Used price: $8.50
Buy one from zShops for: $17.95
While this was intentional, serendipity happened as it is wont to do and I found more parallels than I could follow. These two books come from radically different fields (Architecture and Complexity theory) and were published nearly 40 years apart yet are highly resonant with eachother.
Alexander effectively discusses the synthesis of form in the context of functional goals and/or constraints. He draws from architecture for his examples and ideas but the results are much broader.
He outlines the ideas which will eventually become his Pattern Language and "The Quality Without a Name".
Meanwhile Kauffman is speaking contemporarily of the underpinnings of "life itself" also from what is essentially a structural arguement.
Both are essentially speaking to the same thing: How form emerges from functional constraints in the context of evolving systems. In one case it is the artifacts of living spaces we build while in the other, it is the more intimate artifacts of the phenotype of a species or more generally, evolving complex systems such as our universe in all of it's glory.
Many have criticized Kauffman's work as being unoriginal in the sense that most of what he says has been said before, only separately and differently. In some sense, all works are "derivative".
I believe that the parallels between these two books are more an example of parallel evolution. Alexander was studying the essential qualities of a design discipline as old as man and therefore highly evolved. The topical area of architecture, built spaces for human work and habitation is extremely rich and complex in it's own right. It is not surprising that he would have discovered in this narrow field something as essential and interesting as Kauffman seems to be exposing if not discovering about the mathematical and structural underpinnings of "life itself".
An excellent (pair of) read(s)!
I look forward to Alexander's _Nature of Order_ whose title reminded me of Kauffman's _Origins of Order_ which in turn inspired me to read them together while awaiting Alexander's new books!
It is not based on things that really happened, although it has people who really existed, such as President Ulysses S. Grant.
The adventure begins when Ulysses Grant comes to Vesper Holly's door asking for her help with a kidnaping of two children. The kidnaper is using the children to ransom the emperor of Brazil.
The kidnapper hates Vesper Holly, so he made it clear that bad things would happen to the children if she did not deliver the ransom. That way he can put her in danger to get revenge on her.
List price: $19.95 (that's 30% off!)
Used price: $1.22
Collectible price: $1.23
Buy one from zShops for: $10.00
List price: $16.95 (that's 30% off!)
Used price: $2.91
Collectible price: $20.07
Buy one from zShops for: $3.98
Used price: $12.71
Collectible price: $30.58
We get plenty of revolutionary and anarchist theory from Berkman. He opens a door into the thoughts and feelings of people struggling for economic and social justice 100 years ago. More than that, he opens a door into the mindset of a fanatic, one which may help us understand the motivations of those who flew their planes into the World Trade Center and the Pentagon on 9/11/2001:
"Could anything be nobler than to die for a grand, a sublime Cause? Why, the very life of a true revolutionist has no other purpose, no significance whatever, save to sacrifice it on the altar of the beloved People." (p. 12)
"My own individuality is entirely in the background; aye, I am not conscious of any personality in matters pertaining to the Cause. I am simply a revolutionist; a terrorist by conviction, an instrument for furthering the cause of humanity." (p. 13)
"True, the Cause often calls upon the revolutionist to commit an unpleasant act; but it is the test of a true revolutionist-nay, more, his pride-to sacrifice all merely human feeling at the call of the People's Cause." (p. 12)
Berkman, the purist, disdains his fellow prisoners. He sees himself as better than they are, a Servant of Humanity, not a petty criminal, a predator on the poor. But, life in prison, although it does not shake his revolutionary and anarchist convictions, does bring him down from his ivory tower. Berkman begins to see that:
"The individual, in certain cases, is of more direct and immediate consequence than humanity. What is the latter but the aggregate of individual existences-and shall these, the best of them, forever be sacrificed for the metaphysical collectivity?" (p. 403)
His revolutionary understanding also shifts. He begins to differentiate between the autocratic despotism of Europe and the despotism of republican institutions:
"The despotism of republican institutions is far deeper, more insidious, because it rests on the popular delusion of self-government and independence. That is the subtle source of democratic tyranny, and, as such, it cannot be reached with a bullet. In modern capitalism, exploitation rather than oppression is the real enemy of the people ... the battle is to be waged in the economic rather than the political field." (p. 424)
This is not, however, a political manifesto (for that, one can read Berkman's ABCs of Anarchism). Berkman reveals his inner processes during fourteen years of incarceration. We discover, not only the horrors and corruption of the prison system, but also wander intimately through Berkman's mind. We visit his childhood, soften at unexpected gentlenesses behind bars, and begin to appreciate something as simple as the sunrise.
