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If you don't know what size or color gear the dirtbike rider in your life wants, buy this book. Buy it no matter what...it's a life time keepsake.
Learn about life in Rome, the slaves and emperors who lived there, and SEE the objects they used everyday. If you know someone (young or old) who is fascinated by ancient Rome, then you must introduce them to this book!
The photography in this book is fabulous. Students can use this book to get ideas for reports or designing models. The pictures are bright and beautiful and really make the ancient Roman culture come to life!
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A GREAT BOOK! Takes a week or two to start noticing improvements. Well laid out and concise.
No index at the back, so difficult to quickly reference info. However, book is well laid out so that once you're read it you have a good idea of where to find information.
Would be helpful if there was an "update" website - or some way of getting more current information - as science is always finding new information.
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In addition, diagrams and figures are only used when they will actually help the reader to understand a concept. Unlike other texts references to figures and diagrams occur in close proximity to them rather than twenty pages before or after.
The book is divided into two parts which address different but equally important aspects of programming in Smalltalk. The first section deals with the "science" of Smalltak and covers the development environment, class library, and dependency mechanisms (Model-View-Controller Architecture). The second section gives sage advice on the "art" of Smalltalk. This includes sections on how to best utilize Smalltalk in an environment of extensive reuse, management of Smalltalk projects, and debugging techniques.
I would rate this book as a must have for Smalltalk programmers at any level. If I were to teach a course in Smalltalk this book would be required. Lewis should be commended for his command of the Smalltalk language and his eloquence in explaining it to others.
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With tongue firmly embedded in cheek, Simon Brett tells the tale of one writer's foolproof plan to win the Booker Prize.
This delightful story takes the form of a biography on Geraldine Buyers; unknown author of one faintly acclaimed novel. In her quest for recognition, Geraldine sets forth to win the Booker Prize. Her logic is sound and her plan destined for success. She will write her brilliant and original new novel involving a beautiful young girl persecuted by two cruel stepsisters in the style of the current Booker Prize-winner. Unfortunately for Geraldine, but to the continual enjoyment of the reader, her manuscript is never quite finished before the next winner is announced, leaving her no choice but to begin her novel again, and again and again.........
Although set in the publishing world, this book is so wonderfully written that everybody will enjoy it. The humour is sharp and addictive, (I've read the book countless times and still laugh out loud!) The only possible critique of this marvellously funny book is the 'over the top' naivety of Geraldine's biographer. Supposedly a woman of the eighties, she is a frightening and not very funny version of Adrian Mole.
On the whole, Simon Brett's 'The Booker Book' is a successful and hilarious novel with well thought out characters who work together to create a strong base for the life and pitfalls of our heroine. My advice? Buy it, enjoy it, but don't be surprised if Geraldine lives in your life for longer than it takes to read her story. She is unbelievably self centred, remarkably untalented and yet somehow, her numerous encounters with disaster endear her to the reader. As E.F. Benson wrote of Lucia, "Don't get angry with her, just richly enjoy her."
This delightful story takes the form of a biography on Geraldine Buyers; unknown author of one faintly acclaimed novel. In her quest for recognition, Geraldine sets forth to win the Booker Prize. Her logic is sound and her plan destined for success. She will write her brilliant and original new novel involving a beautiful young girl persecuted by two cruel stepsisters in the style of the current Booker Prizewinner. Unfortunately for Geraldine, but to the continual enjoyment of the reader, her manuscript is never quite finished before the next winner is announced, leaving her no choice but to begin her novel again, and again and again.........
Reading the trials and traumas of Geraldine Buyers, you get the unsettling feeling that she was somehow 'dropped' from an intellectually superior world into our bewildering jungle of lesser mortals. She is unbelievably self centred, remarkably untalented and yet somehow, her numerous encounters with disaster endear her to the reader. As E.F. Benson wrote of Lucia, "Don't get angry with her, just richly enjoy her."
Although set in the publishing world, this book is so wonderfully written that everybody will enjoy it. The humour is sharp and addictive, (I've read the book countless times and still laugh out loud!) The only possible critique of this marvellously funny book is the 'over the top' naivety of Geraldine's biographer. Supposedly a woman of the eighties, she is a frightening and not very funny version of Adrian Mole.
On the whole, Simon Brett's 'The Booker Book' is a successful and hilarious novel with well thought out characters who work together to create a strong base for the life and pitfalls of our heroine. My advice? Buy it, enjoy it, but don't be surprised if Geraldine lives in your life for longer than it takes to read her story......
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For those cynical after No Logo, believing that marketing is about 'adding worthless gloss to worthless products', Brand New Justice provokes thought. Anholt believes his work to be realpolitik, but there are still ideals behind it, with which almost all right-thinking people would agree. It is this combination - idealism mixed with reality, all delivered with lucid, intelligible English - that makes it one of the most powerful branding books written.
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pursuance of the happiness to which it feels constitutionally entitled, Kate
Schermerhorn has photographed nearly a hundred parades and pageants across
the breadth of the continental USA. Her camera however never quite gets
around to recording glory of the spectacle, choosing instead to reach beyond
the razzmatazz and settle into the dust of the surrounding minutiae which
inform the structure of the whole. Intangibles such as concentration form a
fundamental part of the events: in Pasadena for example we find a perfectly
made up, high heeled, suspender and stocking clad gentleman applying the
final adjustments to his face paint before taking part in a parade. Lace
seems significant to a Hollywood Halloween party while a poodle in a pet
pouch across its owner's chest seems glued to a Washington tricycle race.
Taking the whole thing seriously is very much an issue here: there is a
commitment in the participants which is appreciated by the spectators. In
Phoenix Arizona for example spectators have brought living room furniture
out into their driveway and comfortably settled in to watch a parade: a
notion of communal spirit, both national and local flows throughout the
book. The High School Band rehearses in the back yard, while in Beaux Bridge
Louisiana a uniformly striped couple step seriously out for the annual
crawfish festival. The book opens with an image of Mount Rushmore, avoiding
the splendour and simply allowing the head of George Washington to break the
bottom of the frame. Whether he is to be viewed as sinking; or perhaps
resurfacing to once more regard the nation he fathered is a decision left to
the viewer. Quietly, behind it's humorous, light hearted, and gently
superficial veil, America's Idea of a Good Time asks some very subtle
questions. And as her Amish farmer rollerblades filmicly off into the sunset
I'm left with the conviction that Kate Schermerhorn's is a journey that's
only just begun. I look forward to her next book