"Still Life in Crete" by Anthony Cox is a humorous and off-beat look at migration from Kent to Crete by an early-retired British couple. It is big on food and wine and toungue-in-cheek observations of life away from the grey skies of England." - Extract from the "Lonely Planet Guide to Crete" (second edition).

"Recommended for lovers of Greek cuisine, Crete and 'enthusiastic' prose!" - ATHENS NEWS book review

It's early days yet to bracket Anthony Cox with genially acerbic Bill Bryson, but "Still Life in Crete" is in the same companionable genre as the glib globetrotter: full of sharp observation visually and verbally, with a nice line in cynicism this side of world-weary. Understandably, neath drear British skies in his unmodern cottage amid cabbage stench, ex-journalist Cox dreamed of escape. Crete, with its siren promise of flower-decked, sea-girt vistas, distinctive culinary delights and £-cowed currency, sounded just the job. The Kent sale proceeds and pension, plus his wife's tele-cottaging, would guarantee comfort with style.

Realising the dream was less easy, but constantly challenging, as he entertainingly reveals with a relish for every facet of the odyssey, from madcap outward journey and the usually warm, sometimes maddening character of his new neighbours near Hania and their coffee, olive oil and grape-fuelled lives, to the vagaries of local building regulations and lawyers' little ways, and the impact of tourism on this history-rich island. Plus the way his two dogs put the "pug" into repugnant.

Nonetheless, the scene-stealer amid the beguiling abundance is Cox himself, not too innocent, too knowing or too pushy and self-righteous. Just the classic, ever-welcome Englishman abroad. Not Hellenic, just differently civilised, happy to share his insights into a richly diverting culture and a life-changing experience.

The book is guaranteed "100% Greek myth-free", but it offers the tasty PS of a handful of recipes.

Next book Cox must let his sketching skill run beyond thumbnail modesty, perhaps illustrating a broader descriptive canvas. How about "A Funny Thing Happened on the way to Athens..."?

A wonderfully exciting and educational book taking the reader to Egypt. Lots of adventure to please both boys and girls mixed in with helping children learn to cope with loss. It's an attention holding book for adults as well. Great writing! A book for every child's library shelf.
Evelyn Horan - teacher/counselor/author
Jeannie, A Texas Frontier Girl Books One - Three

"The Story of Bes" was a brilliant book. Not only did was it witty, but also educational. This book would not only be good for kids, but grown-ups as well. I found it to be extremely clever. Shelli Wright Johnson is a magnificent new author. I hope there are more books where this came from. Get writing on those sequels!

"The Story of Bes" was an amazing book. It was brilliant and witty. I think this book would be enjoyable to people of all ages! Shelli Wright Johnson is the hottest new author. I hope she writes sequels. Everyone should buy this book. Its not only entertaining and enjoyable, but educational. And not in a boring way. Plus it teaches kids that everyone goes through changes in their lives, but they don't all have to be bad.

This is a must,must,must! It was an incredible book. This book need to be taught to sons by our fathers. This is a book worth passing down to upcoming generations.

Bro. Browder picks up where he left off with his first powerhouse of essays. He is a on a mission to help people of African descent free their mind. And he is doing a tremendous job. In this book he gives his analysis on racism, white supremacy, health, spirituality, corruption of the media and many other topics.

... BY ANY MEANS NECESSARY. WELL, HERE ARE SOME SPECIFIC MEANS.

I have started 4 companies in the past, my first nonprofit 2 years ago. I didn't know anything about them and this book taught me everything I needed to know to get going. I am frequently asked how to start a nonprofit by friends and I always just point them to this book. Even if you intend to use a lawyer to incorporate (which I recommend, also), this book will educate you on the things you need to know to understand the process.

This is a great book which walks you through the steps of nonprofit incorporation, but just be careful and allow enough time to double-check crucial information with your state Attorney-General's office.

this book really gives you all the required info minus the lawyer fees. even gives you the web links to the states that have incorporation forms online. Now i just need to find 3 more people dedicated to my cause to form one in my state

Somewhere in France, Michel Montaigne was working on his immortal "Essays." Gibbon described him as the only man of liberality in the 16th century, aside from Henry IV. His honesty, his good will, and his probing nature have recieved the acclaim of posterity.

Somewhere in Italy, the same time, a more representative portrait was being painted -- the Autobiography of Cellini. While it has the same honesty, it lacks the grace (written in a colloquial style), the liberality, and the meditation of Montaigne. It is probably more represantative of the Renaissance man, and of modern man altogether. Reading Cellini, one comes to understand what Camus meant by the "culture of death" at work in Western history.

