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Juggler is definitely unique, fresh, and at the same time raw. It captivates and holds you right there in those pages. I agree with the other readers, you just cannot put the book down after the first few pages, it sucks you in and keep you reading to the very end.
Stefan's writing style is as different as Steven King is to Clive Barker. The only similarity that Stefan has to these other authors is the genre that Juggler belongs to. Stefan does not copy any other writer's style that I know of. He is in his own right -- unique. On the contrary, he will rise in popularity because of his unique style of writing. Whether you like the styles of Steven King or Clive Barker in their novels, Stefan had added his own style to this genre that will definitely gain many fans of his own.
Looking forward to his next novel...
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Felipe Gravier and Lorenzo Schiavo review:
We think that Romeo and Juliet tells the story of two star-crossed lovers whose families are in a terrible fight which prevents them from coming together. How far the couple will go to be together becomes the focus of the story. Of his richest poetry. The opening and closing choruses are some of his most outstanding work. Romeo's It is a brilliant love story but not much more. It still possesses however some wooing of Juliet is fabulously written. The Friar gets the best lines. Mercutio is one the best friends of Romeo. It is not as good as Shakespeare has written but it's still a fabulous book and up there with his best work. One part of the play we didn't like was that for the tow families get arrange there two kids had to die.
The English language wasn't finally finished so Shakespeare had the liberty to create words and play with the language, as he liked. That's why It was so difficult to understand what each character wanted to express so the teacher had to explain us each of that words and teach us all the words in that age and told us which were the words in the English of today.
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This book was a overall well writen book and I beleive E. Nesbit put a lot of hard work into her books in her life-time. I'm sure if she were alive now she would still be writing good books to this day.
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Used price: $68.98
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Excerpts "These books are massive, authoritative expositions of synchronization;their authors are long-time researchers in the field. Heretofore there has been no book, to my knowledge that provides a comprehensive up-to-date account of sync.of data signals-until now"
"Both books are directed at advanced graduate students, seasoned practicioners, or active researchers"
(About the book' Digital Communication receiver') "(But) this book is without peer for someone who wants to probe into the underlying foundations of data signal reception, or to cope with difficult fading channels" "
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Used price: $14.82
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Used price: $3.85
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She was an accomplished horsewoman, having learned how to hunt in France, leading armies into battle, and escaping from imprisonment in Scotland by all-night rides; cultivated, having learned poetry from Ronsard in France, and continuing to write poetry in French much of her life; passionate, falling madly in love with the unworthy Darnley, then after his death, with the dark Bothwell, his assassin; religious, defending Catholicism against the extremist protestants of Scotland and Elizabeth I of England, and finding solace in her religion at the end of her life. Surrounded by Scottish lords looking out for their own clans, she was unable to play the brutal game of survival, preferring to follow her instincts and desires. Zweig's short book combines historical facts with speculation on her motives and character; this is a book that reads like a novel, written by a master of biography. I would love to see a new movie based on this book, because I find her story so intense and relevant to today's world. I put off reading the last chapter (about her execution at the hands of perfidious Elizabeth I, who then denied her responsibility in it) until I had time to start re- reading the book from the beginning, because I didn't want it to end!.
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List price: $19.95 (that's 30% off!)
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Collectible price: $42.00
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This book lifts the lid on all our progressive city has to offer, it educates those who have outdated knowledge of Pittsburgh, and it makes a great gift book.
If that's not enough, it provides an ideal history lesson for all as Western Pennsylvania has many historic sights to see as well as splendid architecture!
After reading, you'll want to extend your next business trip to Pittsburgh, shop in more than our airport, and visit our family-friendly parks. Don't forget: Mister Rogers lives here! Your kids will love Idlewild Park, with the only life-size Neighborhood of Make-Believe.
If you can't be our neighbor, come see us. You won't be disappointed!
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The purpose of our visit had everything to do with 'The Book'; the style in which Pittsburgh's citizens would affectionately refer to Stefan Lorant's monumental opus Pittsburgh: the story of an American city. With an initial ten years in the making, first published in 1964 and revised in 1974, 1980 and 1988, Lorant was completing a fifth edition when he died in November 1997 just 100 days short of his 97th birthday. Twenty-five thousand copies of this new version, the 'Millennium Edition' are now on the bookstalls due to the tenacity, talent and sheer hard work of Bruce and Gail Campbell who inherited the copyright. Lorant himself was tenacious, immensely talented, capable of recognising talent in others and certainly subscribed to the work ethic. It is intriguing to speculate why a Hungarian, a foreigner and stranger to the city could write such a volume, on the surface a notion to be easily dismissed but a reality that became spectacularly successful.
