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This small volume is part of the Movie Monsters series and the novelization by Carl R. Green and William R. Sanford purports to be adapted from a screenplay by Garrett Fort. In fact, all of these books that I have come across say that. Ironically, "Dracula's Daughter" is the first film in this series where the IMDB backs up the claim. Go figure. All of these books are based on classic (and semi-classic) black & white horror films from the Thirties, Forties and Fifties. So far, "Dracula's Daughter" is the best of the bunch.
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From poverty in Ireland to fame and notoriety in London, England, the multi-talented Dorothy Jordan would have many admirers. A one man woman, however, she was devoted to hearth and family. Her intimate relationship with the Duke of Clarence would span twenty years and ten children. They would live in connubial bliss as a family, though he could not, for reasons of state, marry her, being third in the line of succession to the throne of England. With William, Ms. Jordan was to know great joy and great sorrow.
William's penchant for living beyond his means, however, ensured that Ms. Jordan would continue working in the footlights of the theatre, as her income was a necessity to maintain their high standard of living. This would prove to be a sore point between them, as Dorothy wanted nothing more than to leave the paintpots of the theatre and live the life of full-time wife and mother. William's profligate spending would ensure that her dream would never come to fruition.
Eventually, William would have a mid-life crisis and their twenty years of family life would come to an abrupt end, as William would ostensibly seek to meet his obligation to the state. Dorothy Jordan, now an ill woman in her fifties, abandoned by her long time lover and husband in all but name, ignored by the very children to whom she had been so devoted, would live the lonely life of an expatriate in France, living out her remaining years virtually alone and friendless.
This is an engaging work of historical fiction, providing many glimspes into the lives of members of the royal family and all their contretemps. It provides a peek into the madness of King George III, the various relationships of George, the Prince of Wales, including that with his long time mistress, Maria Fitzherbert, and that with his much disdained wife, Caroline. All these personages and their lives provide a backdrop for William's and Dorothy's relationship, making for a three dimensional, well told tale that all those who love historical fiction will enjoy.
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This book is concise. There is little effort wasted in going into more detail than necessary in the explanation of concepts the reader should already be familiar with. What you get is the information needed to pass the exam, and little else.
Among the highlights are test taking tips, handy alerts which stress material likely to be covered by exam questions, where to go to find additional resources, and a tear-out "Cram Sheet" presenting a condensed collection of relevant facts. The book comes with a CD containing practice tests and an electronic version of the text.
Each chapter concludes with a set of sample questions testing the material taught in that chapter. Two comprehensive example tests round out the book. This brings up my only real complaint, which is that the end-of-chapter questions have the answer immediately following each question, instead of in a separate section away from the questions.
If you are an experienced OO or Java developer planning to take the exam, or if you are seeking a companion for another exam guide, this is the book for you. The included electronic version of the book is very much appreciated and something more publishers should take note of.
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The mad scientist in question is Professor Deemer, who has the noble goal of providing more food for the world. Towards that end he has using his own atomic pile to change nutrients into "super food," which has produced a giant prairie dog, rooster and tarantula (the movie did pick the best of the three to be the monster). However, Deemer has also been experimenting on human with deadly results having to do with acromegaly, where a gland goes haywire and your face, chest and hands start growing out of control. The professor falls victim to his own evil designs, but that is nothing compared to the fact that his tarantula has escaped from the laboratory and is roaming the countryside undetected and eating cattle.
On the one hand, this book reduces the thrill of a giant spider terrorizing the countryside to a few black and white photographs from the film, but it does capture the "scientific" intrigue that makes it all fun. Certainly this is not a substitute for the film itself, which was arguably the best of the giant monster insect/spider movies of the 1950s, but it does a nice job of adapting the script into juvenile novel form. Despite the fact there are a lot of photographs in this book, it is not a photo novel, but a legitimate novelization of the script. To quote the opening of "The Rocky Horror Picture Show": "I knew Leo G. Carroll was over a barrel when tarantula took to the hills."
"Bride of Frankenstein" tells a even greater horror story that the original, because with all that went wrong the first time, such as the creature killing a young girl and almost killing his fiance Elizabeth, Dr. Henry Frankenstein wants to try to create life in his laboratory a second time. He is prodded on in this effort by Dr. Septimus Pretorius, who actually puts the "mad" in mad scientist more than Henry. Meanwhile, the creature is out in the world roaming about and manages to make a friend of a blind hermit living alone in the woods. Here is where the screenplay, as well as this novelization, captures the essence of Shelley's argument in her novel. Frankenstein's great sin was not in creating life, but in abandoning his creature after it was born. From the hermit the creature gets a sense of what it is missing and returns to its creator to demand it make a bride for the monster--or suffer the loss of his own beloved.
As an adaptation this little volume is both concise and accurate, sticking to the essence of the film. Both the comic elements involving some of the locals and the monster's love of things dead are eliminated, and I would agree with the reasons for doing so. The reading level is certainly appropriate for the intended age group of elementary school students. The book is also illustrated with black & white photographs of the film, although, ironically, the title creature is seen only under wraps before her reanimation. Most people consider "Bride of Frankenstein" to be superior to "Frankenstein" as a film, but I believe it is important to see them both. Furthermore, if you truly love works of horror, you have to read the original novel sooner or later. I have taught not only the novel but the two films, because they set up interesting discussions and papers dealing with what Hollywood has done to Shelley's original vision of "the Modern Prometheus" (the novel's subtitle).