Written as a novel (seen, in fact, as a progenitor of the Romantic novel), the Life of Cellini is a remarkable glimpse into the Italy and France in the times of Michelangelo and the Medici. Characters like Francis I of France, Duke Cosimo, Pope Clement VII, and artists like Michelangelo and Titian come to life in brilliant colors. But one shouldn't mistake the intent of Cellini's book as painting a portrait of his times -- no man on earth was ever so in love with himself, and HE is the subject of this book (I had to cringe every time Cellini, about to describe something fantastic, stops and declares "... that is the work of historians. I am only concerned with my affairs..." and leaves off).

I can't say for sure, but the veracity of this book must be almost incontestable, for the most part. Cellini was simply too shameless to be too much of a liar. A few times he tests our credulity: "mistakenly" leaving France with the King's silver, an arbesque "accidentally" firing and killing a man, etc. For the most part, however, we get the whole truth, and in fact more than we wanted to know.

Despite the fame and prestige Cellini comes to, he is little more than a common street rogue and villian. In the course of the book, he murders three people in cold blood, each murder worse than the last (the third time he shoots a man in the throat over a saddle dispute... on Good Friday). He delights in describing his violence ("...I meant to get him the face, but he turned and I stabbed him under the ear."), and he revels in warfare, brawling, and the misfortune of his enemies. Aside from the three murders, there are innumerable foiled and aborted murder attempts. Cellini's sadism reaches new heights when he forces one of his laborers to marry a whore, then pays the woman for sex to humiliate the man. In his descriptions of his crimes, his many run-ins with the law, and his violent disposition, Cellini seems completely unaware of himself and without shame. In fact, the intent of the book is to show him as the virtu -- a hero of divine virtue in a world of lies and deceit.

The portrayal of King Francis alone makes this book worthwhile. He is everything historical events point him out to be. Generous, jovial, and shrewd. The descriptions of the years Cellini spent as Paul III's personal prisoner are another high point, unfortunately capped by the lengthy and horribly tedious poem, "Capitolo," where Cellini clumsily elaborates on his suffering.

As a history and an autobiography, there are few greater works. But aside from its historical and literary value, the Autobiography of Cellini was just fun to read. The audacity and conceit of this horrible man is almost comical, and the loose and efficient prose makes it a smooth read.

Cellini's story reads better than a novel. He is the quintessential Renaissance man. In his service to popes, kings and a slew of dukes he was a goldsmith, painter, sculptor, soldier and he may have had more near death experiences than any other that I have ever read about. Of course, his tale leaves himself always and forever blameless in each conflict, betrayal or other unfortunate episode that he finds himself in, which is tremendously entertaining. At first, the reader is seduced into believing that this man has been wronged countless times by a world full of the most slippery types of people. By the middle of the book, however, it dawns on the reader that Cellini must have played some part in creating the misfortune and danger that he is constantly in. Cellini's writing evokes vivid images of the places and people that he meets. One of the most engrossing stories in the book is Cellini's imprisonment and later escape from the Castel Sant'Angelo in Rome, where he was confined by order of the Pope (who, according to Cellini, was bent on having him killed in order to prevent his own embarrasement). His escape from the place is a mix of (apparently) classic methods (he climbs down the side of the building using knotted bed sheets!) and terrible misfortune (he breaks his leg, is nearly killed, and is also attacked by mastiffs while crawling away for his life!). Very soon after having escaped the prison, though, he was again imprisoned by the Pope in a wretched and dank little cave in the Pope's own garden (where Cellini claims to have had mystical visions). Cellini has many other adventures in Italy and France (and on his journeys back and forth). Each tale is centered on how he creates his artworks in the service of some nobleman, how the nobleman is always astonished at the work, how Cellini is then betrayed by someone he was kind to (which, through no fault of his own, often puts him in the bad books of the patron). Cellini frequently ends up in a fight where he either wounds or kills the person, and then goes on his happy way. There is a great deal that one could say about this book and its author. It will suffice to state here that the book is a wonderful read, it offers excellent insights into life in the 16th century, and (as is true on my part) it makes the reader crave just half the adventure that this fellow has had.

This book covers the eventful life of a passionate craftsman who lived through major events of the Renaissance. In Florence, Rome, and Paris, Cellini managed to gravitate to the most powerful political and artistic personalities, but his relationships with them were always bumpy. Cellini had an artist's temperament and more - his passionate temper and sense of righteousness, combined with the unscrupulous nature of many he encountered, caused constant friction and turmoil which make the book a nonstop and occasionally violent thriller. The book's one disappointment for those interested in history is the lack of extensive description of the places where he worked and travelled. It's centered on Cellini, his relationships and activities, and his craft. He does however have a great description of the defense of Rome in 1527, in which he was firing artillery from the top of Castel St.-Angelo. George Bull rates five stars for a great translation which captures the spirit of the original, its passion, wit, sarcasm, bitterness and insight. Given the work was written with Florentine colloquialisms, this is an achievement. Highly recommended.

