The post-war transition of Charles's character by Jakes was done masterfully. The transition of Cooper Main was a little unbelievable given his past.
The long conclusion nicely wrapped up the entire series. Definitely not the best book of the series, but a great story of life after the Civil War.
It is a tail of true friends and what tries to tear them apart. It will make you laugh and cry. It gives a clear view of what some of our ancestors probably faced during the war that devided our great nation.
If you've already read the other two books you must read this one to find out what happens. You will be in for quite a few surprises. This book is definitely worth reading. A classic!!!
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Not to detract from Mill or OL, the book is a resounding defense of civil-liberties. OL completes modern democratic theory as promulgated by John Locke in his "Two Treatises of Government." While Locke argues for some kind of democracy reminiscent of Athens, Mill qualifies Locke's point by protecting the minority from the majority. This book should be read by Americans who want to know more about freedom, and by our elected officials.
Sadly, it's our elected oficials who probably won't get it.
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In the Angel of the Lord, Flashman - a scandalous character "resurrected" from the 19th century novel Tom Brown's Schooldays and a self-described "bully, poltroon, cad, turncoat, lecher and toady" - finds himself aiding John Brown in his raid at Harper's Ferry. Conspiracies abound with several factions enlisting the "assistance" of Flashman to either foil the attempt or help pull it off. The misadventures of Harry Flashman as he navigates the intrigue and double-dealing combined with the Fraiser's rapier-like wit and irreverant style had me riveted to the story line while laughing out loud. I will certainly read the remainder of the "Flashman Chronicles" and I recommend this one highly.
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For the price of a few commissions, this writing has substance.
This is one of the few books that not only demonstrates varias trading systems, but provides one with a CD to download the material!
The systems alone could sell for thousands of dollars apiece.
When the professionals give you this much information, buy.
Robert Estill
Former NBC Sportscaster
Current Active Trader
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This fourth edition is a major revision of the third edition, which is the edition that pre-2002 reviews (including those excerpted on the fourth edition's back cover) are talking about. Boolos is now deceased and had no part in the revisions, and I think the fourth edition has suffered as a result.
As a sampling of the typos, consider what we find starting halfway through Chapter 7 and proceeding through Chapter 9: In the proof of Corollary 7.6, the word "smallest" is omitted in the 4th sentence, and in 9 different places the argument x has been dropped from the function c (p. 78). Example 7.10 has the erroneous condition x
The first eight chapters introduce Turing machines and other formal models of computation, emphazing the evidence for Church's thesis. Chapters 9-13 prove important results concerning first-order logic, including soundness, completeness, compactness, and Lowenheim-Skolem. The rest of the book focuses on number theory, and proves results such as Goedel's incompleteness theorems, Loeb's theorem, the existence and structure of non-standard models of arithmetic, and the decidability of Presburger arithmetic.
Highly recommended as an introduction to mathematical logic.
Many books on logic do a couple of hundred pages of nitpicking uninteresting stuff before getting to completeness, compactness, incompleteness, provability, etc. This one gets quickly into the interesting stuff after a short one-chapter explanation of first-order logic.
Any mathematician who wants to find out what this subject is about and why it's interesting should start with this book.
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In reading the book I think a little bit of a democratic bias comes out, just a little, but enough to notice. I also thought it interesting that they had far more details of the Gore group then the Bush camp, it follows the perception that the Post is somewhat liberal in its views. The book is an overview that came out almost 10 minutes after Gore hung up the phone on the second concession call so there are a few more details out now that they did not get in the book. Overall it is a good effort and a readable book, but not the end all be all on the subject.
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Overall, though, this is a very good story that really shows, I feel, the decline of organized crime in general. Not only are these guys incompetent, they really seem disorganized and you never get the feel that they are a mafia family, just a bunch of hoodlums playing wiseguy games. The whole "old mafia/new mafia" conflict really comes to light and eventually is the downfall of the Philadelphia mob. I also agree that "Murder Machine" is probably the best mob book I have read.
