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DE LECTURA FLUIDA, SIN GRANDES PRETENSIONES ESTRUCTURALES MAS CON UNA SENSIBILIDAD DIGNA DE SER VIVIDA, ESTE ES UN LIBRO QUE NOS RECUERDA QUE EL SER HUMANO, ADEMAS Y ENTRE OTRAS COSAS NUNCA DEBERA OLVIDAR SU PROPIA CONDICION HUMANA. ES A FIN DE CUENTA LA LITERATURA QUE NOS NUTRE HORA TRAS HORA. Y ESTA ES A FIN DE CUENTAS LA CULTURA QUE NOS PERMITE CRECER.
LO RECOMIENDO SIN NINGUNA EXCEPCION.
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He travels a warm and uplifting journey through life's myriad of disappointsments, confussion, and exhilarating adventures, and invites us to come along. I couldn't put this page turner down. It was a gently reminder of all the warm and truely wonderful things life has offered all of us and how truely grateful I am to have had the opportunities to travel my own journey. If I am given a choice to sit it out or dance, I'll dance.
It is a pleasure to read this story. Calibria is able to draw out your emotions as if he were playing a musical instrument. His wit is quick, unexpected, and hilarious. In an instant his stories can move you to unexpected tears or crack you up with laughter. This is a book that is likely to have a profound impact on it's reader but at the very least, everyone will enjoy the read and wish that Frank Calabria was their grandfather.
The magic of "Let It be a Dance" is that the author has managed to make the insignificant significant. He reflects on his life experiences with such deep respect that the ordinary becomes profound. Awesome stuff! His lesson is simple yet possibly life-altering. Learn to treasure both the sweet and the bitter sights, sounds and hidden memories of your life. Calabria is a master teacher; his lesson is there for the taking.
Many details, many photos, a book we all need to read.
Ken Wright
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The five volume book of almost 1000 pages is a faboulous look into 19th century world and a compendium of famous and not so famous people of the era ,,,
Not only does the author deal with socio-economic and religious thoughts and beliefs of the time but he takes the dryness out of historial perspective by peppering the book with numerous erotic escapades of the tenderest nature ....
If all history books were as good as this one I would have certainly gotten a PHd in History .....
This book is a MUST HAVE for your erotic library ... AND it's one of the few classic erotics that will NEVER go out of print!
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How about Hungarian poetry, what makes a hymn (as opposed to a carol), a discussion on line usage and techniques? It is all here. Exemplum? Septenarius? Metalepsis? What's an iambe? It isn't an iamb, and from their respective entries, you'll see why.
Every student of poetry, whether in college, teaching or writing, needs this book. All the major terms and styles are covered here, but also every country producing poetry.
This is useful to the poet who wants to learn more about what has been done through the years, and how and why a particular style was used. The book is certainly for the intelligent reader, but won't be bogged down with overblown, hard to understand explanations. This an encyclopedia, not a dissertation.
Professors and students can use this book as a reference point as they research poetry. Ever read a literary critique and not have a clue what term Dr. Iam Smart just referred to? I sure have. This book helps me know what I am reading.
The entries are well-structured, and give plenty to get started, and then point you where you can learn more.
I fully recommed "The New Princeton Encyclopedia of Poetry and Poetics" by Alex Preminger.
Anthony Trendl
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It was only six months into his sentence that Grigware, who the prisoners could tell was not really one of them, was let in on an escape by four other prisoners. Using the classic ploy of threatening with guns skillfully crafted of wood from one of the shops and blackened with shoe polish, they hijacked a train that regularly supplied the prison. Grigware was the only one not captured quickly, and for the next 24 years was one of America's most wanted men. The trail was long cold, even after President Woodrow Wilson commuted the sentence of the other robbers because the evidence in the case was so lacking. The FBI refused to back down, and it spied on members of Grigware's family, which was sadly fractured by his escape. Grigware in sorrow knew he could communicate with none of them, but set up a respectable life in Canada, becoming a Canadian citizen and a well-liked member of the community of Jasper, Alberta. He was not found until 1934, and what happened afterwards is of great charm. There was a groundswell of Canadian public opinion against any sort of extradition; even the game warden circulated a petition. The mild Grigware had made many friends, and he was the sort of reliable citizen Canadians wanted. Grigware's wife (who had not known of his past), when the press reported her simple statement, "Nothing will ever break up our home," made up the minds of any Canadians that had doubts on the issue. It became an international incident, and a clash of redemptive versus retributive justice.
Grigware was reunited with his family, which had long thought him dead; the meeting with his aging mother could not have been sweeter. But he could not return with her to the US, nor return for her funeral. President Roosevelt waived extradition, but no pardon was ever issued, so if he ever came back to the US, he could land right in Leavenworth again. That result would seem preposterous as the decades went by, but in 1957, J. Edgar Hoover was still sending out directives that insisted that agents monitor Grigware's relatives in case he were to show up. Every FBI memo issued about him screamed that HE WOULD KILL OR BE KILLED RATHER THAN BE RECAPTURED, a rumor that had arisen in 1911 and which still headlined Hoover's directives about Grigware, who was then seventy-one years old. This exciting and frustrating story, crammed with period detail, reminds us that courts are not always right and that as much justice as was available in this case came from the hearts of ordinary women and men.
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