After reading "Flanders" by Patricia Anthony, and loving it, I decided to read another of her books, and "God's Fires" was the one I found at the bookstore. The decision to purchase it is one that I will not regret, for it is a wonderful, and well-written, work of fiction. The year is 1662, and a feeble-minded but good-natured teenager reigns in Portugal, but the Inquisition actually rules. In a remote village strange sights appear, and an "acorn" crashes to earth, leaving two live, and one dead, "creatures". But what exactly are these beings, and what about the other signs and wonders appearing in the area? The Holy Office of the Church will get to the bottom of the mystery, or people will burn. This book shows the fine line between faith and fanaticism, courage and foolishness, and love and lust. The language is all that I had expected from the author of "Flanders", and the pure emotion of this book practically leaps off of the page at you. The Church, and certain clergymen, do not fare well in their portrayal, but then, the Church has much to apologise for concerning the Inquisition. As I said when I reviewed "Flanders", read this book!

A "star" falls from the sky near Quintas in Portugal during the days of the Inquisition and the town is shaken by rumours of miracles and an outbreak of blatant heresy---all of which we folk of the 20th century might instead leap to interpret in terms of a clash between modern science and our own popular UFO mythology, although of course our theologians and politicians would also find plenty to say. Likewise, Quintas becomes the focus of an urgent Holy Office investigation conducted by an incompatible, bickering team of harassed priests and secular lawyers whose views range from the skeptical to the credulous, the politically expedient to the mystical. The mentally retarded, adolescent King Afonso sets up camp near the fallen "acorn", convinced by telepathic dialogue with the damaged space-vessel's failing computer that God is granting him personal revelations about the nature of the universe. While the confused young king shocks the assembled clergy with his Galilean heresies, including a quaint though accurate (according to current astronomical tenets) description of the formation of the solar system, his brother Pedro mounts an efficient political coup and wrests the regency from Count Castelo Melhor. And two silent, passive, enigmatic aliens docilely allow themselves to be imprisoned, gazing upon their captors with huge, unfathomable black eyes. Imps, demons, angels, pygmies from Africa or Borneo, strange New World animals "catapulted" into Portugal by the Spanish foe in a fiendish plot to sow civil disorder?

Anthony's ruthless and provocative account of the imaginary happening provides a lucid demonstration of how the unprecedented and the mysterious can only be analyzed and (mis)understood in terms of the prevailing beliefs of the time---its religious and philosophical convictions, the state of its scientific knowledge, its political prejudices, its popular myths and superstitions.

But this is also a novel of great humanity, with a cast of well-drawn, sympathetic, and lifelike characters whose interplay is both tragic and exalting: the soul-searching Jesuit Manoel Pessoa, a rationalist without faith, who hopes at first to defuse the dangerous situation with a cursory proforma inquiry sparing the Quintans dire consequences; his lover Berenice, a herbalist of Jewish origin, who cures the town's sick and is shunned as a witch; the kindly old Franciscan Soares, who believes in the angels; the selfish and gluttonous Inquisitor-General Gomes, who overrides the tribunal with his authority to light the pyres; the tense mystic Bernardo; the enchantingly quixotic King Afonso. "God's Fires" is a story of passion and doomed lives written with insight, biting humour, and bitterness---a far larger book than its disguising science-fiction component would immediately suggest.

What a fine (if lengthy) novel. High themes and low farce combine in this genre-busting book. It ain't quite science fiction and it ain't quite historical fiction, but who cares? I would guess that fans of this book will enjoy "An Instance of the Fingerpost," and vice versa.

This book is a good start for all new students of Afrocentric Studies. This give a basic overveiw of information that has been researched by master teachers such as Dr.John Clarke, Dr.Ben, Gerald Massey, John G.Jackson, G.M. James, and many others. I would highly recommend this book to the highschool student as well as the freshman of college. I would also recommend this book as a refresher for the advance student of African Studies. This book can be used much like a christain uses a bible concordence.

From the introduction of this book, you get the idea that Anthony Browder is very influence by the work done by John G. Jackson, John Henrik Clarke, and Yosef ben-Jochannan. These three men have done some of the most profound research and writing on early African history and the Nile Valley contribution to civilization. The writings of these men contain a lot of scholarship, which to many people may be very difficult to read and understand. This is why this book is so important. Anthony took what Jackson, Clarke, and Jochannan wrote about in their books and translated it so that the average person could read and understand.

