at the end of every chapter. Although I don't do them all, it gives me a guide to practice what I learned. The math in this book is not as hard as some make it out to be. It is Matrix/Vector algrebra and some calc. A glossary would have been a nice touch, as some of the vocabulary can be overwhelming at times, especially the acronyms.
"Recommended for the hardcore programming freaks." Hope the authors (I'm going to give credit to more than Foley) plan to write again.
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You'd think I would have known better? I couldn't blame them who wouldn't? cut air with scissors while sewing their needles into invisible cloth for the very low price of..... silk a loom golden thread a full bag of coins Oh those Villain Scoundrels! Now, I know not to buy such vestments with rather large investments Oh what a bratty gnatty I was For I thought I was cool but truly a fool Why emperor you look rather bare, that's quite rare! I was in such a pursuit For only a birthday suit I must admit now Me, My very own self yes indeed, your emperor himself have become a stupid and incompetent dandy All for the Imaginary Image! and now I live happily ever after, no more garb well, that is until the next apparel discovery (Now if you'll excuse me there's a clothier waiting at my door who says he's created the latest design in Pajama attire)
Understand, that this is not the normal audio book; this edtion has a large cast of actors who collaborated to produce this item as a fund raiser for Starbright.
The result is an ensemble piece that is witty and charming. Part of the fun for me, was guessing who was reading before looking at the cast list included in the box.
Other folks feel that this isn't for children; I don't know as I don't have children, but I found that my "inner child" was highly entertained for 40 minutes with this tape.
If you are a fan of one or more of the actors in this edition or like puns (there are many here!), then you will probably like the Starbright edtion of the Emporer's New Clothes.
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Cornelius Van Til is acclaimed by many in the Reformed community as the most important thinker since Calvin. Frame shares this opinion, while noting some of the weaknesses of Van Til's thought and writing style. For those who don't know, Van Til was a Christian apologist who developed a system called presuppositionalism. While it's hard to describe briefly, its central claim is that one must presuppose the truth of Scripture and challenge the unbeliever by showing that his beliefs are inconsistent with his presuppositions. The unbeliever cannot justify his own beliefs apart from the existence of a theistic universe. Hence, only Christianity can be shown to meet "every legitimate demand of reason." Van Til didn't reject the use of evidence in apologetics, but instead thought that evidences must be presented in a manner consistent with the presuppositional apologetics (This concept isn't exactly clear to me, even after reading Prof. Frame's chapter a few times.)
Van Til is hard to understand. First of all, his books aren't well organized. Second, he writes in such a way as to exaggerate the differences between his thought and other thinkers, and the differences between believers and unbelievers. If you take some of his ideas literally, Van Til appears to say that unbelievers don't know anything and there are no similarities between Christian and non-Christian philosophies.
As an aside, Frame's approach to Van Til is somewhat controversial within the Van Til movement. Frame believes that once Van Til's thought is stripped of some of its more extreme statements, his apologetics isn't all that different from other apologetic systems. Second, he disagrees with Van Til on a number of issues. After you read this book, read the late Greg Bahnsen's excellent "Van Til's Apologetics," which contains excerpts from Van Til's works along with Bahnsen's comments. Bahsen was a more consistent Van Tillian than Frame.
"Cornelius Van Til: An Analysis of his Thought" also includes a short biography of Van Til and a brief history of the Van Tillian movement. It includes a little too much of John Frame's biography interspersed in the text.. We really don't need to read an excerpt from Prof. Frame's seminary paper presented to Van Til. This is a minor point in an otherwise excellent book.
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