George Gamow tends to get forgotten these days. He died some time ago, and his books are now over forty years old. Some, like his history of 20th century physics, may seem a bit dated in light of the discoveries since then.

Yet there's still magic in these pages. Gamow was one of the greatest of 20th century physicists, and at the same time, a great teacher whose passion for the sheer fun of math and science was communicated in his books, whether explaining the wonders of infinite series, or how to locate a hidden pirate's treasure chest using imaginary numbers. Unlike a lot of modern poipular science writers, Gamow didn't shy away from showing you the math- but he could explain in a way that even an elementary school child could understand.

A wonderful book for the child or adult who isn't afraid to think.

This book was written, thank god, before physics got so esoteric that it started sounding like metaphysics+philosophy, and the only thing that kept it physics was that math was still involved a bit. It clearly explains a lot of concepts clearly, but its not a baby book either. The book is fun to read, never boring and wide-ranging. Gamow has written other good books eplaining elementary relativity and quantum mechanics to the mostly layman, such as his 'Mr. Thompkins' series, which I loved. I hope that other athors can try to explain concepts so clearly and lucidly, in a friendly manner without sounding overbearing.

I read this book long long ago (30 years) in a place far far away (in Chenappady, India where I was born and raised). I was in high school and Prof. Gamow introduced me to the wonders of science - everything from Fermat's last theorem to the theory of relativity to the stars and galaxies and atoms and electrons. This book influenced my career choices; it taught me to look up and wonder, to sit down and think, and to appreciate the wonders of science and the greatness of the minds of the scientists who explored and invented and dreamed up science and math. I read the book from cover to cover again recently, and I still loved it! Thank you Prof. Gamow.

When the Star Wars Radio Drama made its debut in 1981, on the NPR network, it was an instant success. Saga creator George Lucas sold the rights of the story to his alma mater for a dollar After that, a highly creative team took on the task of adapting the very visual film, for the radio medium. The end result is an enjoyable and very worthwhile, experience that makes the film come alive all over again, despite the lack of any of the film's landmark visuals

Using sound effects, the original score by composer John Williams, and with 2 key actors reprising their roles from the film, the radio drama boasts lavish production values. This is not some cheesy adaptation that they slapped together, quickly and put the name Star Wars on it, hoping for the best. Author Brian Daley's radioplay expands on the film verison by including additional "scenes" and backstory. Directed by John Madden (Shakespeare In Love), the radio drama has a top notch cast. Mark Hamill and Anthony Daniels add some additional class by recreating their film roles as Luke Skywalker and C-3PO respectively. Brock Peters as Darth Vader, makes the part his own, while Ann Sachs gives Leia the right amount of spunk. Perry King, as smuggler Han Solo, may not be Harrison Ford, but he could be Solo, and that's what counts. Bernard Beherns as Ben Kenobi and the late great character actor, Keane Curtis, as Grand Moff Tarkin, round out the main cast, with style. While I was listening to this, I got the impression that, even though it must have been a lot of work to put this production together, it seems like everyone had a good time too. Sure some of it may sound a bit off at times, because most of us know the film so well. But one must remember that no one working on the project set out to just copy the film. The Star Wars Radio Drama captures the sprit of its of source material perfectlly...and that's all it needs to do.

I highly recommend this presenation. The Star Wars Radio Drama on CD contains all 13 episodes as originally presented, spread over 7 discs, with a running time of about six and a half hours. The Empire Strikes Back and Return Of The Jedi radio drama adaptations are also available as well.

All the sound effects and music added much as well as having two members of the original cast from the movies(Mark Hamil and Anthony Daniels)was wonderful!! Anne Sachs was brillient as Leia and Perry King was magnifesent as Solo although getting used to King's voice instead of Ford's was a bit difficult.I enjoyed getting more background on Luke and Leia. Brian Daily wrote a wonderful script!! All in all this series should be re-brodcast.

At first, the idea seems bizarre, even ridiculous. Star Wars, a movie best known for its vistas of alien worlds and epic battles, as a 13 part radio drama? No way would it work, right?

Well, unless you have the cold heart of a Sith, Star Wars did indeed translate well from the silver screen to radio, thank you very much. Yes, Star Wars' visual effects are a big part of the magic of the saga, but the heart and soul of George Lucas' galaxy far, far away are the characters and the storyline. And while the movie is satisfying on its own, the radio dramatization written by the late Brian Daley takes us beyond the movie....beyond the screenplay...and even beyond the novelization.

