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This book is the best fossil reference book for the casual collector as well as a great addition to any science or teacher's library where geology and-or paleontology are included.
Written in a very down-to-earth style, the book walks you step-by-step through the basics of why fossils exist, where you will find them, how to properly (and safely) collect them and what to do when you get them home or back to the classroom.
Any family that includes fossil-hunting in their vacation, home-school or travel plans should pack this book along for the added benefit of the wide range of fossils identified within.
Any teacher who brings students to potential fossil or geology sites on field trips should include readings from this book BEFORE heading out as well as keeping it handy while in the field.
There's enough packed into this book that every school library science section should include this volume if budgets restrict purchases.
It's a great gift for the budding fossil collector and an excellent addition to a serious collector's library.
The soft, but protected cover, makes it safe to handle in the field.
Take my advice - purchase two: one for the field and one for the desk or prep table.
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The author lives and works in the Red Light District of Amsterdam, one of the harshest areas in the world for people to live and work. This book teaches a message that all of us needs to hear and read and take to heart. This book is not one that you use to fill your head with many nice ideas. This book is about dealing with our heart issues that prevent so many from calling God, 'Father'.
This book is filled with stories from real life about how God desires to touch people's lives and love them when they are seemingly at their worst. I strongly recommend this book to all Christians and even to those who are not Christians or do not agree with the teachings of Christianity. In an age of self righteous religions, this book is a fresh relief from all that. This book is a call to integrity, not a call to do better things and then treat others badly. This book is what biblical, New Testament Christianity is all about. It's a shame that more books of this caliber don't exist.
The selfish nature of humanity, however, tears down this design with alarming regularity. Men (and women) create pain and suffering in families and other social situations through their self-centered pursuits. The fallout is generations of individuals who equate the actions of people with the heart of God.
In this book, Floyd McClung leaves no stone unturned in the process of turning people towards the heart of God. Mixing the truth of the Bible with a love that comes from his own personal experiences, the author shows the reader how God truly views His creation. With sensitivity to the pain associated with rejection and abuse, McClung lays out the facts about the character of God in contrast to the sinful nature of man. The stark contrast will leave the reader with only one conclusion: God loves me unconditionally.
This book is an excellent resource for counselling professionals, victims of abuse and for Christians who want to know God in a deeper way.
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Please email me that information. Thank you.
we still get a good laugh out of it. We almost got kicked out of the bookstore for disturbing the others.
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As the MTV programming, this book has a continuous flow in which each chapter looks like a new video clip, which is totally related with the preceding, and flows directly into the following. However, instead of creating these connections with complete paragraphs and nice connectors, the editors choose to throw isolated pieces of pictures, paragraphs and quotations. It is the inner most meaning of every written and visual piece what makes a unified theory out of this book. A new way of communication which McLuhan would define as "Any new structure for codifying experience and moving information, be it alphabet or photography, has the power of imposing its structural character and assumptions upon all levels of our private and social lives" (106). Therefore, a chapter named "Violence and Identity" will start with a two-page-black and white picture of a Ku Klux Klan's ritual followed by a quotation: "Violence, whether spiritual or physical, is a quest for identity and the meaningful. The less identity, the more violence." On the next page, a picture of a ten-year-old child wearing latex gloves and a gun in each hand; then, McLuhan's theory is introduced with big blue letters: "IT'S WHY THEY HAVE TO KILL," and so forth. This continuous fluidity of meaningful images and writings, involves the audience in an exciting rhythm, making it interact and experience what McLuhan was trying to say by "The Medium is the Message."
Instead of having a defined introduction, body and conclusion, Forward through a Rearview Mirror is composed of three different types of writing: biographical information, writings by McLuhan, and writings on McLuhan. Each one of them is placed by the editors to ease the reader's understanding of McLuhan's speech. Information about his background, life, and surroundings is provided by a timeline that covers his most important years: his experiences at different stages of his career, the birth of his own family, and his social life. All these factors influenced his way of analyzing our culture. From interviews, speeches, and books, Benedetti and DeHart quote McLuhan to provide objective information about his insights. Because most of his citations are abstract aphorisms, the audience can read his words either superficially or deeply, stimulated by the adventure of discovering his hidden insights, always present in his works. However, the reader is not alone in this adventure. Other media theorists such as John Fraser or Lewis Laphom share their experiences when reading the philosopher. Moreover, as the biographical information, these media producers also help to guide the reader by providing him/her with different analysis and points of view towards McLuhan. Although the book doesn't follow the conventional three-part linearity, it seems custom made for the rushing reader of the nineties. It doesn't matter on which page we open Forward through the Rearview Mirror. It can always provide an interesting analysis of our own society.
