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Sea battles and air campaigns were completely ignored. The battle of Brittain should have been included as well as some ancient sea battles, especially between the Greeks and Persians.
Other interesting points:
Where are the african battles before the 19th century?
The book was a little too Europe centered.
Why no battles of Midway, Coral Sea or Pearl Harbor.
Kohima could have been left out.
Too much was written about Arnhem.
Why was Stalingrad left out.
The diagrams were superb.
The Falklands should be included in a new edition.
Warfare in Asia was amost completely ignored except for Port Arthur, especially the Mongols in China.
All in all a SUPERB book.
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Hal Dockins Jackson MS.
Criminal defense lawyers all have survival mechanisms and strategies to contend with the stress which results from being responsible for protecting clients' liberty and from engaging in that particular kind of battle known as the trial. Buddy tells us about his--mythmaking and humor. The delusions of gradeur need a framework--the defense lawyer as Ivanhoe is a good one, especially for the Southern lawyer. We still look for damsels in distress. (Lawyers I know west of the Mississippi seem to prefer the cowboy archetype. You've all seen the "Gunfighters Don't Charge By The Bullet" poster.) But while what we do requires the energy of myths, at the end of the day we need a good laugh to bring us back to ear! th.
The Carlos Marcello (local allged mafioso) and the Dino Cincel (alleged pedophile priest) are the most famous of the cases. Buddy tells good stories, succinctly, unabashedly, and always with that twinkle in his eye. While weaving his knight theme though his trial tales, he also reveals some things about himself which certainly have some bearing on his skill as a trial lawyer. He admits to (or boasts about) being a sinner, which gives him something in common with both defendants and jurors. Let the judge and the prosecutor be holier than thou.
The dragons Buddy tells of fighting and sometimes slaying are the ones criminal lawyers have a license to duel--the king, the church, all authority. Years of such combat spawn a virulent form of cynicsm. Buddy reminds us that a good laugh is the antidote, and that the justice system must have some redeeming qualities, or dragons would never get slain.
His childhood adversary was that bastion of authoritarianism, the Catho! lic Church. The early duelling prepares him for his career! . He writes:
"I still remember the great agony of trying to make it from Friday's confession to Sunday's communion. But I soon learned how to beat the system. By confessing on Friday to uncommitted sins and throwing in one whopper to cover the scam, I could march up to the rail on Sunday mornings under the watchful eye of parents and priests with a clear conscience. Again, I sided with the sinners. It was also my first lesson in imunity."
Irreverent and sometimes politically incorrect, Dragon Slayer is a hoot. War stories were always my favorite part of CLE anyway.
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One of Anthony's best.
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Several strong secondary characters, all just a little more complex than they seem, combine with a knock-out plot and vivid main characters, to make this my favorite Trollope novel. The man who will not accept the good around him but prefers to see the bad...? How's that for an eternal theme?
While the focus of the novel is the main character's mental deterioration resulting from his unreasonable jealousy and increasing isolation, both from society and reality, Trollope also provides a cast of interesting women faced with possible marriage partners. At a time when a woman's only "career" opportunity was to make a successful marriage, the women in He Knew He Was Right each react differently to the male "opportunities" that come their way. Kermode notes that Trollope was not a supporter of the rights of women, yet he manages to describe the unreasonable limitations on, and expectations of, women in a sympathetic light.
The "main story," of Trevelyan and his wife, is actually one of the least compelling of the man-woman pairings in the novel. What I mean is that while their story IS compelling, the others are substantially more so. This is a wonderful book. And, personally I'd like to note that I laughed out loud while reading it. This was on a cross-country airplane flight, and I got some strange looks for laughing at what appeared to be a thick "serious" novel.
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If you desire a general art reference you won't go wrong with this gem and you'll not find anything better. I have the 3rd edition also and it is excellent but this 6th one is greatly expanded (e.g., lots more photos and color) while retaining the user-friendly nature of the earlier editions. The text is clear and interesting, not written in the dry, boring style of a textbook. The printing and reproductions are top-quality. This art book is truly itself a masterpiece!
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P.S. My son was able to leave the hospital at only 35 weeks post-conception (6 weeks earlier than the doctors estimated!) Today, he's a happy healthy 3-yr old.