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As others have noted, the essays are something of a mixed bag. Of them, only three try to take a critical, scholarly, analytical look at Tolkien. This is probably for the best, as authors usually make terrible critics. Of these three, the strongest is Ursula LeGuin's discussion of the poetic rhythms in Tolkien's prose. While thoughtful, it is nonetheless a bit dull-- and frankly, a much better essay on this same subject can be found in _J.R.R. Tolkien and his Literary Resonances_. The weakest of these three, Orson Scott Card's essay on "How Tolkien Means", is also the worst in the whole book. Although his basic contention-- that the essence of Tolkien's fiction lies in "Story" rather than "Meaning"-- is reasonable enough, his point is overwhelmed by an arrogant tone and intermittent rantings against feminists, multiculturalists, literary critics, People for the Ethical Treatment of Animals, Sigmund Freud, James Joyce, people who like James Joyce, modernists, postmodernists, and pretty much anyone and everyone who doesn't share (or whom he suspects might not share) the exact same approach to literature as he does.
Most authors here, however, have (wisely) avoided criticism, analysis, and polemic-- and have instead penned more autobiographical essays, reflecting upon how/when/why they first read Tolkien, how it impacted them both immediately and later on, how it changed their reading habits, how it influenced their own writing, and the like. Although these essays all have their own unique character and specific content depending on each author's own experiences and style (unsurprisingly, the essays by Terry Pratchett and Esther Freisner are quite funny), one can't help but note a common pattern of experience. With one or two exceptions, most of the writers here encountered Tolkien for the first time as an adolescent during the 1960s. Most describe reading the _Hobbit_ and the _Lord of the Rings_ as a life-changing event-- as a kind of epiphany or even as a magical experience. Many say that reading Tolkien inspired them to become writers themselves-- and several describe how many of their own early works were specifically modeled on Tolkien. Virtually all observe note that they probably could never have made a living writing the kind of fantasy fiction that they do if Tolkien hadn't proven to publishers that there was a huge market for this sort of thing.
Of all the essays in the book, the hands-down best is Michael Swanwick's "A Changeling Returns", an introspective piece that contrasts his childhood memories of reading Tolkien (where he saw mostly magic, adventure, and freedom), with his adulthood re-readings of it (he now sees that the powerful sense of loss and mortality that permeates Tolkien's fiction), and with the experience of reading Tolkien aloud to his children (who are encountering it as he first did as a child... but who can still sense that there is something deeper, sadder, that lies beneath). Whereas most of the other essays in this book were merely 'interesting', I found this one to be profoundly moving. (Then again, maybe that's just because I found Swanwick's experiences to be closest to my own).
All in all, I can't say that this is a must-have book for either Tolkien fans or scholars, but it does give an intriguing and suggestive first-hand account of how many of today's great fantasy & sci-fi writers have been influenced by Tolkien... although many of the most suggestive elements come not from what individual writers themselves say, but from seeing the commonalities of experience among them. My only real criticism of the book as whole is that it would have been nice to include as a contrast some essays by authors who *aren't* fantasy writers, by authors whose primary language wasn't English, and/or by authors who were of a different generation that those featured here.
The tone of the essays are personal, even familiar. For fans of Tolkein or of the contributing authors, the book is worth reading, if for no other reason than to spend some time with distant friends. Another perk is the reading list inadvertently provided by each author as they comment on their other influences. Apparently there are a few seminal works in the genre that I have completely missed.
The quality is admittedly a bit spotty, even within the same essay. Some of the best essays came from authors I knew nothing about. However, like any good conversation, there are snippets of great wisdom throughout. (It is the rare friend who offers up nothing but gems.) I can assure you that every essay will leave you smiling, or nodding and a few might even have you reaching for a pen. In short, you will find much to enjoy in this collection.
I should note that there is something here for everyone: hobbyist, devotee, english major, or bibliophile. Rarely does one get to listen in on the personal conversations of authors as they discuss their lives, their work and the influences that have made their careers possible.
Harriet Klausner
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