However, Paul Benedetti and Nancy DeHart do not only keep McLuhan's organization and writing style, but also preserve his idea of convey insights using the visual medium. Therefore, Forward Through the Rearview Mirror is designed to the image of McLuhan's major works The Medium is the Massage and Global Village. These two books submerge the reader into a multidimensional medium of meaningful abstract and figurative visuals. For instance, the editors create the same type of metaphors that McLuhan employed in his publications, by explaining the world's current globalization with ten bottles of Coca-Cola all written in different languages. Moreover, as Marshall McLuhan's last works, the unconventional format of this book also stands out in the reader's library. While both the medium is the massage and Global Village are smaller than any standard size book, Forward through the Rearview Mirror is wider and shorter than any conventional book.
Forward through the Rearview Mirror shows the complete involvement of Paul Benedetti and Nancy DeHart in McLuhan's life and ideas. Following Marshall McLuhan's guidelines, they carefully place each element in their book to create an outstanding piece. From its outside cover to its inner most meaning, this book breaks all standards, thus, draws the attention from an audience willing to find a new and high-quality product. Guided by McLuhan's print media by juxtaposing significant images and phrases to create movement and rhythm. When experiencing this book, the reader combines the sound of his reading and the meaningful visuals inside his mind, creating an audio-visual medium out of Forward the through the Rearview Mirror. If this phenomenon is achieved, McLuhan's theory is confirmed: "It is man who is content of the message of the media, which are extensions of himself" DeHart and Benedetti understand McLuhan, preserving his thoughts alive, and honor him in their piece of art.
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* Birds-eye maps showing where the reviewed locations are in the counties covered (perfect for finding a park near odd places that I might run errands)
* How strict the leash law is followed (this is a biggie for me -- while the authors point out excellent reasons to use the leash, they very helpfully suggest where we can get away without it)
* Rough idea how crowded the area in question might be, and how easy or difficult to get to (varies of course by time of day and season)
* Whether there's a place for doggie swimming
In my area (Sterling/Ashburn, VA) I've found the book to be amazingly comprehensive for my local and outlying areas, and find that the park descriptions have always given me a pretty accurate idea what to expect. The book covers a wide enough range (including some pseudo-local vacation destinations) that I've used it on countless occasions to find nice stopover while on short trips outside my "home turf". Highly recommended for anyone who enjoys finding varied places to visit with their pups.
I have only a few complaints. One - due to the impossibility of visiting every park in this populous region more than once, I've found that the park's ratings can heavily reflect the day and time of the visit -- not necessarily what the park is like on a typical weekday at 6pm. Also, some park ratings reflect a nice place to go with a small dog on a leash, you won't necessarily have the same experience with your massive Great Dane tugging at every new smell. The writers also disapprove of dogs being off-leash, and rate more lowly some parks that are true jems for those of us with larger dogs that require more exercise.
Overall, a great guide, and certainly unique. A must for all dog owners in this area, particularly if you moving to this region.
It covers almost all the parks in the Washington D.C., Virginia and Baltimore. Have you ever looked up a park on a map and it looked huge and perfect for your dog, and when you got there, you and your dog were very disappointing with the park? Well, the review for each park is quite accurate. With this book on hand, you can look up a park and find out if it is suitable for your dog before driving there. It covers important information that a dog owner needs to know about the park/area - such as the poop scoop law and the leash law.
It also contains information (ie. hotel, restaurant, pet stores, etc...) that is very useful for dog owners who like to take their pooches on vacation with them.
Embedded into the book, you will find dog adoption information. The book encourages suggestions from readers. I've already written to the publisher suggesting to include information on various rescue organizations and local animal shelters - a way to help promote pet rescue/adoption.
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Kids love this, or at least my son did. For some time, we'd use diner talk from the book, calling donuts "life preservers," coffee with cream "a blonde" and vanilla milkshakes, "white cows." The language is revealed naturally in the text (though word mongers will love the glossary in the back); customers order in ordinary language such as "A tuna sandwich on toast, please and a Dr. Pepper with the ice left out" and then Frank calls the order to Ernest using diner talk: "Ernest, I need a radio sandwich down, and an M.D., hold the hail." It is fresh, funny and wonderful.
For the fun of the language, the warmth of these characters, whom no one seems to notice are an elephant and a bear, to the detailed illustrations (you could easily craft a stage set from these paintings), this book reminds us, as children do, that food, after all, is fun. Finally, the diner's retro design and the book's nostalgic feel might make it a fun read for grandparents, who possibly remember such places, to share with their grandchildren. I hope that this book will be reissued, as it is a truly pleasurable one.
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