Stefan Lorant was born in Budapest on February 22nd, 1901 and died in Rochester, Minnesota on November 14th, 1997 at 96-years-of-age. He was a witness to the century with his life spanning a period of political turmoil, war and social change. Lorant became a legend within his lifetime. His work as a visual and literary editor allowed him to pioneer and develop the genré of picture based journalism at a period in time which saw the emergence of modern mass communications. Internationally he became a guiding force, disseminating his ideas and political knowledge throughout Europe in the late-twenties and thirties by working in Germany, Hungary and England, eventually spreading his sphere of influence to America where he introduced the concept of the pictorial biography. His innovative layouts, his 'exclusive' interviews and thirst for knowledge became a familiar part of millions of everyday lives, largely through the pages of his own creations, and in particular the legendary media icon Picture Post. His vision of photography as a documentary medium inspired Life and Look magazines in America, and paved the way for the eventual emergence of the television documentary. For this he became recognised as 'the father of picture journalism'.
Originally published in 1964, the first edition of Pittsburgh: the story of an American city is the mature Lorant at his most brilliant. 'The Book' had a specific local audience as well as a wider interested public throughout America and that is reflected by the reviews of the first edition. Harrison E. Salisbury in The New York Times sees 'The whole tumultuous story of Pittsburgh, magnificently illustrated... is presented in this volume... the study of the metamorphosis is all here-the bloody struggles of the nineteenth century, the grit and smoke, the politics, the toil, the sweat-the imagination.' Publishers' Weekly was equally congratulatory but in a different way. 'It is certainly one of the most fascinating detailed picture histories yet attempted of any city anywhere. For readability, thoroughness (ten years of research went into it), graphic quality, and broad scope (it covers political and social history, daily life, labor problems, architecture and what have you), this is a model history of an American city.'
Lorant's Pittsburgh: the story of an American city is not just a biography of a city but a microcosm of the American peoples. Just ten or so days before he died in November 1997, Lorant complained that he only needed a good day to complete 'The Book'. To be accurate Lorant's 'good day' did not mean a working period of time between dawn and dusk, or any other measure within that 24-hour cycle. It was an infinitely variable amount of time necessary to complete the story to Lorant's satisfaction. He was not to have that 'good day'. He had completed the layout for the new pages and commissioned the new photographs, most of which were in place. Picking up the editorial reigns, Gail and Bruce Campbell have produced this new edition with Bruce weaving the strands of the new final chapter from 1988 to the millennium which he entitles, 'The best is yet to come'.
There are parallels with which Lorant would have been acquainted. Mozart's pupil Süssmayr, well appraised of his master's procedure and intentions completed the final masterpiece-Requiem in D minor. By comparison, the Campbell's share an affinity with Lorant's intentions and have produced a contemporary and forward looking vision which retains Lorant's classic composition.
Those of us who knew Lorant well, can still visualise him sat at his kitchen table in his farmhouse in Lenox with a copy of the new Millennium Edition open in front of him. For a while nothing would be said, though nothing would be missed. Eventually there would be a slight shrug of his shoulders, a nonchalant wave of his hands. 'It is good, very good-but with my help, perhaps we could have made it ten percent better.' That would be praise indeed from this great Hungarian editor, for without question Lorant would have approved.
This is a 'must-have' for any millennium book list!
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List price: $39.95 (that's 30% off!)
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I would already speculate that this book will become a real classic and I recommend it to any strategist, CEO or CFO interested in the mechanics of consolidation trends and finding long term survival strategies.
Juggler is definitely unique, fresh, and at the same time raw. It captivates and holds you right there in those pages. I agree with the other readers, you just cannot put the book down after the first few pages, it sucks you in and keep you reading to the very end.
Stefan's writing style is as different as Steven King is to Clive Barker. The only similarity that Stefan has to these other authors is the genre that Juggler belongs to. Stefan does not copy any other writer's style that I know of. He is in his own right -- unique. On the contrary, he will rise in popularity because of his unique style of writing. Whether you like the styles of Steven King or Clive Barker in their novels, Stefan had added his own style to this genre that will definitely gain many fans of his own.
Looking forward to his next novel...