By expanding the movie's story beyond its two hour running time, the Radio Drama allows us to catch glimpses of Luke Skywalker's life BEFORE the movie. It tells us how Princess Leia acquired the Death Star plans....and what, exactly, happened to her during her interrogation aboard the Empire's battle station...(it is an interesting scene, but not for the squeamish, by the way). In short, by expanding the story to nearly seven hours, characters we loved on screen acquire depth only equaled by novelizations.

The Radio Drama makes extensive use of material written (and in some cases filmed) for A New Hope's silver screen version but cut for editorial or technical reasons. Also, Ben Burtt's sound effects, John Williams' score, and the acting of Mark Hamill (Luke Skywalker) and Anthony Daniels (See Threepio) give the whole project its "true" Star Wars cachet.

In addition to being a useful cookbook, this is a facinating history book. This is my favorite cookbook, and has taught me how to cook more than any other. It is also very entertaining, and funny to read. Some of the recipes that I've used which are excellent are Shoshone meat patties, saurbraten, Stonewall Jackson barbecue ribs, Seminole Corn Relish, sour dough pancakes La Salle, and beans escoffier. And if you've ever wondered how to make Worstecshire sauce, beer, or about 50 different kinds of wine after reading this book you will wonder no more.

The book was a gift to my father, years ago, who was a chef with some domestic and international training and experience. A fan of Escoffier, my father couldn't believe some of Herter's comments about the reknown French master of cuisine. This is a wonderful, mixed up collection of recipes, which seem to be second to a world history according to THE authority, George Leonard Herter. He claims authentic historical recipes, but the ingredients list begins with "Take a #2 can of whole corn..." I'm sure the early Native Americans had the electric can openers ready. In any event, a must-read, as I have devoured this book many times and keep howling with laughter. Oh, and yes, the recipes are quite good...and easy.

This is simply the funniest, strangest cookbook I've ever owned. The story of St. Anthony's world famous sandwich put my boyfriend into such a state of hilarity that I thought he'd stopped breathing. Of course, it's just one among many bizzare blends of ancient history and rustic American home cookin'. Some recipes, ostensibly from original, ancient sources, use such things as ketchup and luncheon meat. I had no idea the book had been re-published in 1995, so I was shocked to find these reviews! My edition is 1969, Vol. I, gold hardcover, self-published by Herter's store. In back, it lists some other titles by the Herters, such as, "How to Live with a Bitch", "George the Housewife", and "How to Get Out of the Rat Race and Live on $10 a Month". If anybody finds these, I'd love to know how they compare to old "Bull Cook".

The Story of Ruby Bridges Written by Robert Cole

Robert Coleengages readers in a surprisingly emotional book. Though short,"The Story of Ruby Bridges" is amazingly eye opening and introduces readers to the perils of a major event in history. In this case, the event is an account of a small girl's battle against overt racism in New Orleans. Young and old readers alike can benefit from the lessons learned in this story, though hints of violence, and strong religious ties may not be appropriate in certain situations. In spite of this, the author relates true facts only, and does not directly preach controversially in this book. Down to earth reality helps to rule out ideas that may upset people and keeps the story interesting and educational. Thus, the book can be used as a prime tool for learning about segregation in classrooms and even homes. The strong lesson that is carried throughout this book is that believing in yourself can get you anywhere. Ruby may have been a tiny six year old, but she changed the course of history for all generations to follow hers. The use of real quotes like this one from her teacher, "Sometimes I'd look at her and wonder how she did it," helped to add mood and interest to the story line, while giving the reader an insight into actual happenings. Robert Cole definitely knows how to weave creative writing and history together in a way that can teach kids while entertaining them at the same time. In closing, "The Story of Ruby Bridges" can teach readers more through the main character's true emotions than any textbook ever could.

The story of Ruby Bridges is a beautiful tale depicting the courage of six year
old Ruby Bridges and how she became the first black child to segregate the
elementary school system in New Orleans, Louisiana. Her story is one of hope
and encouragement to not only African Americans but also to the entire human
race. It teaches perseverance, forgiveness, and hope and should be read by all
to give insight into our history.

