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Rod Allbright is the most honest person you'll ever meet. He can't tell a lie if his life depended on it. This causes him some trouble, as you might imagine, but not as much as the aliens on the good ship FERKEL who come crash-landing through his window. These are Captain Grakker, Madame Pong, Tar Gibbons (a gibbon is actually a real-life tropical Asian ape with a slender body and long arms), Snout, and Phil. Soon Ron is drafted to the position of Deputy to help them arrest the interstellar criminal BKR.
The book starts off pretty quick--not even twenty pages pass before the aliens land. However, the action is not immediate. This gives us a good chance to meet the characters, instead of just watching them run from explosions and stuff. And they are all pretty well-developed, with the possible exception of Phil, since he only has twenty or thirty lines altogether.
Bruce Coville's is some of the best writing I've ever seen. There's so many little details and subtle messages that really help the book move and add depth to the characters. At the same time, he remembers that a kid is thinking this, and fills it with realistic boyish wonder and actions. Well, except not being able to ever tell a lie. But hey, that's what makes Rod Rod.
I highly recommend this book to anyone who has even a slight interest in bizarre. It's the fine writing from Bruce Coville seen here that makes me wonder why that haven't adapted any of his works into a movie.
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As I said, my personal favorite is the third story. The only problem with this one is it is heavily dependent on the others three books to carry the story. My Teacher is an Alien, which was never intended for a series, is the most stand alone of all the books. It has the most distinct feel of a modern children's classic.* But, unlike The Lion, The Witch, and The Wardrobe (for me), this is as good as the rest of them. Then the publishers wanted more because it turned out to be an unexpected hit. So he wrote the second. It is stand alone - to a point. You can tell there is more coming, and the issue is not resolved. Then the third one just exaggerates that feeling. Its like Act I builds and sets the rules. It doesn't need another thing to be complete. It is complete in sense it is self-contained. Act II further complicates Act I, and hints at what is to be in Act III. But to be complete, it needs Act III. Act III comes along. Originally, according to the preface in the Collector's edition, it was supposed to be a trilogy, but the story was too long, so he divided up into two parts. Act III in this instances just builds and intensifies the need for completion. It depends on the two acts before it to build up to it, and then it depends on Act IV to complete it. Act IV is the completion. (Much of what I say here echoes what George Lucas said of Star Wars in the interview released with them when they rereleased the Star Wars original edition. ESB is the best in that series, but, just like Book 2 and 3 in this series, need RoJ to be completed, and is not a stand alone film).
* (When I say a classic feel, its just like The Lion, The Witch, and The Wardrobe. All the Narnia books are classics and are most excellent [scary, now I'm sounding like Bill and Ted - yike!], but LWW has the most classic feel of them all, and, btw, is my least favorite of the series. It has some classic scenes, especially Tumnus the Faun standing in the wood with parcels and an umbrella. But overall, the Christianity is way too explicit. I like, if you are using fantasy as a vehicle to express Christianity, not to be beat over the head with it, which is what I feel Lewis did with Aslan and the Stone Table. I love Narnia, and LWW is good, but the others are so MUCH better!)
Narnia is better than this, and most children's fiction for that matter.
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This book holds the strange exciting story of two young teenagers who are forced against their will to follow a religious cult to the top of a mountain. When Jed's dad and Marina's mother become Believers of Beelson's flock, the children have to leave their home and friends to join the rest of the believers on the top of Mount Weeupcut. Jed is a nonbeliever and feels like he's surrounded by crazy people. Marina wants to believe but doesn't know if it's really in her heart. The teens are strangers at first, but soon meet and eventually fall in love. Other supporting characters bring life to the story as well. For instance, the insanely believable Reverand Beelson. You want to hate him, but can't because he makes you believe that he really cares about all of his followers. You almost think that maybe the world really is coming to an end and it's scary because there really are cult leaders out there like that. It's too real. Jed's father and Marina's mother seem so naive to be caught up in all of this. But it's interesting to analyze their personalities and see how they change throughout the story.
Armageddon Summer takes place mostly outdoors on the top of Mount Weeupcut. The surroundings are mountainous timber country. Many animals are around, but none of which live in the camp. The believers are fenced in a perimeter so they do not get to explore the rest of the mountain. Each day, chores are assigned that keep the follower's busy. The only time they are indoors really is to eat during a designated time or sleeping in tents at night. They are far from the hustle and bustle of large cities. It seems so peaceful and beautiful. Especially at night when Jed takes the oppurtunity to star gaze.
