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This volume, along with its companion, is an excellent introduction to the style and thought of this man who, while out of step with his times, possessed the insight to give those times an original critique.
Possessed of a lively style and free from the Marxist bagge that weighs down his Frankfurt School colleagues such as Adorno and Horkheimer (I think Benjamin owes much more to Heidegger than Marx), Benjamin will hook any reader who takes the time to spend an hour or two with this book. From here it's an easy step to purchase other Benjamin writings, a step I can almost guarantee.
When I think of Benjamin, I think of Emerson's famous line about Hawthorne - that he was a greater man than any of his works betray. The integrity and character of Walter Benjamin shines through his works, and is an inspiration to anyone who takes literature seriously.
This first volume of Bejamin's complete works is very attractive and welcome. Some of my favorite essays are present, such as his essays on children's literature, and the nature of language. I eagerly await the other two volumes.
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One example from the book is the taxi licensing in New York City. Licensing was implemented in the 1930's, and, due to the political pull of existing license holders, not one additional license (medallion) has been issued in more than 60 years. To handle the increased demand for taxi service (there are, after all, a few more people in NYC today than in the '30s) a black market fleet of thousands of illegal taxi drivers has "plagued" the city from almost the very beginning. These "Gypsy" taxis handle the perpetual overflow caused by too many passengers trying to catch too few taxis. They are often the only service to and from the poorer New York neighborhoods that the licensed taxis will not enter.
No one knows exactly how many Gypsy taxis there are at any one time traveling the streets of New York. But the Gypsy taxi driver is almost invariably a poor black or Puerto Rican man who is just trying to eke out an honest living despite the best intentions of the city government.
If you are of the opinion that government programs have aided minorities, and helped them on the way to realizing the American dream, you need to read this book.
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WRITING SHORT SCRIPTS is a very insightful book about writing short scripts.
The Author has included his perceptive comments about the structure of short film scripts, and has thankfully included the texts of the short film scripts that he writes about.
THE RESURRECTION OF BRONCHO BILLY (1970) is one of the short films included in the book. A number of photos from the film are included as well. "BRONCHO BILLY" is the classic Academy Award Winning live action short film starring JOHNNY CRAWFORD and KRISTIN NELSON. JOHN CARPENTER created the Original Music and was the film editor. NICK CASTLE was the Cinematographer. It is shot like a classic western, but the setting is the big city in present time. The hero dreams of being a cowboy, and actually rides off into the sunset with the girl. It is a movie, with some cinematic wonderful license.
The entire shooting script is included in the book. It is simple, straight forward, and it includes JOHNNY CRAWFORD'S improvised dialogue from the famous "Park Bench Scene" with KRISTIN NELSON, where he goes on about John Wayne, and Gary Cooper, and when asked if he has a horse, says: "Well, not all cowboys have their own horse."
THE RESURRECTION OF BRONCHO BILLY (1970) was released by Universal Studios, to motion picture theaters across the U.S. and Canada for 104 weeks, and holds the record as the most financially successful live action short film in the history of the studio. Ironically, as the book tells us, the filmmakers were all just starting out on their motion picture careers and were attending classes at the Cinema Department at the University of Southern California at the time they made the picture. That is inspiring for young filmmakers everywhere.
If you are interested in short films, this book includes details about "BRONCHO BILLY" and several other excellent short films as a reference on short film script writing. If you may write a short film yourself, this is one book that you should own and read.
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This is a wonderfully refreshing book by a man not afraid to tell it like it is.
For anyone looking to read a book about why the plight of blacks/other minorities does not change even though we constantly hear about "expanding government programs" and "investing" in people, this book is for you.
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