I was the young boy who lost his father in a coal mine accident and knew Clifford and Ethel very well. Jim shows a
keen and accurate memory on these events and Ellies "editing" and writing are superb. They are to be congratulated. It has been said that someone is not really dead until they are forgotten. Jim and Ellie have assured Clifford and Ethel will not be forgotten for many years.
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Edited by one of the greatest activists and advocates for Latinos all around the world, actor Edward James Olmos, "Americanos: Latino Life in the United States" is a collection of beautiful photographs and stories of Latinos throughout the United States. From Mexican-Americans in California to Puerto Ricans in New York City, Olmos and a team of other editors have produced a book that perfectly and respectfully captures the beauty and realities of Latinos all around. Available in hardbound and paperback editions, "Americanos: Latino Life in the United States" is a must have for Latino/Hispanic Studies students/enthuasists or for anyone who tuly appreciates cultural photography. The book, which was accompanied by a U.S. museum tour of photographs featured in the book, is truly a milestone for a community that has risen from a long sleep and awakened to become the most dynamic and promising group in the Americas.
If I can use two words to describe this book, I would use "moving" and "beautiful." It's a must have book in your library, especially if you're Latino.
This is a very well done book with very good graphical editation done by Manuel Monterrey. I recomend it.
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List price: $9.95 (that's 75% off!)
Do yourself a favour and take a trip back into Nineteenth century where technology is just a blink in everyone's eye. What you will discover, however, is that human beings have not really changed, just the conventions have.
Trollope presents a dilemma for most readers. On the one hand, he wrote an enormous number of very good novels. On the other hand, he wrote no masterpieces. None of Trollope's books can stand comparison with the best work of Jane Austen, Flaubert, Dickens, George Eliot, Tolstoy, or Dostoevsky. On the other hand, none of those writers wrote anywhere near as many excellent as Trollope did. He may not have been a very great writer, but he was a very good one, and perhaps the most prolific good novelist who ever lived. Conservatively assessing his output, Trollope wrote at least 20 good novels. Trollope may not have been a genius, but he did possess a genius for consistency.
So, what to read? Trollope's wrote two very good series, two other novels that could be considered minor classics, and several other first rate novels. I recommend to friends that they try the Barsetshire novels, and then, if they find themselves hooked, to go on to read the Political series of novels (sometimes called the Palliser novels, which I feel uncomfortable with, since it exaggerates the role of that family in most of the novels). The two "minor classics" are THE WAY WE LIVE NOW and HE KNEW HE WAS RIGHT. The former is a marvelous portrait of Victorian social life, and the latter is perhaps the finest study of human jealousy since Shakespeare's OTHELLO. BARSETSHIRE TOWERS is, therefore, coupled with THE WARDEN, a magnificent place, and perhaps the best place to enter Trollope's world.
There are many, many reasons to read Trollope. He probably is the great spokesperson for the Victorian Mind. Like most Victorians, he is a bit parochial, with no interest in Europe, and very little interest in the rest of the world. Despite THE AMERICAN SENATOR, he has few American's or colonials in his novels, and close to no foreigners of any type. He is politically liberal in a conservative way, and is focussed almost exclusively on the upper middle class and gentry. He writes a good deal about young men and women needing and hoping to marry, but with a far more complex approach than we find in Jane Austen. His characters are often compelling, with very human problems, subject to morally complex situations that we would not find unfamiliar. Trollope is especially good with female characters, and in his sympathy for and liking of very independent, strong females he is somewhat an exception of the Victorian stereotype.
Anyone wanting to read Trollope, and I heartily believe that anyone who loves Dickens, Austen, Eliot, Hardy, and Thackery will want to, could find no better place to start than with reading the first two books in the Barsetshire Chronicles, beginning first with the rather short THE WARDEN and then progressing to this very, very fun and enjoyable novel.
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It's comforting in a way that these novels, which were considered (and still considered by some) as trash, disposable items of consumption, are collected along with the novels of Melville, James and Hawthorne...."elevated" to high brow lit.
Perhaps the original authors of these masterworks would disagree on the modern critical re-assessment, but to readers like myself, it's just confirmation of something we've known ever since we first discovered them.
