This book also shows Eleanor's self-doubt -- a feeling that all mortals experience. Eleanor is not a "super hero." She was a living, breathing woman who didn't know where life would take her.

Finally, this book is about leadership -- not the hard-charging, slash-and-burn, take no prisoners approach. But the kinder, gentler, diplomatic approach, that appeals to people's desire to create a better world for themselves and everyone around them.

This is a great read, and will leave you inspired!

Rendered in graceful prose, Connor's memoir ranges from exquisitely lyrical to warmly humorous to intellectually rigorous. The landscape and characters are vividly drawn, and the informing scholarship of contemplative literature and tradition is brought to bear in a natural, delightfully anecdotal way.

Rendered in graceful prose, Connor's memoir ranges from exquisitely lyrical to warmly humorous to intellectually rigorous. The landscape and characters are vividly drawn, and the informing scholarship of contemplative literature and tradition is brought to bear in a natural, delightfully anecdotal way.

Rendered in graceful prose, Connor's memoir ranges from exquisitely lyrical to warmly humorous to intellectually rigorous. The landscape and characters are vividly drawn, and the informing scholarship of contemplative literature and tradition is brought to bear in a natural, delightfully anecdotal way.

At first, I was convulsed by Thurber's uniquely hilarious cartoons. His dogs and his women are priceless...drawn in a style that nobody has ever been able to duplicate or capture.

It was only later, as I grew older, that I could appreciate Thurber's written humor. The "Thurber Carnival" (and it is) is a compilation of essays and excerpts from "My World--and Welcome to It," "The Middle Aged Man on the Flying Trapeze," and others. These were Thurber's earlier works that were very much a product of their times, but oh, so funny! Thurber was one of the great commentators on the vagaries of everyday life. Along with Robert Benchly et al., he set the tone for an entire generation. I still have this book, and I absolutely cherish it. It's hard to do Thurber justice in a review. All I can say is--buy this book and wallow in it. You'll be glad you did.

I was introduced to Thurber's works two years ago,by a short story of his that was included in my English textbook. I was instantly charmed by his writing. Ever since, I have read everything of Thurber's that I can get my hands on. Through my readings, I have discovered several key things:

1. James Thurber was NOT just a humorist/satirist. Of course, I have stayed up late reading his stories laughing out loud, yet there is more to the stories. Thurber not only chronicled people of his time, but people of all times. His works show that the little eccentricities most people possess are the very things that make them interesting. Take this excerpt from the story "Recollections of the Gas Buggy", included in "The Thurber Carnival":

'Years ago, an aunt of my father's came to visit us one winter in Columbus, Ohio. She enjoyed the hallucination, among others, that she was able to drive a car. I was riding with her one December day when I discovered, to my horror, that she thought the red and green lights on the traffic signals had been put up by the municipality as a gay and expansive manifestation of the Yuletide spirit. Although we finally reached home safely, I never completely recovered from the adventure, and could not be induced, after that day, to ride in a car on holidays.'

2. That excerpt brings me to my next discovery: James Thurber had quite a way with words, which to my knowledge, no author since has been able to near. Thurber's words transport you to another world, an amazing world, where everyone even slightly insane is portrayed with kindly satire. The character Briggs Beall, from the story "The Night the Bed Fell," is a perfect example of Thurber's wit.

3. An additional point I discovered is that Thurber's works need to be shared. I treasure this book so much that I brought it with me as traveled to Nebraska to visit my friend, just so I could read parts of it aloud to her. Whether it is a driving adventure with a Russian boat specialist("A Ride With Olympy"), an amusing maid("What Do You Mean It Was Brillig?"), or the light bulb smashing Elliot Vereker("Something to Say"), Thurber's stories need to be shared.

For these reasons, as well as others, "The Thurber Carnival" is a most wonderful book. James Thurber's writing is nearly magical, as well as his characters. This is a great book to pick up again and again, if only to read one of its great stories.

The book Jurgen is from the same mold. Jurgen the pawnbroker moves from one of Cabell's stereotypical women to another. The book became well-known because of the godawful sex sequences, in which Cabell archly refers to Jurgen's sword, staff, or stick -- the resulting call for censorship made the book famous, but that doesn't mean it was Cabell's best. I thought The Silver Stallion and, in some respects, even The Cream of the Jest or The High Place to be better examples of Cabell's writing.

I would recommend that anyone who likes fantasy read at least one of Cabell's books, because he writes like no one else. This book had the usual Cabell wittiness and sardonic feel, so if it's the only one you can find, certainly try it.

