Since I moved to a small town in Arkansas I've been baking my own bread and this is the best cookbook I've found for sourdoughs, challah, pizza dough, Italian, etc. I made the SourDough Rye and the Potato Rye (minus the onions) for the holidays this year and they were just like a NY or Chicago deli! You can get his special flours from King Arthur catalog to be really authentic.

There are a number of excellent bread books but, for me, this one has it all. The instructions are clear, concise and the recipes have been well-tested. So far I have tried: Challah, Pizza, Sour Rye Bread, Corn Bread (absolutely delicious), Black and Whites (better than from the bakery), Wine Loaf, Bagels, French Bread, Sourdough French Bread (a family favorite) and am about to try Pumpernickel. I have had perfect results every time. Whenever I am looking for a new recipe, this is the book I reach for and if I have a similar recipe in another book, I gravitate to these recipes instead. There a "reading" baking books and "baking" baking books. This is a "baking" baking book and an excellent one at that.

At first glance there isn't much to grab your attention in this book. No glossy colour pictures (in a cookbook, unbelievable) and the recipes look basic (a little yeast, a little water, a little flour...). But you REALLY have to read this book. The details, the tips, the tricks of the trade and the methods that Greenstein explains really do make a difference!

Greenstein has converted the recipes to be made by hand, food processor or mixer. We have a small mixer and simply halved the quantities. I cannot stress enough the surprise at how effective the results were. There was huge "WOW" factor getting the bread out of the oven.

This book has a good range of recipes for breads and things made with yeast. There is an assortment of ethnic recipes and all the favourites from bagels, foccacia, croissants, to scones and muffins. I particularly enjoyed his annecdotes and favourite toppings. Greenstein has also included 12 programmes for "a morning of baking" which set out how to fit together making a variety of breads in a short time.

On the downside, a separate ingredients index would have been useful. For example, after buying rice flour I then had to look through the whole book to find the relevant recipe. The fact that it is so short on pictures is not really a problem as the results speak for themselves.

Please God, when I die let me be Jewish!

I don't have much more to add from other reviews--they all express my sentiments about this book. I'd just like to jump on the bandwagon and urge Olivia Harrison to write her own book about George. Of all the essays, I thought hers was the most articulate and insightful. I relish reading what she has written. However, I appreciate the glimpses into George's character offered by his friends. Although all of the messages about George's character and his music stressed similar strengths and gifts, each one offered unique facets. A book to be read repeatedly and cherished.

This book is a true gem. It is sure to delight all readers from inveterate Beatles' fans to people becoming familiar with the indelible stamp the Beatles left upon the world at large.

The illustrations add to this masterpiece. The interviews by people who knew George Harrison personally are what makes this book so effective in reaching its intended audience. Each individual's voice rings clear and pure; one gets a sense of each person and how they were touched and influenced by George Harrison.

To the editors' credit, this book does not languish during the Beatle years; instead, it picks up speed immediately and maintains an even keel throughout the late artist's life. I like the way the songs are discussed and the influences that guided and created them.

This book is a sterling work. I highly and heartily recommend it.

Unlike nearly every other book on George Harrison, this is of the highest quality & doesn't wander off into gossipy corridors. George's memory is well-served by the book's mature analysis of his wonderful music and its respectful portrayal of George as a human being. I feel compelled to say that when I heard of George's passing, I was extremely upset. Not only was George an amazing songwriter and guitarist, he was also (from what I gather) an extremely gentle person. The world is a much poorer place due to his departure.

The book is finely illustrated with many rare pictures; I was delighted that it didn't gloss over George's neglected solo career. Another particular delight is the introduction penned by Mrs. Harrison. Like her husband, Mrs. Harrison is a very dignified, articulate person and I wish her the very best. Pictures of George's son (who looks just like him, by the way) are also included. Thank you for the music, George.

This is the definitive equitation instruction book - it should be required reading for anyone interested in becoming a proficient, correct and balanced horseperson, or an efficient and correct coach or trainer, regardless of discipline. The longevity of both George Morris's riding and literary careers proves that correct equitation never goes out of style. The book contains detailed descriptions of basic and advanced positions and exercises for both horse and rider.

I have ridden hunter seat equitation for 16 years, I have owned this book (2nd ed.) for 14 years, and I still learn something every time I open it.

I have read and reread this book and consider it my equitation bible. It is not only for huntseat riders but the basics apply to all riders. Mr. Morris is one of the finest equestrians I know of. I own a first edition of this book and whenever I have a question I go to the master. I have always ridden according to the principles set out in this book and though I ride stockseat now , the same principles still apply. I recommend this book to anyone who wants to ride or to veteran riders.