The first story is from James Cain, and it's a whiz-bang of a tale. I had heard of "The Postman Always Rings Twice" before, mainly in reference to the two film versions of the story. This is one dark read. Adultery and murder never seem to mix, and it sure doesn't here, either. Told in first person narration, a drifter gets himself mixed up with a washed up beauty queen who is tired of her Greek husband. The result is classic noir: a conspiracy to murder the poor schmuck and run off together. As usual, the murder brings about tragic consequences. This story has more twists and turns than you can imagine. The ending is especially atmospheric. This is certainly one of the best stories in the book. I always like to see a story where the blackmailer gets a good beating.
Horace McCoy's "They Shoot Horses, Don't They?" is next in line. This is another great tale that was made into a film in the 1960's starring Hanoi Jane Fonda and Gig Young. The movie is soul shattering, with depictions of dehumanization in the neighborhood of "Schindler's List." The story is not quite as good, but it still packs a heck of a punch. The story is set in Depression-era America and depicts the horrors of a dance marathon. These marathons were apparently quite popular during the 1930's, until they were ultimately outlawed. Contestants were required to dance for hundreds of hours with only ten minute breaks every two hours. The couple that lasted the longest won a thousand or so dollars. The public would come and pay admission to watch this sorry spectacle. It's like poking sticks at animals in a cage. This story is loaded with dark depression and sexual innuendo. The conclusion is suitably depressing to merit a noir award.
"Thieves Like Us" was pretty substandard when compared to the other stories in this book. This one really didn't seem to have those noir elements that I like so much. Actually, it's more of a Bonnie and Clyde type story. A penitentiary break leads to a crime spree across Texas. Banks are robbed and cops are killed while the gang lives on the lam. A relationship between Bowie, the main character, and a girl named Keechie really doesn't add much interest to the story. There is some good dialogue and a bit of desolate atmosphere, but not enough to lift this to the level of noir. I don't know why this story is included here. Try and guess how the story ends (the clue is "Bonnie and Clyde"). I hope that Edward Anderson's other stories are better.
Kenneth Fearing's "The Big Clock" is excellent, and brings the level of the book back up to where it should be. Set in a magazine publishing house, this tale is sleek and smart. The story is told in first person narration, but Fearing shifts the narration to various characters in the story. These constantly changing viewpoints turn the story into a roller coaster ride of epic proportions. An editor at the company makes the mistake of sleeping with the boss's woman. When this lady turns up dead at the hands of same boss, all heck breaks loose. This story is riveting and has a great ending that is all suspense. A must read.
William Lindsay Gresham wrote "Nightmare Alley" after some discussions he had with some carnival workers. This story is the longest one in the book and is a decent addition to the volume. Full of unpleasant images of murder, swindle, cynicism and downright perversion, you won't be disappointed when this one comes to an end. A scheming magician decides to take his con to the big time by posing as a Spiritualist minister, and as usual, the end result is tragedy all around. This story is downright depressing, and if you don't feel sorry for Gyp, you have got a problem. I didn't really care too much for the (...) addition of the black Communist towards the end of the book. Gresham had a flirtation with the Redski movement, so this apparent insertion makes some sense in that context. It goes nowhere in the story, however. There are some other holes in the plot but overall this is an entertaining story.
The final tale comes from the sumptuous pen of Cornell Woolrich. "I Married a Dead Man" becomes instantly familiar within a few pages, mostly due to the numerous films that have copped the plot. The writing here is far superior to any of the other stories in the book. I'd say it's far superior to most writing in general. The metaphors are extraordinary. Look for the description of Bill lighting his cigarette in the doorway. Wow! The story centers on a case of mistaken identity with a strong dose of blackmail thrown in for good measure. Of course, there's also a murder. This story is outstanding.
Overall, if you are just starting to read noir, start with these two volumes. It is good to see some of the best noir has to offer, and you will find some of it in these pages. The book clocks in at 990 pages, but it reads really fast. There is also a nice summary concerning the careers of each author at the back of the book. Recommended.
"They Shoot Horses..." was my favorite of the bunch for it's depiction of deperate people doing desperate things to survive in the form of a Dance Marathon. But are they doing this out of deperation (even the winner of the prize money, after months of physical torment , will end up having made less than a dollar a day)? Or becuase there is nothing else to do? What is futile and what is meaningfull, the story seems to be asking.