Moments like this, simultaneously jaded and genuine, sentimental and cynical, are the most delightful parts of 'Jurgen: A Comedy of Justice.' Nominally the story of a medieval pawnbroker's quest to find his lost wife, 'Jurgen' becomes a bildungsroman in reverse as, on the way, its hero regains his youth and visits the lands of European myth, from Camelot to Cocaigne (the land of pleasure) -- each land shows Jurgen a way of life, and he rejects each in favor of his own sardonic stoicism, for he is, after all, a "monstrously clever fellow."

That phrase describes Cabell as much as it does Jurgen: the author is remarkably erudite, and, like a doting parent hiding easter eggs, drops in-jokes through the book on subjects as far-ranging as troubadour poetry and tantric sex. Cabell corresponded with Aleister Crowley in his day, and, in ours, is an influence on Neil Gaiman ('The Sandman,' 'Neverwhere,' etc.). The book itself caused quite a splash when it became the centerpiece of one of the biggest censorship trials of the early 20th century: something to do with Jurgen's very large *ahem* sword.

Social satire and an idiosyncratic cynicism in the guise of a scholarly romance-fantasy, 'Jurgen' is what would have happened if J.R.R. Tolkien and Dorothy Parker had gotten together to write a book.

The price of this notion, is, of course, massive death, but because the massive death does not happen to the nobility, nobody important really minds. This is one reason the Charge of the Light Brigade, with which _the Reason Why_ primarily deals, was so different, and worthy of eulogizing in prose and song (Alfred, Lord Tennyson, by the way, appears absolutely nowhere in this text)--those dying, those paying the price for the Army's obsession with aristocracy, were aristocrats themselves.

Woodham-Smith manages to trace the careers of two utterly unsympathetic characters--Cardigan and Lucan--in a fascinating manner. This is no small feat, considering the reader will probably want, by the end of _the Reason Why_ to reach back in time and shake both of them, and maybe smack them around a bit.

Again, Cecil Woodham-Smith proves herself a master of the historian's craft, and produces a well-researched, thorough and driving account of what is probably the stupidest incident in modern military history.

The Crimean War changed so much about how war is waged--the treatment of prisoners and wounded being tops on the list of reforms brought about in the wake of the debacle. _The Reason Why_ is an excellent account, and should be required reading for anybody with even a remote interest in military history, or European history in general.

There are two failings, and they are minor: (1) there are still plenty of obscure words and phrases that aren't annotated (the introduction acknowledges this) and conversely (2) there are a number of things that don't need annotations that get them (particularly galling are the annotations that simply tell you that they don't know what Joyce is talking about either).

Still, an essential reference, and pretty entertaining in its own right (like flipping through an encyclopedia or Brewer's Phrase & Fable).

Also recommended: REDEFINING THE 'SELF': SELECTED ESSAYS ON SWIFT, POE, PINTER, AND JOYCE by John Condon Murray

Of course, if you've never read Ulysses you don't need to know every obscure reference. Just pick up REJOYCE or THE NEW BLOOMSDAY BOOK, which have generalized overviews of the novel. This is for the deep scholars. But as Joyce said, all he expects of his readers is that they study his works for the rest of their lives.

This will keep you busy.

There are two kinds of government crime against the taxpayer, and both are wide-spread and costly to the taxpayer. There is corporate corruption, the buying of politicians, such that decisions are made that in effect transfer the taxes paid by individuals (who carry every government's costs) to unethical corporations focused on profit at any cost (to others). This book documents the second kind of crime: where government agencies charged with protecting the taxpayer from drugs or crime or terrorists or other threats, themselves become allies with criminals, and seek to profit from crime while permitting field officers to go bad, steal money, and become nothing more than officially sanctioned criminals. If and when each Nations cleans house within its "secret world," the ethics of intelligence, and how to police the police, will be among the most fearsome challenges to be addressed.

This extraordinary book, at 1165 pages (1974 edition) is a deeply documented, thoughtful, credible account of the second kind of corruption. It is strongly recommended for purchase by anyone who pays taxes.

This book has proven to be a breath of fresh air. It provides detailed product specifics and is a reliable roadmap to actually rolling out an IDS. And I really appreciate the CD with Snort and the other IDS utilities.

The author team is well connected with Snort.org and they obviously had cart blanche in writing this book. I've looked at the other books that have just come out andnotice that (1) they are shorter and have much less information on the actual sstme administration of Snort and (2) they don;t include software.