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I recommend this book to anyone who has lost someone they love. It will help you get a handle on your emotions and is very easy to read.
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Anybody who considers him or herself a "Lifer" (a fan of the movie, usually an extreme fan such as myself) needs to purchase this book.
Almost everything you want to know is in here, from the original story the film was based on to interviews with Stewart, an introduction by Capra, pictures galore, the final script, script revisions, notes about suggested censorship, and much, much more.
There is even information in here you wouldn't even think about asking. An example is the name of the "stars in charge." One is named Joseph. What is the name of the other galxy (Hint: The answer isn't God).
I often get e-mails asking me questions about the film. If I don't have the answer, this is the first book I pick up. Of the many times I've been asked questions, I have always found the answer in this book.
This is the ultimate IAWL reference.
Diving into the archives of Frank Capra to tell the evolution of the movie from cradle to grave (though it will never die!), Ms. Basinger manages to tell the story with such sincerety, fascination and charm that you get the feeling that everything surrounding the movie was just as wonderful as the final product! Best of all, the details of the making of the movie are so vivid that you almost start to feel that YOU WERE THERE!
The first thing you realize as you read the story of IAWL is that is was a really big movie from the gitgo. That is, Mr. Capra had high aspirations for it and did EVERYTHING in his power to make it his greatest and lasting achievement (little argument here) and that Hollywood was watching.
Fans may know that the story started as a Christmas card called "The Greatest Gift" which finally found its way into Mr. Capra's hands where, after many writes and re-writes into a script, got the Capra touch transforming it into his baby. Then casting began with each actor painstakingly chosen to be the perfect person for each particular character.
Anecdotes abound, starting with Capra's embarrassingly jumbled explanation of the storyline while recruiting Stewart. (Fortunately, all Jimmy needed to hear was that Frank wanted him.) Then we hear the one about Stewart's shattered confidence in acting which is restored when Lionel Barrymore pulls him aside for a peptalk. Finally, We're told that the famous phone scene where George kisses Mary was done in a single take AND THAT TWO PAGES OF DIALOGUE WERE SKIPPED! (Capra saw the magic and said "Print it!").
We also learn some fascinating facts about the production such as the 300-yard long set which made Bedford Falls' Main Street and how a record-breaking heat wave took place during the shooting of the snow scenes (in which a new technology was developed for making more realistic-looking snow which won the crew an honorable mention at the Oscars!). Other incredible details are too vast to mention - you've gotta read it for yourself!
The book is worth it if just to learn all of these amazing facts. Most amazing, though, is the LOVE that the two driving forces put into this film culminating in a "Capraesque" out-of-this-world PICNIC for the cast and crew.
The picnic's panoramic photo, which manages to miraculously include these guys on either end of the crowd (they ran behind as the cameraman slowly panned from left to right) typifies not only the ubiquitousness which Capra had to have to make IAWL a reality, but also how we can never seem to get enough of our lifetime friend, George Bailey.
It is a must for any student (senior or starting) in our field.
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The good news: There are some truly excellent articles in this book. Microcolumns and macrocolumns, cerebellar chips, the pathways of the visual system - you can read this book and find out a hundred amazingly cool things that you never even realized you desperately needed to know. Oddly enough, MITECS is also a pretty good as an encyclopedia - if you suddenly need to know more about vision, you'll find what you need to know in "Visual Anatomy and Physiology". (Or "Visual Processing Streams". Or "High-Level Vision". Or "Computational Vision". Or "Mental Rotation". You do need to do a certain amount of hunting, if it's a sufficiently broad subject. More than half the cerebral cortex is devoted to vision - see "Mid-Level Vision" - and MITECS reflects this fact.)
MITECS *excels* as an authoritative reference; you'll almost never need to quote anything else. If you're familiar with cognitive science, you'll often laugh when you get to the end of an article and see the author's byline: "Columns and Modules" by William Calvin, "Chinese Room Argument" by John Searle, "Evolutionary Computation" by Melanie Mitchell, "Evolutionary Psychology" by Leda Cosmides and John Tooby.
The bad news: If you try to read MITECS linearly, you will find that many of the articles, perhaps even a majority, are eminently skippable. (For the record, I read them anyway.) As all of the articles were written by independent individuals - none of whom could read the book first, since it didn't exist yet - there is understandably a great deal of duplication of information. Every third author feels the need to inform you that the mind is a computational information-processing system. (If I had one request to make of the hundreds of authors who write the next edition, it would be: "Skip all the introductory material and the philosophy and try to pack in as much useful detail as you can.") There are also some understandable problems with depth of coverage, made worse by the aforesaid tendency to write introductions; whenever I read an article about a topic that I had earlier studied in more detail, it really brought home the realization that each of these 471 articles tries to cover a topic about which *multiple* entire books have been written.
There are several things I'd like to see in future editions of this book. First and foremost is *less philosophy* and more focus on concrete details, particularly *surprising* details, or details that have something substantial to say about how the mind works. I don't want to know what David Hume thought about causality; I want to know if anything interesting happens when research subjects are asked to reason about causality. (I must also confess myself uninterested in most of the biographical articles that form much of MITECS - but then, that's probably because I'm not using it to study history.) Finally, I would like to see a neuroanatomical index as well as a table of contents. It's already a big book, but they can afford another six pages to show a detailed neuroanatomical map, with names for the areas, and references to the appropriate sections of the book. Such a map would be an enormous help to those of us trying to build up a concrete visualization of the brain.
Conclusion: This is a *really good* book. It's not so much "a good book with a few drawbacks" as "an excellent book with tremendous potential for *even more* improvement", and I mean this in all seriousness. If you're a cognitive scientist, you have basically no choice but to buy this book. If you're a student of the mind or a cognitive hobbyist, then this may not be the *first* book you buy, but you will buy it sooner or later.
It's just such a great book.
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And to tell you the truth, when I first opened this huge, intimidating, monster of a book, It scared... me... I mean, wouldn't "rhabdomyosarcoma" or "esophagogastroduodenoscopy"
frighten you (just a bit) I thought, nooooo way.
But I opened it, read it, did the cool excersises, listen the the audio tapes, played a bit with the CD-R.
She begins at the beginning.....Little baby steps.
All of a sudden... I was like, I get it! I really get it!
Not only that, but I was beginning to enjoy it.
The prefix, suffix, and word roots suddenely become beautiful, flowing words that make sense.
Myrna LaFleur Brooks made this book come alive, interesting, and allowed medical language to become a little bit like music.
Well, a little!!!! Thanx for the "A" Myrna!