The chapters were fun to follow, going back and forth between characters so that you know what's going through both of their heads'. The newsletters and radio interview added a unique style to the writing that I found to be quite effective. The actual content of this story didn't really grab me until half way through. I found it interesting but couldn't really get into it until Marina and Jed actually met. I think I'm a hopeless romantic which would explain that. And any oddball like myslef could appreciate a strange story of a religious cult and the end of the world. I'm not even a religious person myself, and I found the story to be quite entertaining as well as educational. I found it fun to try and read deeper into the context for more clues of what would happen next and where the story would take me. Although, it was a serious book containing real issues of torn families and personal trials and tribulations, a light sense of humor made it not so depressing to read.
I did get off to a slow start with reading this one. I felt that the authors, Jane Yolen and Bruce Coville, could have grabbed me a little more in the beginning instead of starting off slow to build it's way up. However, I did stick with it and found that the story was rich with adventure, and passion, and love. The end of one chapter left you with suspense and anticipation to go on and read the next. Once I concentrated more on what was going on and tried to get in deeper, I started to really enjoy it. Despite a weak ending, and slow start, Armageddon Summer was an interesting find if nothing else. However the beginning and end are supposed to be something to be remembered. You should go out with a bang and start with an attention getting chapter or two. The book itself was fun and easy to read. All in all, my feelings toward Armageddon Summer are good. I've read better books, but this is definitely one that you will remember for being unique.
According to Reverend Beelson, the person that started the Armageddon scare, the 144 "Believers", or the people that will live through the end of the world, must live on a mountaintop where they will be saved from God's wrath. This means that they will live in tents and eat canned food until the world beneath them is destroyed.
Jed and Marina must both decide weather or not they believe this. While they are making up their mind, they have to share the workload of creating a camp for these people and try to put up with their parents' hopefully temporary insanity.
This was a fun and easy book to read. The authors to a great job of giving the reader two different perspectives of the same strange ordeal. I would recommend this book to anyone who enjoys a good story, no matter what age. It's quick and easy to get through and won't take up too much of your time, and it's very entertaining.
For those who want to read a play full of word play, appearance and reality in the world and for you, irony and Christian innuendoes, Macbeth is for you. The word play, especially the surprising comparison of murder with "Tarquin's ravishing", and the really effective ones like ambition with drunkeness, will make you read it again and again. There is a haunting soliloquy in Act 5 that Macbeth gives about life--it's famous and most would have heard of it, but nothing beats reading it together with the play.
Behind every successful man there is a woman, and behind every tragic hero there should be a tragic heroine. Lady Macbeth will repulse you and gain your pity. Don't despise her, folks, she just squashed her femininity thinking it was the best thing to do. She wouldn't have to ask evil forces to take away her human compassion if she didn't have any to begin with.
A must-read, and must-savour.
The plot begins thus: Scottish warrior Macbeth is told by three witches that he is destined to ascend the throne. This fateful prophecy sets in motion a plot full of murder, deceit, warfare, and psychological drama.
Despite being a lean play, "Macbeth" is densely layered and offers the careful reader rewards on many levels. Woven into the violent and suspenseful story are a host of compelling issues: gender identity, the paranormal, leadership, guilt, etc. In one sense, the play is all about reading and misreading (i.e. with regard to Macbeth's "reading" of the witches' prophecies), so at this level the play has a rich metatextual aspect.
Macbeth is one of Shakespeare's most unforgettable tragic characters. His story is told using some of English literature's richest and most stunning language.
The plot does not seem to move along as well as Shakespeare's other most popular dramas, but I believe this is a result of the writer's intense focus on the human heart rather than the secondary activity that surrounds the related royal events. It is fascinating if sometimes rather disjointed reading. One problem I had with this play in particular was one of keeping up with each of the many characters that appear in the tale; the English of Shakespeare's time makes it difficult for me to form lasting impressions of the secondary characters, of whom there are many. Overall, though, Macbeth has just about everything a great drama needs: evil deeds, betrayal, murder, fighting, ghosts, omens, cowardice, heroism, love, and, as a delightful bonus, mysterious witches. Very many of Shakespeare's more famous quotes are also to be found in these pages, making it an important cultural resource for literary types. The play doesn't grab your attention and absorb you into its world the way Hamlet or Romeo and Juliet does, but this voyage deep into the heart of evil, jealousy, selfishness, and pride forces you to consider the state of your own deep-seated wishes and dreams, and for that reason there are as many interpretations of the essence of the tragedy as there are readers of this Shakespearean masterpiece. No man's fall can rival that of Macbeth's, and there is a great object lesson to be found in this drama. You cannot analyze Macbeth without analyzing yourself to some degree, and that goes a long way toward accounting for the Tragedy of Macbeth's literary importance and longevity.