Although Berkman did not write the memoir until after he left prison, it has a sense of surreal immediacy. He wrote in the present tense, but that alone does not account for the way his text grips, and drags the reader into the maelstrom of his experience. We run with him through childhood memories, daily brutality, fantasies of escape and suicide, and the ideals that keep him sane. His longing for Emma Goldman shines through the text. He enthrones her almost as the guardian of his sanity through the years. Little can compare with the poignancy of his fantasy of mailing himself to his beloved Emma, escaping prison and finding himself with her again. (p. 135-137)
Five stars. Absolutely brilliant work, as relevant today as it was nearly 100 years ago. In her autobiography, Living my Life, Emma Goldman recounted how Berkman saved his sanity and his life by writing this memoir. The deep introspection, the flights of fancy, the accounting of prison life-all deeply illumine the best and the worst of human nature. This book is required reading for anybody who wishes to understand the fanatical, terrorist mindset, for Berkman describes that aptly. Far more importantly, he shares the experience of survival and transformation. He, who entered prison a fanatic, left those iron gates more committed than ever to his cause, but no longer a fanatic. His story tells of graduating from terrorist to humanist, from monomaniacal fanatic to a deeply committed human being. If you read nothing else this year, read this book.
(If you'd like to dialogue with me about this book or review, please click the "about me" link above and drop me an email. Thanks!)
This is an incredibly moving and detailed account of an activist's experiences in early industrial America. As an Anarchist, Alexander Berkman recounts his observations of the era's struggle for decent living standards and fair treatment from fat cat industrialists. In prison for attempted assasination of a steel magnate who was responsible for firing and killing striking steel workers, Berkman eloquently describes his reasons for acting on behalf of the working poor and exploited. His experiences in prison are gut wrenching and very human. Not much fluffy language - very straighforward observations, which are emotionally piercing in their social significance and human truth. An exceptional read for anyone interested in the American history that is usually left out of school text books. Berkman's experiences are painful but very motivating and inspiring as they illustrate human love, the will to survive and continue to work for an ideal under the most horrendous conditions. This book is an extraordinary powerful testament to human goodness and strength.
After two dizzying weeks of trying to decipher the nondescript differences between various hotels, restaurants and tourist traps as reviewed by the big four, what a joy it was to finally read about a destination in such detail and clarity that you could actually picture where it was you were headed. Mr. del Sol has done a terrific job of culling out the junk for you, and then describing his choices in such a manner that you can joyfully plan your trip with confidence.
As one of his previous reviewers commented, I only wish he would write a guide book for the rest of Costa Rica--and the world, for that matter!
Used price: $2.94
Used price: $0.79
Collectible price: $2.12
Buy one from zShops for: $4.99
Victoria Alexander starts off with "Shakespeare and the Three Kings," set in 19th century England. Sir Oliver Stanhope's great aunt, the woman who raised him so lovingly, has died and left Oliver charged with the care of her three beloved Yorkshire Terriers, Melchoir, Balthazar, and Gaspar. She has also arranged for one D.K. Lawrence to come and train the Yorkies for him. When Diana Lawrence, once the love of Oliver's life, shows up at his home with her Great Dane Shakespeare in tow, Oliver wonders at his Aunt Ellie's true motives--but of course goes along with his aunt's last wish. Lady Eleanor's hopes for her nephew to find true love tug at the reader's heart--be sure to have a hanky ready.
In "Athena's Christmas Tail" by Nina Coombs, Athena that knows her mistress, Mercy, isn't as happy as she should be, especially since she is newly married. And Viscount Brockton acts strangely towards his bride, as well. Athena knows he likes his new wife, but why is he so distant from her? When they buy Hannibal from a cruel master, the two dogs put their noses together to try to get their master and mistress to see what any dog can tell immediately--that they really do care for each other. Another sweet, emotional story.
We move to the present day for "Away in a Shelter" by Annie Kimberlin, a funny, original twist on the snowed-in-log-cabin story. When they signed up to volunteer for the Christmas holidays at the animal shelter, neither Camille nor Roger realized they'd be sharing duty with the volunteer they liked least: the snobby lady lawyer and the big guy who always looked at her like she was a pariah. Both of them want to adopt the little dog who was left on the steps of the shelter; Camille calls her Gracie and Roger calls her Splinter. When the snow storm doesn't allow Camille and Roger to leave the shelter on Christmas Eve, they are forced to get to know each other as human beings--and find not only do they have a love of dogs and cats in common, but that they actually enjoy each other's company, and made some bad assumptions about each other at the outset. This is one of the best contemporary romances I've read all year. The characters and setting are all so very real, likeable and sympathetic. I was very sorry to see this story end and am very much looking forward to more from Ms. Kimberlin. (Writing as Annie Smith as of October 2002, with a new novel out -- yahoo!)