As for the illustrations, George Ford used watercolor paints mixed with acrylic
inks and conventional drawing inks to create images that are beautiful and so
real looking they're life-like.

Kudos to both author and illustrator on a job well done. I look forward to
sharing this book with family, friends, and my own children.

Reviewed by Tee C. Royal
The RAWSISTAZ Reviewers

Short Synopsis: Young Ruby Bridges is ordered by a judge in 1960 to attend William Franz Elementary School. She is the first African American to attend the school. A mob gathers to shout racial insults at Ruby on her first day at school. Marshals accompany Ruby to school for months as crowds gather daily to protest. Ruby is taught alone by Mrs. Henry as white children are pulled out of school. The story ends with Ruby praying for the forgiveness of those who are persecuting her.
Critical Review: This is an excellent historical story about a young girl's determination and love. Students will see how hurtful racial prejudice is, and will better understand what African Americans went through at this time in history. The book is illustrated by George Ford. The pictures are large an bright. The colors are beautiful. The eyes of Ruby follow along so well with the story. They seem to paint a picture of Ruby's soul.
Curriculum Connections: This book fits into my social studies curriculum. I use it while studying the history of the southeast. It also fits in well with units on civil rights and famous African Americans.

As an Organizational Development consultant I had heard of Six Sigma. I knew that it had to do with quality-but that was about the extent of my knowledge. Then, I came across this book by George Eckes, The Six Sigma Revolution. I must confess I am on my third reading of this book. No, it's not that I'm slow-quit the contrary. It is simple that George supplies the reader with so much information-it's not something that a beginner will be able to absorb all at once. Let's remember Mr. Eckes is a Six Sigma expert. My first read was for general understanding and pleasure. Pleasure? Yes, this book was a pleasure to read. I must admit I was expecting and ready to delve into a highly techno-speak, two cups of coffee to stay alert book. George you surprised me! You give the reader real business and personal examples of Six Sigma concepts so that even the beginner can grasp what Six Sigma strategies and tactical components are all about. For example, what better way to learn about DOE then through Eckes mother-in-laws'lasagna recipe. George shows the readers what is needed to be in place before an organization even considers implementing Six Sigma, through holding the gains that Six Sigma achieved. I have read two other books on Six Sigma since picking up George Eckes, The Six Sigma Revolution. One, was a cute fable about implementing Six Sigma, this added nothing to my knowledge. And the other, let's just say that I don't have enough coffee in the pot to make it through the book. George your books takes center stage in my learning and understanding the power of Six Sigma. When done right you show us all it will be nothing less than a revolution.

I read the Six Sigma Revolution because of my facination with exploring ways to improve the quality of life, both as it relates to business as well as to relationships and life generally. Every now and then an author comes along who not only has technical expertise but also has both feet on the ground. George Eckes has painted a picture that illustrates not only mastery of Six Sigma content, he also exemplifies giftedness by communicating profoundly detailed concepts and principles with clarity and simplicity. And he paints his picture with splashes of fun and humor.

I believe that anyone who is committed to improving effectiveness and efficiency in their world, whether in their business or in their personal lives, can benefit significantly by reading the Six Sigma Revolution. I'm looking forward to getting a copy of his next book, Making Six Sigma Last.

This book was not only helpful in understanding what Six Sigma is, but how to practically implement the initiative. George Eckes takes what could be a cumbersome and difficult concept of quality improvement and makes it understandable and down right exciting. The "Six Sigma Revolution" is certainly a must read for anyone who desires to improve the efficiency and effectiveness of their organization.

This is a wonderful production. I came too late to really appreciate radio dramas when broadcast, but when I first heard this I fell in love with it. You can really imagine what's going on visually, and the drama gets into much deeper parts of each character than Lucas's script ever went into. This simply is a must for all Star Wars fans. I copied it onto MiniDisc and listened to it on the way to work each morning.

This CD set is great. You think you know Star Wars because you've seen the movie? Wait till you hear it! I'm so glad I decided to go for the Collector's Edition. There were only 7500 of these made, so it is quite expensive, but I think it is worth it.

