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When you first start playing the game, it's all a little confusing... the main goal is to strenghten all of your character's into hero's before Ragnarok (the end of the world) but the clock ticks down, and every area/town/dungeon you enter takes up a certain amount of periods (their measure of time)
First starting out you might be a little unsure of what you are doing, since the game gives you an enormous amount of freedom, plus huge and intricate dungeons.
If you want to get the most enjoyment and understanding out of the game you might as well go ahead and buy the guide.
I'm among the many who feel like strategy guides can ruin the gaming experience, but with Valkyrie it's really just going to enhance the experience. The game is so beautiful, beautiful 2D graphics and a side-scrolling format, complex but with tons of freedom, wonderful music, and an interesting storyline with ties into Norse mythology.
The music is excellent, the game is excellent, and it's also pretty complex. Do yourself a favor!
James possessed to a high degree qualities of attention, powers of observation, and an adorable desire to render experience vividly. It is a cliche to say that "a world comes alive" in pages like these, but that is the feeling I have when, for example, I read a letter written from Dresden to Oliver Wendell Holmes, Jr. on May 15, 1868: "Wendell of my entrails! At the momentous point where the last sheet ends I was interrupted by the buxom maid calling me to tea and through various causes have not got back till now. As I sit by the open window waiting for my bkfst. and look out on the line of Droschkies drawn up on the side of the dohna Platz, and see the coachmen, red faced, red collared, & blue coated with varnished hats, sitting in a variety of indolent attitudes upon their boxes, one of them looking in upon me and probably wondering what the devil I am, When I see the big sky with a monstrous white cloud battening and bulging up from behind the houses into the blue, with a uniform coppery film drawn over cloud & blue which makes one anticipate a soaking day, when I see the houses opposite with their balconies & windows filled with flowers & greenery -- ha! on the topmost balcony of one stands a maiden, black jaketted, red petticoated, fair and slim under the striped awning leaning her elbow on the rail and her peach like chin upon her rosy finger tips -- Of whom thinkest thou, maiden, up there aloft? here, *here!* beats that human heart for wh. in the drunkenness of the morning hour thy being vaguely longs, & tremulously, but recklessly and wickedly posits elsewhere, over those distant housetops which thou regardest..."
This jocular yet earnest mood is perhaps the most pervasive one in these letters. Yet we also get glimpses into the deep and suicidal depressions he fought during his early years. Several of the letters in this volume blossom into fascinating six- or seven-page ruminations on some of the deepest questions of philosophy and religion, for these are the years in which James, "swamped in an empirical philosophy," won through to a view of the world that found room for consciousness, will, and spirit. It is in his letters to (and from) Holmes, the physician Henry Bowditch, and his bosom friend Tom Ward that we feel most intensely James's mind and heart grappling with the ideas he cares most deeply about.
But James is not always mulling over deep principles. At eighteen years of age he briefly considered becoming a painter, and began studies to that end, so it is in his character to be fully alive to surface details of the scene about him. A commentary on cultural and political matters full of interesting judgments runs though these letters. Readers will also come to feel they know well every member of the James family. WJ's letters to his sister Alice are especially remarkable.
Though my initial reaction to the policy of extremely restrained annotation practiced by the editorial team was one of frustration, in the end I came to appreciate the free hand it gives us to reread letters more carefully and to feel ourselves into the wonderful and mysterious crannies of the inner life of a great human being. To this end, I recommend deferring the introduction by Giles Gunn until after they have concluded the letters. Professor Gunn (of UC Santa Barbara) has interesting and pertinent things to say -- especially about James's relation to his father, the Swedenborgian theologian Henry James, Sr., on whose work Gunn has written -- but there is nothing there that cannot wait until readers have first immersed themselves in the primary texts.
The volumes of this series are beautiful in their craftsmanship, and it is an aesthetic as well as intellectual delight to manipulate and peruse them. This volume would make an excellent gift for a bright high school senior or college freshman, since the problems of youth and of finding a vocation hold a special place here -- for anyone struggling with a chronic or debilitating illness (James is plagued with back and eye problems through most of these years) -- or indeed, for anyone who reads!
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1. The facts about Riley are not as interesting as the myths about his life.
2. He was not the author of great literature.
It is, of course, the duty of the serious biographer to present the truest picture possible of the life of the biography's subject. To this end, Elizabeth Van Allen has done a prodigious amount of research in documents relating to the life of Riley. The result is a scholarly but readable and interesting book. She rightly puts to rest the myths about the poet, intriguing though they may be. Furthermore, as a historian, Van Allen discusses the significance of Riley's poetry but does not attempt to defend it as outstanding literature.
Certainly, the biography of Riley will be most popular in Indiana where he is still revered by many, but it also will be of interest to anyone who is interested in American cultural history. In presenting the context for Riley's early years, the author paints a clear picture of life in the Midwest in the second half of the 19th century. As Riley rises to national fame, the reader learns of the role of newspapers as a purveyor of literature in the late 19th century, the national importance of regional literature in that century, and the important role of the national lecture circuit as mass entertainment of the period.
As an immensely popular entertainer on platforms throughout the nation and later through the marketing efforts of his publisher and of Riley himself, before movies, radio, television, or rock and roll, Riley was the 19th century precursor of the 20th century pop culture celebrity. This fact alone makes him a figure worth reading about and the author's authoritative and entertaining book worth buying.
Another evaluation of the book that is recommended is the review by Rich Gotshall in the Indianapolis Star issue of Sunday, November 7, 1999.
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The contributors are all leading scholars who are excited about their subjects. They brilliantly employ the tools of honest, objective, historical criticism--but they also do not apologise for their faith. This short collection provides an excellent introduction to the work and thought processes of these wonderful scholars. I recommend it highly.
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