Miriam Raftery wraps it up with "Mr. Wright's Christmas Angel," which opens in present-day Los Angeles. Joy is upset that she won't be able to fulfill her daughter's fondest Christmas wish: she wants a daddy. The Santa Claus at the hospital that Joy has just been fired from gives Joy two airline tickets to Alaska, saying that perhaps a vacation from insurance forms and administration is just what she and her daughter Holly need. When Joy and Holly reach Noel, Alaska, the location of the cabin of Kriss Kringle, where they are to be guests for a few days, their rental car runs into a snowbank--they'll have to walk to the cabin. A big white dog, Frankincense, finds them and leads his master, Nicholas, Mr. Kringle's caretaker, to them. Nicholas is kind, if gruff and old-fashioned, not understanding what Joy means by "car" and "telephone." In fact, Joy marvels, Mr. Kringle's cabin has no electricity, no plumbing, and of course no phone. What kind of strange neighborhood have she and Holly been brought to? When a blizzard makes travel even out to the road impossible, Joy, Nicholas, and Holly all have more time to get to know each other... and like what they find. A happy story and satisfying end to this collection.
List price: $15.95 (that's 30% off!)
Used price: $6.12
Buy one from zShops for: $8.95
Parker's narrative is informed by his matchless grasp of the relevant documents and official records as well as a unique feel for the way in which the various aspects of the conflict interweave and interact to create and sustain a worldwide conflagration. In his stirring and entertaining treatment, one finds a treasure trove of details, and at the same time also gains a better understanding of the way in which the economic, diplomatic, and military factors combine during the drift toward war in the late 1930s. In this sense the book is written with great verve and obvious historical impact.
Viewed in this way, the book can be considered a quite compact and yet still comprehensive overview of the war itself, how it began, its slow and horrific progress, and how it was both won by the Allies and lost by the Axis powers. Indeed, one comes away from the reading experience with a much improved and enhanced appreciation for the far-reaching impact the war had on humanity at large, since the war affected everyone, combatants, noncombatants, and onlookers alike. As Parker argues quite persuasively, the Second World War changed the course of the 20th century forever.
The author faithfully traces how the key events of the war progress, showing how the strategies of each of the participants as well as their indigenous populations and economies affect the course of the conflict. In looking at major battles and campaigns, Parker provides a wealth of insight that is disproportionately detailed compared to the length of the book, and provides the reader with a wonderfully informative, insightful, and entertaining reading experience. He discusses specific aspects of the war such as mobile warfare, the Holocaust, forced migration, and the use of the atomic bomb in a way that helps the reader to understand the importance of each and gives specific reasons as to how and why they occurred. This is a book that is easy to recommend to anyone wanting a relatively concise and yet immensely rewarding reading experience. Enjoy!
Used price: $20.35
Buy one from zShops for: $20.35
Every design problem begins with an effort to achieve fitness between two entities: the form in question and its context. The form is the solution to the problem; the context defines the problem. We want to put the context and the form into effortless contact or frictionless coexistence, i.e., we want to find a good fit.
For a good fit to occur in practice, one vital condition must be satisfied. It must have time to happen. In slow-changing, traditional, unselfconscious cultures, a form is adjusted soon after each slight misfit occurs. If there was good fit at some stage in the past, no matter how removed, it will have persisted, because there is an active stability at work. Tradition and taboo dampen and control the rate of change in an unselfconscious culture's designs.
It is important to understand that the individual person in an unselfconscious culture needs no creative strength. He does not need to be able to improve the form, only to make some sort of change when he notices a failure. The changes may not always be for the better; but it is not necessary that they should be, since the operation of the process allows only the improvements to persist. Unselfconscious design is a process of slow adaptation and error reduction.
In the unselfconscious process there is no possibility of misconstruing the situation. Nobody makes a picture of the context, so the picture cannot be wrong. But the modern, selfconscious designer works entirely from a picture in his mind - a conceptualization of the forces at work and their interrelationships - and this picture is almost always wrong.
To achieve in a few hours at the drawing board what once took centuries of adaptation and development, to invent a form suddenly which clearly fits its context - the extent of invention necessary is beyond the individual designer. A designer who sets out to achieve an adaptive good fit in a single leap is not unlike the child who shakes his glass-topped puzzle fretfully, expecting at one shake to arrange the bits inside correctly. The designer's attempt is hardly as random as the child's is; but the difficulties are the same. His chances of success are small because the number of factors which must fall simultaneously into place is so enormous.
The process of design, even when it has become selfconscious, remains a process of error-reduction. No complex system will succeed in adapting in a reasonable amount of time or effort unless the adaptation can proceed component by component, each component relatively independent of the others. The search for the right components, and the right way to build the form up from these components, is the greatest challenge faced by the modern, selfconscious designer. The culmination of the modern designer's task is to make every unit of design both a component and a system. As a component it will fit into the hierarchy of larger components that are above it; as a system it will specify the hierarchy of smaller components of which it itself is made.