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The book's been a very pleasant surprise. It's quite intermediate in level. If you're not comfortable with a lot of theory basics, it would be a hard place to start. Similarly, experienced composers looking for inspiration for new directions probably won't find it here (or not enough to make it worthwhile). However, especially for composers with some experience, the book is an valuable way to brush up on theory, begin to apply that theory to examples and exercises and try some new approaches to writing.
If that's the type of book you're looking for, I heartily recommend this title.
It works on several levels. Even though it takes a "beginners" approach to introducing many topics, it doesn't shy away from "real" music. For example, even the first simple exercise contains something different - 5/4 time. A beginner will simultaneously learn the basics of chord progressions and melody writing, stripped down to the bare essentials, while delving into modern techniques like 12-tone rows and picture music.
The key to the book is the concept of restricting the musical palette by some simple rules, to prevent the budding composer being overwhelmed by the possibilities. Right from the first page, you are working on real composition examples.
Even though the book is not particularly aimed at computer music or sequencing, electronic music enthusiasts should find it useful. A lot of the minimalist techniques are ideal for sequencing. Plus, if your musical background is pretty basic, and you are looking to broaden it with a mix of traditional and contemporary techniques, this book should take you a long way.
By its very nature, a book like this can only touch on some areas. So you will probably want to supplement it with some other material if, for example, you want a bit more detail on counterpoint. Still, it manages to cover a huge amount of ground, with the most detail where it counts most - developing and harmonising melodies, and a very good section on writing music to lyrics (ie songwriting).
One last point - a lot of theory and composition books miss the mark with contemporary musicians because they approach the subject from the purely "classical" angle of cadence and resolution. This book is soundly classical in its approach to harmonisation and melodic development, but uses the comfortable pop/jazz approach to chord progressions, so it shouldn't lose any reader.
Highly recommended!
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There are many, many diagrams and photographs which help to solidify understanding, and they are all in full color. It is organized very well, although this organization has changed from edition to edition and any teacher or student using it in their courses should be aware that chapters and problems in this newer version do not always coincide with those in previous editions. The questions are excellent as well, although purchasing the solutions manual is a wise idea (it is also very well done, with long, detailed explanations of the answers to the problems).
Overall, of the 3 or 4 genetics textbooks I've looked at, this is by far the best one. In fact, it's one of the best textbooks I've ever used for any class. This one's a keeper.
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Sometimes, maximum value is only achieved by transforming your business. Ultimately, maximum value may be achieved by breakup or dissolution of the business. Once these sobering realizations are assimilated, Professor Williams proceeds in a very readable and informative way to help businesses understand where they are, where their markets are, and how to maximize value where they need to be. A must read for voyagers through the New Economy.
Thank you in advance for your response.
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A lot of financial concepts, instruments and products.
If you do not know anything about financial markets, this is the book!!!!
Is it enough? NO, it is not enough even for a beginner. Why? Because it does not tell you how to think in financial terms, and mainly how to make up your portfolio.
Yes, lots of graphs, figures, nice words, you think you are learning finance, but suddenly you realize that actually you know nothing and that you read a lot of vain pages. Unfortunately, you will be in the end of the book.
If want to know how to implement the models presented in the book, or even if you want a book that says the same thing that Sharpe's but in less pages, consider:
- Modern Investment Theory by Robert A. Haugen; or
- Modern Portfolio Theory and Investment Analysis by Edwin J. Elton, Martin J. Gruber.
In addition, he was very approachable.
Anyone seriously interested in investing should consider this book!
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Lot's of very good examples with good explanations.
This book has great information, not just about database access, but Java programming and Visual Cafe in general. I will keep this book in easy reach of my computer.
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I would recommend this highly to fans of the series who feel bereft at its close and long to return, to poke around a little themselves. Harbors and High Seas is full of taking off points, tangents to the stories that the curious reader can follow up on. A print of the decrepit Temple, reproduced here, might spark you to pursue some detail or other about Napoleon's Paris. The discussion of the many Desolation Islands has lots of little sides to it that could reward some curiosity. Like the stories, this is a sort of open-ended invitation into the historical setting, you might say.
Harbors and High Seas is a "companion" to the series, a complement to it, not just a reference to be consulted when you're muddled. Don't just refer to it -- read it for fun.
The only downside to having this companion is the irresistable temptation to read ahead...the plot lines of the first 17 books are all given in general outline. As O'Brian readers know, however, much of the joy is as much in the characterization and writing as in the plot line. So, even if you do look ahead, it in all likelihood only will increase your desire to move on to the next book....I personally can hardly wait to get to Treason's Harbour and the mood that O'Brian will create around historic Malta.
If you love maps, though, and have always used them to add a visual learning dimension and reference to the words, you can't possibly read the books without it.
In closing, I guess I should add the warning that as addictive as these books are, they become even more addictive with the companion.
Beware!