Important about the COLLECTOR'S EDITION: it contains the following special tracks: comments from four of the principals, the speederbike scene without sound or music added, then with all the effects, for comparision, two public radio membership spots by Tony Daniels (C3PO), and the touching "Message for Brian." For me, "Message for Brian" was worth the extra all by itself. (Brian Daley, the writer, was ill with pancreatic cancer when this was recorded, and the cast recorded this "get-well card" for him, only to find that he died within 24 hours of the completion of the recording sessions.)

Unfortunately, Brian never got to hear this message. But the radio dramas he created, which are now dedicated to him, are a great monument to his efforts. I would recommend this set to anyone who is a real fan of the Star Wars universe.

I listened to these on NPR Playhouse when I was young, and tried to record all of the episodes onto cassette tape. I finally got to throw the old recordings away when I got this excellent box set. As a long time fan, I could not be happier with this collection.

The Star Wars trilogy translates well to the radio play format. It helps that a few of the original cast members reprised their roles. Anthony Daniels is the mainstay, and voices 3-CPO through all three productions. The other cast members are all talented radio actors, and suited to their parts. The actors keep their roles for all three productions, so there is nice continuity of character.

The stories are considerable longer than the films, and fill in the gaps of the storyline. Star Wars contains all of the famous deleted footage between Luke and Biggs, as well as a window into Luke's life on Tatooine. (As a side note, some of this was included in the Star Wars special edition re-release, as well as The Phantom Menace. Look for the pod racers to "thread the stone needle" as described in the radio play.) The other two series are not as expansive, but still deliver more story than the film. The excitement and gradure of the series is well translated to audio.

This collector's set includes many extras not available in the standard releases. These include commercials, making-of features, and the touching get well card to Brian. The box is very nice, and the entire set has very high production values. It is worth the price.

General George S. Patton, Jr., was a legend in his own time. While known for his coarse language, he was also respected as a brilliant tactician and terrific motivator. Those who served with him weren't just "in the war" or "in the army," they were Patton's men. This hard-driving leader instilled confidence, acted decisively, and excelled under relentless pressure. His army moved at unprecedented speed, always on the attack and not on the defensive.

Patton did not write extensively; he was challenged by dyslexia. But he said a lot, was often quoted, and was written about. Historians have a rich treasure of who this unusual man was and the impact he had on others . . . and ultimately on the world. His approach to his work was clear and direct, making him an excellent case study and role model. Role model? A man who spat profanity in almost every sentence? Ah, look beyond the rough exterior that actually endeared him to his men. Look at how Patton thought, his philosophies. That's where the lessons are.

This book delivers 183 of those lessons in short, tight, bite-size pieces. This is a book you can read cover-to-cover or refer to as an inspirational resource. Each lesson is constructed as a Patton quote, with Axelrod's interpretation of the meaning, the purpose, and the impact of the words. The flavor throughout the book is how Patton's military style and experience applies to management and leadership of today's business organization. Or any organization, for that matter.

The beginning of the book includes an enlightening biographical profile of Patton to understand the context of the man. The volume concludes with some recommended reading and a helpful index.

As a reviewer, I'm tempted to start listing some of the titles of those 183 lessons. I'll resist, because it will be too difficult to present a representative sample. Every page of this book is filled with concise, valuable insights. Thought-provoking as well as inspiring, Patton on Leadership should be read-and applied-by leaders at all levels. Invest a few dollars and some of your reading time. You'll get a good return on your investment with this book.

Frankly, I had some reservations as I began to read this book. By now I have become weary of so many books with gimmicky concepts (eg Chicken Soup for Dummies, Caligula on Management) and was pleased to find that Axelrod has skillfully correlated Patton's expressed ideas on leadership with key issues in the contemporary business world. Many of those ideas probably reflect the influence of Sun Tzu and von Clausewitz whom Patton no doubt studied while a student at V.M.I. (for one year) and then the U.S. Military Academy at West Point from which he graduated. In any event, this is a well-written book with solid substance. After a Foreword and Introduction, Axelrod organizes 183 "Strategic Lessons" within ten chapters:

1. What He Did and Who He Was (Patton's Achievement and Background)

2. "A Commander Will Command" (On the Dimensions of Leadership)

3. "Always Attack, Never Surrender" (On Developing a Winning Attitude)

4. "How Do We Know That?" (On Fact Finding, Preparation, and Planning)

