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1(Wild Red Maple and Fog/New Hampsshire)
2(Cherokee Autumn Forest/Tennessee)
6(Luxuriant Red Maple/Kentucky)
14(Sunlit Aspen Mountain Valley/Utah)
19(Franconia Hillside/New Hampsshire)
20(Mountainside,Red Oak and Aspen/Utah)
21(Golden Aspens and Red Oak Mountainside/Utah)
22(Aspen Grove/Colorado)
29(Red Woodbine/Vermont)
32(Old Sequoia at Sunset/California)
41(Twilight,Virgin River and Zion Canyon/Utah)
44(Waimea Canyon,Sunlight and Cloud Shadows/Hawaii)
47(Sunset,Native Koa Tress/Hawaii)
62(Sunrise and Autumn Blueberries/Maine)
The most beautiful plate is NUMBER 21.Burkett,you and your photos are wonderful.
The production quality of the book is surperb. You can feel the love (and probably pickiness) that went into it.
Enjoy!
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Deborah Hopkinson's story assumes young readers already know about what slavery meant in the United States in the years before the Civil War. The focus on "Sweet Clara and the Freedom Quilt" is on the inventiveness and courage of a young girl in helping her people wind their way to freedom. What I like best about James Ransome's paintings are the evocative looks he always captures on Sweet Clara's face, which help tell the story as much as Hopkinson's words. This is an excellent book for young students to learn more about the Underground Railroad and the quest for freedom.
From 1935 to 1942 he roamed the western hemisphere where he wrote a column on his wanderings for the News and developed into a consummate craftsman of short prose and as Tobin noted "...in the process created "Ernie Pyle." Reflecting what would be his wartime style the author notes, "...he studied unknown people doing extraordinary things." The text relates Pyle's activities as a war correspondence in Tunsia where he shared the dangers and discomforts of the infantrymen at the front, and developed a bond with the American infantryman where his "writing transcended propaganda; it was richer, more heartfelt." At home Pyle's editors were delighted with the rapid growth of his popular column. After Tunisia, he followed the troops in the invasion of Sicily and later into Italy.
In Italy, he completed construction of his mythical hero, the long-suffering G.I. The text notes that the "inescapable force of Pyle's war writings is to establish an unwritten covenant between the soldier at the front and the civilian back home." Tobin also notes "Soldiers could see an image of themselves that they liked in his heroic depiction of the war...The G.I. myth worked for them too." However, as Pyle was becoming the "Number-One Correspondent" he became troubled because he had been "credited with having written the truth...He had told as much of what he saw as people could read without vomiting. It was the part that would make them vomit that bothered him..."
Pyle covered the Normandy landing in June 1944. In contrast to today's instant TV battlefront coverage, Pyle admitted to readers "Indeed it will be some time before we have a really clear picture of what has happened or what is happening at the moment." Pyle followed the infantry into France. The book notes, "The hedgerow country of Normandy was a killing field such as Ernie had never seen, and as the weeks passed, the constant presence of 'too much death' whittled down his will to persist." Once again the G.I.'s affection for him had risen after they saw Pyle force himself to share their dangers, which sometime made him, scream in his sleep. Those with today's anti-French attitude would agree with Pyle when he wrote that in Paris he felt as "though I were living in a whorehouse-not physically but spiritually."
Ernie Pyle returned to the United States in mid-September 1944. After a much needed rest, in January 1945 Pyle left for the Pacific Theatre. Here Pyle was in a different environment. He couldn't relate to the hot food and warm beds aboard Navy ships, the comfortable living conditions of airmen stationed on Pacific islands and the generally pleasant environment on Pacific islands. He wrote, "It was such a contrast to what I'd known for so long in Europe that I felt almost ashamed.... They're...safe and living like kings and don't know it." Even when relaxing with an aunt's grandson, a B-29 pilot who tried to relate the real combat conditions in the Pacific, Ernie just didn't understand the Pacific Theatre.
With the Army's 77th Division, "He went ashore" on a small island north of Okinawa "on the 17th of April 1945, talked with infantrymen during the afternoon and spent the night near the beach in a Japanese ammunition-storage bunker." The next morning he hitched a ride when at ten o'clock the jeep he was riding in came under Japanese machine gun fire. After jumping into a ditch with the jeep's other riders, Pyle raised his head and was killed instantly. Far from home, Ernie Pyle died among his beloved infantrymen.
In closing James Tobin writes "Ernie and his G.I.'s made America look good. The Common Man Triumphant, the warrior-with-a-heart-of-gold-this was the self-image America carried into the post-war era."
While the technology of war reporting has changed greatly since WWII, the author is correct when he observes, "As a practitioner of the craft of journalism, Pyle was perhaps without peer. After him, no war correspondent could pretend to have gotten the real story without having moved extensively among the front-line soldiers who actually fought."
The book ends with a nice touch, an Appendix that contains a potpourri of Pyle's articles.
Here is a wonderful tribute to Ernie and his easy going manner mirrored with his elequent style of writing. From the absense of life, back through his lifes struggles, this work is a journey into Ernie's life. It will bring back floods of memories from older readers and give new readers insight into a great journalist who was taken from us in the prime of his career.
Ernie's manner of writing was a joy to read and Tobin has done a superb job in relaying his stories in regards to the common man, and the private soldier.
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