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Clarke gives us the "3rd world" look at how hash is made. In reality, yes these "traditional" methods do still go on and are nice to know about, but they have been replaced by newer methods at this stage in the game. So as a historical read this book is prime stuff, but in reality we need to look elsewhere for what really goes on.
Most people would buy this book because they would like to get their teeth into hash making using modern techniques. There is a chapter on this, but it is not modern nor is it useful. That chapter is called "Hi-Tech hashish making" but should really be called "80's Hi-Tech but low grade hash making." The chapter will only explain how to make inferior quality hash the hard way. More up-to-date methods are not even treated. This is totally surprising, as most of these new methods are simple! And a lot cheaper to do than what his sections explain. I mean in 400 pages and you get nothing really substantial about how you should go about making hash for yourself. All he would have to do is sit down and write 10 - 20 pages on the subject of home hash making and how it is REALLY done. Then the book would deserve 5 stars.
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Is this book more than just a fantasy thrill? Some literary critics have proposed that Baum - a strong believer in individualism and self-confidence - is working with themes about self-esteem and self-reliance. This is quite plausible, especially considering that the brains, heart and courage sought by the scarecrow, woodsman and lion are abilities that they clearly already possess - they just need to recognize them and use them. And Dorothy herself discovers that when the wizard can't help her, she must and can rely on herself. Other literary critics have claimed that "The Wizard of Oz" needs to be read as an elaborate political allegory where the various characters represent various social classes and financial structures - a not impossible suggestion, but one that's somewhat difficult to defend. Ultimately, however, "The Wizard of Oz" is best enjoyed as a wonderful story. That doesn't mean it is any less of a contribution to English literature, because when appreciated as a brilliant story, you're sure to come back to it again and again, as are your children and grandchildren. It's precisely this universal appeal that makes "The Wizard of Oz" a true classic.
The setting of the book is in a magicla land full of little people called Munchkins, flying monkeys, and a wicked witch that will melt if touched with water. The characters have their separate reasons for wanting to see the wizard. As the story goes on, the reader can not help but fall in love with them.
The text gives great detail as to what everything looks like and with those details the whole world of Oz can come to life in the readers imagination.
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Pinsky's translation is erudite and a credit to his own poetic ability. Steering away from pure rhyme and instead using blank verse, he has avoided limiting himself, and the freedom he has gained has created a far more convincing and authoritative translation than others have achieved.
An essential read, and a timeless work.
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After this we get to Vance's work with Lucille Ball, and at this point, if one has already read the growing number of books on Lucy and her television work, there is really only so much more to be said that hasn't been said before. This is not the authors' fault, however, and they more than compensate with fascinating information about Vance's two main marriages and her bout with depression.
If there is one flaw in this book, it is that the authors appear to lose interest in their subject after Vance leaves THE LUCY SHOW. Vance was quite distraught that she was forever associated with the Ethel character, and yet for the last fifteen years of her life, the authors -- belying that what they are at heart is Lucy fans who came to wonder what was up with Vivian Vance -- seem mainly interested in her life to the extent that it occasionally reconnected with Lucy's. Yet during this period Vance did several theatre tours and stock appearances and television productions. Things like this can make interesting reading as well -- witness William Henry III's book on Jackie Gleason, THE GREAT ONE -- but the authors seem to consider all of this mere "postscripts", not having gone to the trouble to view the TV appearances, dig up info on most of the plays. I now feel like I more or less knew the Vance of her New York days, but the post-LUCY Vance remains a kind of footnote.
However, overall, hats off to the authors for bringing this wonderful performer to light. Now it's time for someone to give Eve Arden similar treatment...
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I looked at many different American History surveys and this is my favorite by far. On the other hand, if you already know the main outlines of American History, and want detailed analyses of particular periods, then this book will not be as helpful, as it is merely an overview and the bibliography is not very detailed or well annotated.
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However, I must admit the Handbook does look impressive sitting on your desk. In a pinch, it also makes for a good, albeit expensive, paperweight or doorstop. :-)
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