If you ride hunt seat and you only buy one book this is the book you should own. If you own more than one book this is the one you should read first AND last. George Morris breaks down every task into simple to understand steps with concise instructions and helpful pictures. As my trainer once told me, if you can follow George Morris's instructions, you'll be an excellent rider. I simply cannot say enough terrific things about this book!!

I first read 'Sandkings' in the annual Best of SF edition of OMNI magazine when I was in 8th grade oh so many years ago... I am STILL in awe of this story. When I saw the book at a store several years ago I figured maybe George had taken his amazing short-story and lengthened it to novel-size...or had simply written a sequel or well I didn't really care as long as it was built upon the best short-story I had ever read. I am sorry to say that it was just a collection of short stories

with 'Sandkings' being one OF them. This in NO WAY dimishes how utterly original this story is, though. I'm telling you the last written line of 'Sandkings' is worth the price of the book alone...but please, please do NOT spoil the surprise by skipping ahead and doing so. The main character is flawed in that he loves to be sadistic with these tiny adaptable creatures that learn to revere him as deity. But what happens along the way is horrific...and amazing. Spend an hour or two and read this short story and get to know one of the best novelists of the past 20 years. George R.R. Martin is fast becoming one of THE prominant names in the fantasy field (just check out his 'Song of Ice & Fire' series beginning with 'A Game of Thrones') but he was first a sci-fi author...he's not just good at both, he's fantastic...

The other reviewers had it right: I picked up a copy of this book in a used bookstore because I wanted to get a taste of George R.R. Martin before embarking upon his lengthy epic, "A Song of Ice and Fire." The title story was wonderful, one of the best short stories I've read in years. (I'd put it right up there with Kafka's "The Metamorphosis.") "In the House of the Worm" was quite enjoyable, and of the others the only one that I found disappointing was "The Stone City." All in all this is a strong collection of short fiction that deserves to be back in print, and I'm looking forward to spending some more time with Martin's imagination in the near future.

So, I was a young man sitting in a movie theatre waiting for "Invasion of the Body Snatchers" (with Donald Sutherland) to begin. I happened to overhear two people raving about this story they had read in Omni magazine called "Sandkings." I was so impressed by their reaction to the story that I made a mental note to seek it out myself.

A few months later, I found the back issue of Omni magazine and rushed home to read it. After assimilating the last glorious line of "Sandkings," I decided right then and there that it was my favorite short story of all time.

Nearly twenty years later, it remains my favorite short story.

Admittedly, I'm more of a horror fan than sci fi or fantasy fan, so Sandkings is closer to my heart that his other works. However, if sci fi and fantasy is YOUR cup of tea, you'll also enjoy the other very well written stories in this collection (including "Way of Cross and Dragon" and "In the House of the Worm.")

But I can honestly say that "Sandkings" is worth the price of admission alone. It's a true modern masterpiece.

I use this manual to help me teach both Sea Cadets and CAP Cadets about Model Rocketry. Or more to the point, I use parts of it. Even though the late Mr. Stine had ensured that this book is fully comprehensive, It can have a tad TOO MUCH information. Still, the book does not detract from telling the reader how good, fun, and educational Model Rocketry is. I would recommend it for educators and advanced Model Rocketeers who wish to take their interest to the next level.

The book covers the basics of the model rocket hobby. There is emphasis on the safety aspect of model rocketry. It covers basic operation, construction, contests,and different types of models.

The late G. Harry Stine is considered the father of model rocketry and was also the founder of the National Association of Rocketry (NAR). In this book, Harry explains the basics of model rocketry, including propulsion, stability, recovery, design, launching, safety and much more. And the language is on a level that's easy to read and understand by both young and old. This book is truly the bible of model rocketry and should be in every rocketeer's library. Great job Harry - Thank you!

An complete history of the American Revolution told in fluid style. What I really liked about this book was the first hand accounts individuals from both sides involved in this conflict; from ordinary soldiers and citizens to generals and statesmen. I also found some tidbits of history that I had not encountered in other histories of the American Revolution. However, if one( for those armchair generals out there!!) is looking for more detailed accounts of some individual battles I would recommend "Battles of the Revolutionary War" but W.J. Wood as supplement to this book.

