Reading an acting book must be taken inside the context of personal experience of either production or an acting class.
I value Checkov for the simple reason that, although he often comes across as nebulous and abstract, he stresses the fantastic and imaginative elements of acting.
Escewing working from the emotional inside out Checkov, a veteran of the Moscow Art Theatre, stresses finding the character through imaginative excercises that first engage the external elements of the actor's instrument namely in the creation of fantasy atmospheres and communion with the audience.
Building upon Jung's theories of the Universal Archetype, I find Checkov's bit about the psychological gesture and "living statues" most helpful in teaching, acting and directing.
In a professional world where gut wrenching, self absorbed displays of therepy induced emotion passes for true acting, I find Checkov's teachings most helpful in inspiring the true reasons many find themselves drawn to the stage: the wonder and excitement of telling an imaginative story.
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Parenting your Parents is an excellent book for anyone that is dealing with aging parents or may have to in the future. It has many examples of typical situations and offers practical advice and support. There are also many lessons for people of all ages, for many of us will be facing the same issues as we age.
The most powerful part of the book is the last section when one of the authors discusses problems he is addressing with his parents. It is very emotional and is an excellent way to end an excellent book.
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The information and approach are straight forward, easy to understand and most of all, easy to implement. They don't just give you a way to "solve a problem", they teach you the core theories, which then enable the family and school to customize their approach.
I have purchased many "ADD" books, and this one far surpasses in quality and presentation. The second runner up (and has more worksheet templates inside) is "Add/Adhd Behavior-Change Resource Kit : Ready-To-Use Strategies & Activities for Helping Children With Attention Deficit Disorder".
If you purchase this book, I STRONGLY recommend that you also purchase the accompanying workbook, The AD/HD forms book: Identification, measurement, and intervention. [Contains 30 forms and checklists for children and adolescents with ADD/ADHD] ...
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Two very different approaches.
In spite of the practical application of Chekov's ideas, there is a childlike hunger here for the imaginitive and mysterious that I feel is critical for any artist. We can appreciate that Chekov defied Stanislavski in search of something of his own, and here is perhaps the most interesting point: Chekov's method was deeply personal. He created his own approaches, and took bold risks in doing so. I most enjoyed the descriptions that his book has of how Chekov would create his own characters.
That any artist could throw themselves into their work with such interest and abandon is thrilling.