"Nightmare Alley" brought the Tyrone Power movie back home, only the ending seems more poignant. The author organzies each chapter along the 22 minor arcana of the Tarot, a device used by later authors like Robert Anton Wilson and Umberto Eco.
"The big clock", filmed at least twice with variations on themes, uses a unique writing style of shifting narratives from the main characters' points of view and has an awfully modern motive for the murder (probably a little too modern for that period).
"The Postman.." and "I Married a Dead Man" story were also very dood. The Noir theme of "Crime Does Not Pay" runs through most of theses stories, but when you read them, you realize that it's not as simple as that. In the end, who really wins and loses and does it matter?
I don't think one can do better for reading the greats of American Literature than through the Library of America seri
The author oversimplifies the relationship between Joan, the Fair Maid of Kent, and Edward, the Black Prince, by calling them cousins. Joan's father, Edmund, was both a half brother of Edward II and a cousin of Edward II's wife, Isobel of France (who contrary to the motion picture, never had any contact with Wallace). A grand-daughter of Joan and Sir Thomas Holland would marry John Beaufort, a nephew of Edward the Black Prince, and a daughter of that marriage would later marry King James I of Scotland with descent to the present royal family.
It is actually the NINTH book in the series. It may only appear to be the fourth due to the fact that Tor only included in the list of previous books those which had been published by Tor. The rest of the series was published by Ace Fantasy, with the exception of the very first book, The Dragon and the George, which was published by Del Rey in 1976.
Essentially, I just didn't want anyone to miss any of the books out of this wonderful series. Happy reading!
What makes Dickson so good that he has managed to author two major series (the dragon series and the Dorsai series) and innumerable other novels and collections? Personally I would call it superior plot making, intense dedication to details, and yes, heaps of talent. Dickson always takes the necessary time to draw his characters out fully, be they James Eckhart the knight/apprentice mage/sometimes dragon who is the hero of the story or the lowly master carpenter who keeps James in everything from chairs to outhouses. And he goes to know end of trouble to make sure that the reader painlessly acquires enough 14th century lore to make sense out of the goings on.
This volume finds James at Malencontri, his castle, trying to cope with both a plague of Plantagenet nobility and the very real plague which is advancing into James part of England. In addition, Carolinus, James mage master (one of the three AAA+ mages in the world, he'll have you know) is insisting that the King be protected at all costs. The Plantagenets on hand are Prince Edward the Fourth, the king's son and the beautiful Countess Joan, the Fair Maid of Kent. All they want is James assistance in a plot to make Edward the Third fond of Edward the Fourth again. This plot becomes ever more complicated until James finds himself commanded to appear before the King at Tiverton, where Edward III has retired to avoid the plague in London.
While this complexity develops James works overtime to prepare Malencontri against the plague. Since James and his wife Angie are actually visitors from our time who were unexpectedly thrust into the 14th century of an alternate earth, they know something of germs and disease protection. Since magic will not work on diseases, it is this knowledge which it their only hope. In the midst of all this confusion and stress, the EcKharts, their closest friends and Hob (the castle hobgoblin) are off to Tiverton to see the King.
Thanks to Hob, James is able to discover that an evil plot is afoot at Tiverton. Goblins, who are spreading the plague in order to take over the world, have slain the real castle staff and are now running it in disguise. James, due to his commitment to keep the king alive, goes into action. Since this is less that a third of the way into the book, it should be no surprise that Jim manages to use a small handful of men and knights (plus the unstoppable Hob and his buddy the hob of Tiverton) to completely mop up the Goblins and airlift everyone to Malencontri. Unfortunately James comes down with both the plague and magickal exhaustion simultaneously. Does he survive? Of course! Does he spend the rest of the book frantically trying to save Malencontri and the rest of England? You bet, but I will leave the rest of the plot for the reader to discover.
With this, fourth, volume in the series, it is getting a bit harder to simply pick up a volume and follow along. First of all you keep getting the feeling that you have missed several really good books, which you have. Secondly, there is simply too much background after three solid novels to present enough information to the reader. This isn't all bad though, you will get to read several very good fantasy tales. And if you do wind up reading it first, you will still love it enough to come back to read a second time. Highly recommended.