ONE OF THE BEST BOOKS I'VE READ ON THE AMERICAN REVOLUTION. I ACTUALLY FOUND MYSELF ON THE EDGE OF MY SEAT MORE THAN ONCE. VERY WELL WRITTEN, THE PERSONAL ACCOUNTS GIVES IT HEART AND SOUL AND PUTS YOU THERE WITH THE MEN WHO DIED, AND IT'S ALL HELD TOGETHER WITH A SUPERB NARRATIVE!!

If a book on the American Revolution has the names Scheer and Rankin on it, buy it.

This superb work by two noted historians tells the entire tale of the Revolution, interpersed with myriad first hand accounts from those who marched and fought the breadth of a continent and defeated the greatest military power in the world at the time, albeit 'with a little help from out friends.'

I have found this volume extremely helpful in doing my own historical research, and have recommended it many times to my students. It is clear and concise, informative, and is an excellent read. It is one of the best books in print on the American Revolution, and is easily also one of the most accurate representations of the period that has ever been written. Accurate, compelling, with a definite epic story to tell, it is invaluable for all students of the period and will stand the test of time, as it already has.

Not only great humongous fun to read, thanks to this book I managed to boggle several acquintances in Sofia, Bulgaria. They can't understand how an Indonesian could know such detail about Count Ignatieff (a street in Sofia was named after him), especially that wonderful gem about his eyes. Loved all the stuff about the charge. What wonderful history lesson! I've read nearly all the Flashman series, and I dread the day when the well dries up. Please Mr. Fraser, keep 'em coming!

The great Flashman series is probably the funniest nad most entertaining series of history books ever written. Reading it is a brilliant history lesson, far better than any avaliable in a textbook. For all ages!

It is unfortunate that you really can't pick up one of these Flashman novels without seeing the words, "bawdy," or "sexy," or "lusty," emblazoned all over the cover. It's done, of course, to help sell the books, but I can't help wondering sometimes whether more discerning readers skip over these titles in the mistaken belief that these novels are nothing more than fleshy potboilers. If this is the case, they are missing what is truly one of the great feats of historical romantic fiction in this century.

The premise of these novels is that the "Flashman Papers" were discovered in a Leicestershire attic in 1965. In them, the English soldier and adventurer, Harry Flashman, recounts his adventures throughout the British Empire during the latter half of the nineteenth century. They are helpfully "notated" by the "editor," George MacDonald Fraser, who occasionally comments upon the authenticity of Flashman's recollections. And what do you know! Flashman just happens to have been present at just about every single major military event in English history of these times! Lucky us!

In this one, Flashman recounts his experiences leading up to and at the famous Charge of the Light Brigade in the Russian Crimea in 1854. He is subsequently captured by the Russians, escapes, is captured again, escapes again, and with the help of Tajiks and Kazhaks, battles the Russians and makes his way to British-controlled India. Believe me, this is just as fun as it sounds, but what takes it to the highest, most delightful level is the sheer narrative force of Fraser's Flashman, unquestionably one of the most enjoyable narrators ever created.

As well as being reliable and honest--qualities a reader hopes at the very least to get in a first person narrative--he is also extremely intelligent, witty, funny, and very, very opinionated. Thus, in describing the Russian peasantry, we don't get a carefully-worded, afraid-to-offend, cautious assessment, we get this: ". . . this dull clown was just standing and letting himself be caned by a fellow half his size, hardly even wincing under the blows. There was a little crowd of serfs looking on, ugly, dirty-looking rascals in hairy blue smocks and rough trousers, with their women and a few ragged brats--and they were just watching, like cowed, stupid brutes." You may wince at his less than diplomatic commentary, but you may be sure you are getting the truth unvarnished, told as only the indefatigable Flashy can do.

These novels are also historically accurate, and meticulously researched even to the tiniest detail. From the lay of the land on a battlefield, to a description of the Russian steppes; from the uniforms worn by various regiments of various armies, to the weapons and ordnance available to each; from the subtle nuances inherent in the languages he encounters in central Asia, to the slang routinely used by Englishmen; it is clear that Mr. Fraser has a unique and thorough understanding of England and the British Empire in the nineteenth century. In fact, it is impossible to believe that there might be another living human being who knows more. The reader gets the sense that he is in the hands of a master; there is nothing here which strains credibility.

In fact, Mr. Fraser has us so firmly in his stead that the romantic elements strewn liberally throughout these novels barely raise an eyebrow. Thus, the scenes when Flashman is chased by wolves over the snowy steppe in a rickety sleigh, or thrown into a dungeon and threatened with the vilest torture, come across as believable and exciting, rather than foolish or cartoonish. And yes, yes, there are dalliances with beautiful women, but what kind of an adventure/romance would this be without them?