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Harrison's is probably the best medical reference for medical professionals there is. As expected, the 14th edition of this authoritative reference lives up to its name. This book is not meant to be used as a textbook by medical students (or anyone for that matter). For those looking for a textbook, I suggest "Cecil's textbook of medicine", which does a beautiful job in that area. However, when you need to know the last say on any topic in Internal Medicine, your best bet remains Harrison's.
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All these other reviews all sound so...professionally done.
All I can say is I like to read, and I read 50 books a year. This one just didn't make the grade. While the point of view flip-flops from one main character to the other, the entire book is written in a passive voice that almost hypnotizes the reader every time she's forced into reading "was" after "was" after "was" after "was." Even the climax occurs off-stage.
What "was" the point of that?
Mr. Anthony's freshman effort is a pale comparison of the same old stuff that didn't work in the 90's.
Half a star out of five-and I'm not one of these "5-Star Ringers."
When threatened with the home, Mickey leaps at moving in with Jesse. The two men walk gingerly on eggshells as they struggle to find a middle ground and avoid a generation war. Mickey forces Jesse to bring his girlfriend Marina to him so he can meet her. He quickly realizes these two have a rare chance for a once in a lifetime love, but his son is a moron who thinks love eventually dies. Mickey relates the story of his one true love, not his spouse of fifty years though he loved her too. Will Jesse understand what he has before he loses it or is fatherly advice too late for a grown up son?
THE FOREVER YEARS is a delightful family relationship drama with a wonderful romantic subplot. The story line is amusing yet poignant as Mickey struggles with his decreasing capacity and his adult children tussle with what is best for their beloved dad. Jesse is an enjoyable individual who is a mocking cynical Metro New Yorker (oxymoron?) as well as a nurturing person. Though Marina seems too perfect to be real, fans will appreciate Ronald Anthony's enchanting and beautiful modern day novel.
Harriet Klausner
Jesse has offered to share his home, however, and Mickey has reluctantly agreed to move in with his son: Letting go of the past will be difficult, but adjusting to his new living situation will be even more arduous. At first, father and son share awkward silences and hostile conversations. They gradually settle into a routine, though, and their disagreements become less frequent. Jesse is even beginning to feel like he has gained ground with his father and earned his esteem, when a philosophical difference once again introduces tension into their relationship.
Instead of cherishing what he has, you see, Jesse is taking an exceptional woman for granted and being very guarded with his emotions. He's convinced that his love for Marina will eventually burn itself out, that their relationship will inevitably falter, but Mickey is wiser in the ways of love -- and is compelled to tell his youngest son about a very private heartache. One that he has never before shared with any of his other children...
Whatever you're expecting to glean from the pages of Ronald Anthony's debut novel, The Forever Year, know this: There's unexpected depth and dimension -- and warmth and wit -- to this eloquently stated story encapsulating a father and son's relationship, and their disparate experiences with love. The impact of Mr. Anthony's prose is really quite remarkable and will evoke a profound response from readers.
It doesn't matter how often this story has been told and retold through the ages, or how predictably allegorical its message is. In the hands of a gifted storyteller, the plot is renewed, revived and refreshed, and presented in such a way that every nuance is exquisitely captivating. Bold words, I know, but I've never been a very big fan of mainstream fiction, finding it too dark and oppressive, too pessimistic in the face of love and all its realities. Not so in The Forever Year, a gourmet delight to a reviewer starving for a rare, exotic delicacy -- as rare and exotic as a long-term, committed relationship in a commitment-phobic world, that is.
Love is fleeting and burns out quickly, after all, so why expend a lot of energy on a relationship doomed to wither and ultimately fail? Mickey Sienna is appalled by his son's cavalier treatment of his girlfriend, Marina, however, and sets out to teach Jesse a valuable lesson by relating his own story of love and loss. And what a beautifully haunting story it is. Jesse had hoped to finally establish a bond with his father, but he is quite unprepared to hear about the Great Love of Mickey's life. Admittedly, he romanticized what it would be like to have his father living with him, but he never thought he'd be privy to such intimate details.
And where is all of this leading, anyway? Why, to a gratifying conclusion, of course, though there will be a few tears along the way. Told from the first and third person perspectives, The Forever Year is both a family drama filled with endearingly familiar characters, and a tender love story graced with uncommon beauty, wry humor and an abundance of wisdom. If you're a purist who refuses to cross over into mainstream fiction, you're letting a good thing pass you by. I've rarely enjoyed a novel this much (outside of the romance genre) and so relished its every word.