5. "Speed -- Simplicity -- Boldness" (On Execution and Opportunity)

6. "The Soldier Is the Army" (On Training, Mentoring, Motivating, and Inspiring)

7. "Letters of Instruction" ((On Communication and Coordination)

8. "Only One Direction -- Forward" (On Creating Efficiency)

9. "Success Is How High You Can Bounce When You Hit Bottom" (On Courage and Character)

10. "Audacity" (On Managing the Impossible)

I provide the chapter titles and subtitles to suggest the specific areas in which Axelrod examines Patton's ideas. Patton remains one of the 20th century's best-known and least-understood military leaders. Mention his name and most people immediately conjure an image of George C. Scott whose inspired portrayal provided an accurate but incomplete representation of Patton. It is worth noting that Patton's strategies minimized casualties of his own troops while maximizing destruction of those whom his troops opposed, that he assembled an extraordinarily talented staff to whom he delegated effectively and whose members remained steadfastly loyal to him, and that under his leadership his troops achieved truly stunning results, often with severely limited resources and under political constraints. There is a great deal to learn from this man...and Axelrod has done a brilliant job of suggesting what that is.

Axelrod includes a Recommended Readings section to which I presume to add Puryear's 19 Stars (A Study in Military Character and Leadership). In it, Puryear examines the careers of George S. Patton, Jr., Dwight D. Eisenhower, Douglas MacArthur, and George C. Marshall. You may also wish to check out Sun Tzu's The Art of War (Oxford University Press) and von Clausewitz's On War (Penguin).

Frederick the Great may have said it, but George "Blood 'n Guts" Patton lived it. What a remarkable man, and what a remarkable presentation about that man, his life and his leadership skills. One should read this book just for the hell-of-it if not for any other reason. What a great first read for anyone wishing to know more about the General.

First of all, this book reads well and fast, and it's hard to put down. Mr. Axelrod tells a great story, conveys the essence of Patton's Generalship and Management styles, and along the way adds some very good history. Axelrod clears up the legends and myth surrounding the famous slapping incident, and details the campaigns into Bastogne and to Berlin in short, clear and entertaining fashion. It was truly enjoyable to read this book.

To keep the record straight, the format of the book allows for a 3 - 4 hour total read time due to the fact that many of the pages have only 18 - 25 lines of print on them, where as others are in standard layout. The stories will excite, entertain, and cause "out-loud" laughter. The language is harsh sometimes, but perfectly appropriate to the original situation.

I say get the SOB book and read it "...every God damn night", and smile.

Mesopotamia is an ancient civilization with a new history, uncovered almost from scratch in the huge excavations of the last century. Roux takes you through about four thousand years in four hundred pages with surprising breadth and verve. The author loves his subject and his enthusiasm is contagious. Even where I got lost in the long names of foreign kings and distant battles, the crisp writing kept me turning pages. A great resource on a fascinating subject.

If you are looking to learn about ancient Mesopotamian civilization, this is a must read! I found this book to be an excellent read. Roux does a fine job with this book and I would recommend it to anyone with a interest in the different periods of Mesopotamian history.

I did find it a little dry, but what do you expect from a book about an ancienct civilization?

I am a lay reader, with very little if any knowledge of ancient history. I stumbled upon this book quite by chance, and am proud to say that I am astounding my friends and acquaintances with all I know about it now.

After years of study, Roux is still clearly in love with his favorite subject, and it makes Ancient Iraq a fascinating and compelling read. I was absolutely stunned by what all the Sumerians, Assyrians, and Babylonians are responsible for when laying the foundations of our present civilization. The chapters on government and law are especially enlightening, when compared to present day domestic and foreign policy.

I learned so much from this book: it is an excellent summarization from what is years and years of study and research. Highly recommended.

I have a few E.E. Cummings books of poetry, but quickly despaired of every finding them all. This collection is a terrific resource for someone who simply wishes to have all the poems collected in one volume.

Typography was preserved very well (with Cummings this is critical), and I find the order of appearance by date helpful in charting his growth as a poet; the first few poems are radically different from the later ones.