In short, the Flashman novels provide everything the lover historical fiction dreams of: exciting and historically accurate plots, careful attention to detail, a thorough knowledge of the subject matter, and, perhaps most importantly, a witty and delightful guide to show us the way. Bravo, Mr. Fraser. Bravo.

As a small-town west coast preteen in the 60s and self-absorbed teen in the 70s I was peripherally aware of the "pop" scene in New York City (mostly from my mother shaking her head over the photos and stories in "Life" magazine). When "Edie" was published I ran across it in a book club review and it just sounded intriguing. I ended up reading "Edie" so many times the cover practically fell off. Then a few years ago it mysteriously vanished from my bookshelves -- did I lend it to someone who was as morbidly fascinated as I by the tragic rise and fall of "Warhol's little queen" (as the Cult song says)??? One thing's for sure: Edie was a victim of Warhol's astounding ego -- or madness -- sucked into the black hole of his twisted little soul. Of course, she came from a long line of borderline personalities in a high-society family. The excesses of the 60s were absolutely the end of the road -- or rope -- for many of these types. As one who "missed" the whole self-indulgent and uncontrolled scene, after reading "Edie" I finally realized that I'm much better off having just read about those times. It's a real collage of that generation's high-fliers and fringe dwellers that will not cease to amaze. So why am I writing this review now? I just heard the song I referred to earlier, the Cult's "Edie," and I am now ordering a new copy of the book. Plimpton's word-of-mouth writing style brings the viewpoints of so many people who were there it's like theater in the round, or something -- you see and experience the scene from every angle. You don't hear just from the heads and freaks, you hear from the spectrum of New York's inhabitants, plus many of Edie's kinfolk. I recommend the book to anyone who likes to see how the stranger half live and who wants to experience the story-book coming of age and final degradation of a fragile, lovely girl who was caught in the sordid vortex of the pop culture.

For an all too brief space of time Edie Sedgwick was the bright light of Andy Warhols' insular world of self proclaimed superstars.Beautiful, wealthy and emotionally troubled, her life of excitement and excess withered rapidly into debt, drug abuse and isolation. Discarded by the social glitterati when her instability became increasingly difficult to ignore, Edies' position as the girl of last year and eventual unremarked death stand as a scathing indictment of the fickleness of fame

It's funny how a person's childhood experiences can set a person up for success or failure as an adult. However, in the case of Edie Sedgwick, her failures as an adult were definitely unfunny. I loved that this book relied only on quotes from the people who had met/known her. Exceptional research into every stage of Edie's life to uncover people who experienced her in each incarnation and brilliant editing make this an extremely special biography. It is evident that the choices the adult Edie made which were ultimately destructive were foreshadowed by events in her childhood. I don't think it's necessary for you to be fascinated by the scenes Edie lived through to enjoy the book. If you approach this as a psychological study of an individual, it becomes mainstream reading, not just a pop-culture chronicle.

I'm a Star Wars fan, and always wondered what kind of person George Lucas, the creator of Star Wars, was. This book pretty much answered any and all questions I had about the Master Jedi himself.

Pollock's narrative of Lucas's life begins with George's childhood, then proceeds into his rebellious teen years--which was the inspiration for American Graffiti--then straight onto Lucas' student filmmaker years and finally to his highly successful movie career. The latter of which is when Star Wars and its sequels were produced and established Lucas as one of the most influential filmmakers in the history of the medium.

The book offers a balanced, journalistic account of Lucas' life, with very little opinion injected into the book. Some places Pollock seems to praise Lucas too much, but it's nothing too extreme.

The only real problem is that the book was written during the production of Return of the Jedi, when Skywalker Ranch wasn't finished, George was still married to first wife Marcia, and before the flops Willow and Howard the Duck. I read the revised edition which has an intro mentioning these things, but the book's main narrative is about what's happened to Lucas up to 1983.

I'd recommend this book to any fan of Star Wars, and anyone else curious about Lucas himself.

When I Bought this book, I thought it would just tell me about George Lucas's youth and how he made his movies. Very shortly into starting the book did I realize he has a rare story. Must read if you love star wars, lucas, Biographies, Ect. It's Very Moving and addictive, and the reason why it's moving was because it's very happy and can be, at certain parts, very sad. Also a great story about friendship, youth, and mostly the work ethic.

