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Professor George F. Kennan has written the Introduction only for this book -date unavailable.
Quite a long time ago, almost twenty years before CEIP president, Morton Abramowitz, has brushed this book from the shelf, I have had the original in my hands, and this with the greatest care. My father, as a volunteer telegraphist was in the midst of the first book's subject.
Giving an opinion of the first and the second edition in English -I have no knowledge of any translation- is a task of the utmost seriousness. Let Good Lord help me to condense my view in less then a thousand words. At that point I will more than gladly respond to your kind offer and continue along this lines.
Sincerely, DJGB Popadich
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MacDonald 's literature (mainly for adults) exerted a great influence on subsequent writers, who freely admit the importance of his literary legacy. C.S. Lewis regards him as his master, claiming to have quoted from him in almost all his books. JRR Tolkien used his work as a measuring stick for his own writitng in Lord of the Rings. MacDonald himself claims that he writes not for children, but for the childlike.
Named Little Christmas this pitiful waif is a character out of Dickens; she inspires both evil and generous reactions in those she meets, while suffering great injustice with stocisim. This story transports the reader back into violent times, with an ingenuous heroine and a tender benefactor. A delightful book to remind us of Christian charity and rekindle the flame of Christmas generosity.
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Of the controversy over its authenticity little more can be said in this review. The book itself covers some of the important objections (e.g. the presence of titanium in the ink), but slights or ignores much of the philological and historical criticism of recent years. (The web contains a certain amount of such criticism.) Lay readers may come away with the impression that the academic world is solidly behind the map, although this is far from the case.
Nevertheless, if you're interested in the Vinland Map this is the one essential book to own. It includes high-quality black and white plates of the map, together with text and translation of the legends and suchnot. The map was at one point bound with a manuscript known as the Tartar Relation (Historia Tartorum), itself a fascinating specimen of medieval geographical knowledge. As the circumstances of its production and replication are critical to the authenticity of the map, a full text and translation is also included.
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However, i still really really enjoyed this book. As a long-time devotee of Agatha Chrisite, i have yet to find anyone who comes close to being a modern day model of her. George's novel are of the right style, the right topic, the right mood, and always feature the right sort of mystery. I have no doubt that if Christie was still writing today, these are the sort of books she would be writing.
George is able to craft great mysteries, with great well drawn plots, and always manages to create a cast of colourful and realistic characters. That is why i like her books so much, i think. Her intricate and puzzling plots, and how well she draws her characters. You may not like them all, but they are still interesting and colourful, human and well developed. She concentrates not just on the mystery, but on the lives of the characters as the mystery goes on around them. Which is what i admire, because while a mystery effects lives, it does not stop them.
Here she goes back to A Great Deliverance country with a "whydunnit" rather than a "whodunnit". We know from the start who killed him. There is a little room for doubt, but not serious doubt. The mystery is more focused on why the killer did what they did.
With her resolutions and solutions, George is a master. Always has good motives and an unexpected and clever answer to the mystery.
She falls down on one point. Always.
Her depections of English life.
Her books are similar to Christie, and a bit too similar. they not only follow some of the same principles, but they seem set in the same time zones as well, when George's novels are supposed to be set in the present day. The English life she depicts may well have been that of fifty or sixty years ago, but it is very rare you find things like this now. We simply don't live as she writes we do.
However, her English way of life may not always be realistic, but if you just forget it's supposed to be set in the modern day and think of it as being a novel set in about the thirties, then you'll be fine.
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The grumpy-old-man-with-a-heart-of-gold Matthew Bramble takes his family and assorted hangers-on for a tour of Great Britain, visiting Bath, London, and many other places along the way. For lovers of Scotland, you are in for a treat here, as Smollett writes this novel as an important "P.R." job for his homeland to his skeptical English readers. The descriptions of Edinburgh, Glasgow, and the Hebrides make you want to book your airline tickets right away; Smollett has an eye for those aspects of the Scottish landscape and Scottish people that haven't really changed in the last 250 years.
This is an epistolary novel, written entirely in the form of letters with no central narrator.
The strength of this format is that it allows the reader to see the same places and events from the (sometimes radically different) perspective of more than one person. As a result, you get comedy, tragedy, farce, romance, satire, and a good adventure story all in one enjoyable package.
One word of caution, though: because of the epistolary format and the travelogue format, you shouldn't really approach "Humphry Clinker" with the expectations of finding a strong unified plot. This is something that we get mostly from the novels of the late eighteenth century and certainly the Victorian novels of the nineteenth century. There IS a plot--a good one--but just don't expect the plot to be the star of the show. If you read it as a series of memorable and sharply drawn sketches and characters and places, and for how well it captures what is unique to the time and place in which it is written, I think you will enjoy it a great deal.
The characters are finely drawn and their correspondence is written in very individual voices. We follow their adventures as they journey through England and Scotland in the years before revolution in America and France changed the world forever. It is a world obsessed with social class, money and advantageous marriage (so why did I say it changed for ever!). There is plenty of sharp humor and a deal of profound insight into human nature. Smollett's last and best novel, it is a wise and mature journal of Mankind's folly.
Incidentally, the graphic description of the spa town of Bath will make you never want to drink spa water again. Reading that particular chapter requires a strong stomach.
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I would still recommend purchasing this book because of its low price.
- Yi Sun
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George is a talented writer. The problem is that she writes as though she believes she is a talented writer. The plots are engaging, and the characters are anything but cardboard, but the drek that one has to slog through in order to get to those plots can sometimes be impenetrable.
I learned after the first book to skip the interminable soap opera that was Havers and her family (I was actually pleased when her father died in the third book so that I wouldn't have to read any more about him). But the fourth book takes "wallow" into a whole new dimension. Simon and Deborah. Deborah and Tommy. Tommy and Simon. Simon and Helen. Helen and Tommy. Tommy and Peter. If you loved Wuthering Heights, you'll love this book. Otherwise, you may find yourself screaming by half-time.
I'm hoping that all of these emotional cripples get down to business by the fifth book. Otherwise, the Elizabeth George fan club will have to carry on without me.
*****It is definitely one of her best.
This book, in time sequence, "happened" before any of the "Lynley/Havers" mysteries. Excellent for those Lynley fans who want to know: What did happen between Thomas and Deborah? Simon and Deborah?
----AT the start, Deborah has just returned from college, home to her father (living with Simon). She announces her engagement to Tommy Lynley. They are going to his ancestral home, bringing a reluctant Simon, and a grimly cheerful Lady Helen as guests. Meanwhile Simon's young sister Sydney,has troubles with an abusive man. Tommy's younger brother may be using drugs. Why are Tommy and his mother alienated? Who's the mysterious woman that disappears without a trace?
****
When murder happens on the estate, all these story lines converge and intertwine in a way that explores the relationships, old and new of this extended "family" .
The resolution of the mystery was one of George's most inspired. As usual, the story is so intricate, it's difficult to imagine the difficulty of spinning this web.
Even more important to me, was the resolution of, at least some of the interpersonal conflicts.
*****ok I admit, I cried at the "happy" ending***********
This is an outstanding book for all mystery fans.