Of course, acquiring his individual issues has its own appeal, but if you simply want to have his work easily at hand, this is your only choice (the indexing at the back is extrememly good at helping you remember a poem by its first lines).

ee cummings is a magnificent poet - almost as much of a visual artist as writer. His poems fall and flow and jump and dance, their patterns and punctuation adding so much more to the words and essence of meaning. I have tried reading cummings' work aloud: it never quite works. He has an exceptional turn of phrase, and with one line (give or take a pattern or two) can bring about powerful emotive responses.
This book is fantastic - I had quite a lot of difficulty finding collections of his poetry, and although I'd found a couple of small volumes, this one was exhaustive. I reread it - or at least parts thereof - more often than any other poetry book I own, and always seem to discover another nuance or aspect or pattern that I hadn't seen before. cummings wraps you in words, and the best way I can think of to describe how I feel after reading his works is to steal a quote from one of his poems - "such strangeness as was mine a little while."
Worldwords. And he is the creator of my favourite quotation of all time...
"listen:
there's a hell of a good universe next door:
let's go."
And there is.

Along with being a poet, cummings was a visual artist-chiefly a painter and sometimes an engraver. With his poetry, he made the attempt to arrange the words of his poems in something of an image. He also achieved this end with the words themselves: if he was to say a leaf falls, he might say: a l e (fa l l s) a f His poetry is not straight forward-if you want something easy to read, look elsewhere. But if you want to be exposed to a new and innovative style, and some exquisite writing and subject matter cummings is for you.

While Middlemarch is a thoroughly Victorian novel, Daniel Deronda looks forward to the modern period in its focus on the individual. The text primarily focuses on two individuals--Daniel Deronda and Gwendolyn Harleth. Their lives are entertwined from the first chapter in which Daniel observes, with a certain amount of disdain, a serpentine Gwendolyn gambling. By the end of the text, both characters have been transformed from the characters you meet at the beginning through self-discovery. Daniel discovers the secret of his birth while Gwendolyn is tragically disillusioned by her unfortunate marriage. The novel foreshadows the modern period's treatment of the individual searching for his identity and his place in an intolerant society.

Daniel Deronda is a moving account of the parallel yet different personal sagas experienced by two extraordinary characters: Daniel Deronda (the perfect "sensitive" man, way before his time) and the superb and brilliantly realized Gwendolyn Harleth. They are both insiders - one a well-bred but recently impoverished beautiful girl, the other a dazzlingly handsome and intelligent man whose birth is shrouded in mystery. As with numerous George Eliot novels, the hero and heroine would seem destined to marry, but don't. Yet they both achieve something greater: a realization of the inner state of unconditional love that Eliot considered the highest ideal of humanity.

George Eliot's last novel is nothing less than extraordinary. The most obvious thing is that most of it is a thumpingly good read, especially the first third - witty,lively and devoid of Eliot's sometimes irritating commentaries (Eliot has an amazing mind, and her comments can both fascinate and slow the speed of the narrative). We seem to be in a decaying world of Jane Austen, with a descendant of her Emma Wodehouse - silly, headstrong, egotistical yet alluring Gwendolen Harleth.

The tension heightens when Gwendolen finally marries Grandcourt, and both she and the reader realise she has made the most ghastly mistake. Brilliantly, Eliot portrays in disturbing detail the psychological twists and turns of the relationship, as the 'powerful' Gwendolen finds herself trapped by a silent sado-masochist. Grandcourt is actually shown to do very little out of place - which is the achievement - and we are left to imagine what Gwendolen must be going through in the bedroom. We become enmeshed in her consciousness - not always a pleasant experience. It is a brave novel for its time.

The rest of the novel concerns the eponymous Daniel, his discovery of his identity as a Jew, and his final mission to devote himself to his race. It is thought-provoking, and interesting, and much has been said about how the way the novel is really two stories. The problem really is that the Gwendolen part is so well done that a reader feels disappointed to leave her and join the less enthralling Daniel.

The ending doesn't quite thrill as other moments of the book do, and there is an over-long section relating the conversation of a philosophy society, but, thanks to Gwendolen and Grandcourt, it stands out as one of the most memorable pieces of literature in English. Take away the 'Daniel' part and it is Eliot's masterpiece - and great material for the cinema. Maybe it's because she played the aforementioned Emma, but Gwyneth Paltrow could do a fantastic job as Gwendolen - just imagine her playing the great scene where the melodramatic diamonds arrive on her wedding night, and she goes beserk and throws them around!