In times past the function of biographies was generally to elevate their subjects to noble heights and focus on the individuals accomplishments. In modern times the function of biographies often seems to be to tear down their subjects, ruthlessly exposing every flaw and possible past transgression of the person under examination. This biography of film director/producer George Lucas is an evenhanded look at his life and work, even if some of the conclusions it's author arrives at are necessarily personal rather than certifiably factual in nature.

The book is peppered with many quotes from Lucas himself as well as Spielberg, Coppola, Milius and others which lends it a feeling of legitimacy which I believe is probably lacking from other, less sympathetic biographies. Lucas himself is quite forthcoming about his feelings on his own work and what he sees as his limitations as a director. His comments on Hollywood were amusing if understandably bitter, especially for someone who has worked there in the past.

If one omits his earliest film shorts such as the student version of THX 1138 and the documentary Filmmaker, Lucas has only directed three films in his career, THX 1138, American Grafitti and Star Wars. His function since that last mega-smash has primarily been as producer and head of the state-of-the-art Skywalker Ranch production facilities up in scenic Northern California. He has also helped finance a number of less "mainstream" works such as Kurosawa's Kagemusha. It's unfortunately probably true that Lucas has never been taken seriously by many critics ever since Star Wars because that film was so consciously intended as a "kids movie". Despite the fact that it was embraced by popular culture around the world due to its quality and mythic resonance it does tend to overwhelm his early, more adult-oriented films. Lucas himself is quite skeptical of some of the intellectual critical analysis that has been produced on what was intended to be an innocent hommage to 30's style action movie serials and not a "think piece". It's also surprising that so many people continue to consider the Star Wars films science-fiction when they really fall much more into the fantasy genre despite all the high-tech trappings.

Of course this book includes reams of trivia on the films, from the origin of all of the characters names in Star Wars to the details behind preview screenings and loads of very funny anecdotes that could only have been provided by an industry as crazy and high-stakes as Hollywood. Mostly however this is the story of a man from modest origins who managed to beat Hollywood at it's own game and achieve financial independence from "the system" through a combination of very savvy business choices, luck and a personal vision that happened to coincide with what a large number of the paying public wanted to see on screen.

This review refers to the original 1983 hardcover release of this book.

I'm shaking my head wishing I had taken better care of my Tuf Voyaging. This is science fiction the way I like it: an interesting character, unusual situations, clever writing. No techno-babble, no first of a 4-part "saga" or "cycle" or whatever, no pseudoscientific straining to make us believe the science. Good storytelling, episodic self-contained tales, a fun read. Only Zelazny's Lord of Light comes to my mind as a book I'd reread in parts again and again. Or would reread if I still had my copy.

I first read this book on holiday in 1989, I put it away on the bookshelf and take it down every couple of years and read it again. All I really wonder is what happened to the second promised Haviland Tuf book, it mentions George R R martin is working onit on the jacket of my book. Well worth a read Steve

I first came across these stories when reading "The Plague Star" in an issue of my father's Analog magazine. Ever since, I've avidly consumed everything I could find by Martin. This collection of stories is such a pleasure to read, I can't do it justice here. If they book has any weakness, it is that the stories were written over a fairly large span of time (ten years, or more - I can't remember). Because of this, the quality of the written varies, growing better as Martin developed his skills.

The stories work on so many levels, and Tuf is such a singular character, the stories remain in my mind almost daily even ten years after I've read them. The fact that these stories live in the 'ghetto' of science fiction shouldn't scare away those who don't typically read it. Martin's grasp of humor, horror and the human condition is unmatched. I've often compared him to Mark Twain, in that his writing is so simple and universally appealing, yet contains so much more moving beneath the surface.

It's a wonder to me that with Martin's forays into screenwriting that he's never decided to pitch "Plague Star". It works almost perfectly as a feature film, with just the right length, rhythm and imagery. Perhaps the one thing holding him back is the lack of the standard 'human' element in all these stories - Tuf is profoundly asexual, and indeed, seems to have almost no typical heartwarming hooks that Hollywood demands be in virtually every film it rolls out. There are no love interests, no (traditional) paternal emotions. There's no boy meets girl here, just boy meets destiny. Yet I think that it could appeal to a wide variety of viewers nonetheless. The book after "Plague Star" has a fairly strong 'population control' message that might not appeal to the religious right, but I have a feeling the message would go right over their heads - history has shown us that people aren't to quick to pick up these subtleties.

Accessible and rewarding. If you can find this gem, don't let it slip through your grasp.