The theme of this book is centered on early Africa, early Africa's stolen legacy and early Africa's contributions to civilization. It also puts an emphasis on how those early contributions was translated into today's American society. In chapters 1-3, Mr. Browder talks about the people of early African civilization. He tells where they came from, who they were, what they did, and when they existed. He puts a special emphasis on the many accomplishments of the early African people. In chapters 4-7, Mr. Browder talks about the stolen legacy of early African civilization. He shows how other civilization took what the early African contributed and made it its own. He goes to great links to show and prove that what the Europeans claim as theirs was actually African in origin and rightfully belong to the African. In addition, he explains how American society has adopted early African symbols into its government structure. The finally chapters 8-10 are designed to assist the African/African-American mind to cope with the information given in chapters 1-7. The last chapters all have to do with building pride and understanding where we still must go and what we still must be.

The period of this book stretches from about 4000BC into the present. The book is structured as to give a chronological development of early African history and its gives you a progressive pattern of how this history has contributed to civilization.

The first seven chapters of this book are excellent. I have read many books on the subject of early African history and its contribution to civilization. This book is the easiest to read and understand. I believe that my son when he reaches the age of 10 would be able to read and comprehend this book. The only weakness of this book is chapters 8-10. These chapters I feel are an extension of his earlier books The Browder File Vol. II and I. I feel as though these chapters have nothing to do with the basic theme of this book, which is centered on early African history and its contribution to civilization

Overall, I think that this is a very good book for young children or for adults who have an interest in learning about early African history.

This book is excellent for learning about Kemetic (Egyptian) origins. Everything that Bro. Browder says in this book is backed up with hard evidence. This book should be required reading for all. It opens your mind up to things that I bet you never knew. Unfortunately, most people will not read this book for different reasons. It is up to those of us who do have this book to spread this important information.

Neruda is truly the greatest literary voice of Chile in its entire history, and one of the biggest of latin american poetry of all the XX century, place which shares with mexican Octavio Paz.
Neruda has been labeled in many ways, "poet of love", "politic poet", but he was beyond all this shallow aliases, he was a true poet in all the sense of the word.
This volume is a good (but not quite perfect) aproximation to the works of the poet if Isla Negra, it lacks some poems, so the selection could have been better, and also it has translation mistakes (like not translating "calle maruri" in "Maruri street". This book is an entrance to the poetry of Neruda, but not the definite word.

A MUST HAVE. Es sin duda un libro que vas a cuidar y conservar con mucho cariño. La recoleccion de poemas es brillante, exquisita, de primera. Quien no ha leido a Neruda? Lo bello del libro es que ofrece los poemas en el idioma que fueron escritos y en Ingles. La traduccion al ingles es excelente. No hay mucho que hablar sobre este libro, los poemas son una obra de arte y que esten a la vez traducidos al Ingles ya es mas que un buen regalo. No pienses dos veces en obtenerlo.

This collection of Neruda's works spans all of his career and all of human emotion. A decidedly underrated poet in the spectrum of literature, Neruda repeatedly evokes and communicates emotion through his musings on himself and the world around him. Pablo Neruda confronts his emotions head on, remaining critical of himself and the way he chooses to love and live. The poet is at his best when pouring his heart out, when describing just how his woman makes him feel, when describing just what makes her so beautiful to him. Any fan of poetry who is unfamiliar with Pablo Neruda owes it to themselves to purchase this collection or one similar to is and marvel at this master poet's best work.

This second part of the Gormenghast trilogy focuses on Titus Groan, 77th Earl of Gormenghast's youth, from schooling to his ascention to manhood. This book took me almost a year to read (one long break) - the first half of the book progresses incredibly slowly, even for Peake's normally languid pace - I just couldn't cope. I can appreciate his qualities as a wordsmith - his vocabulary is second to none but I couldn't help but think he could have shortened things somewhat- the schoolmasters' preparation to court Irma drags on and on, but her eventual marriage has virtually no importance to the main plot, and ends up seeming like a waste of time and space - 'I waded through molasses for what!'

In stark contrast, the latter half of the book contains Peake's best (I think) work of the entire trilogy, culminating in the hunt for Steerpike - which is superb. Definately a book of two halves, (bad cliche) but the reader is rewarded for their effort in the end.

It's not really possible to review Gormenghast out of context with the other two books that sandwich it: Titus Groan leads you into the world of Gormenghast and Titus Alone makes you wonder how Gormenghast, the place, exists.
This second volume continues to follow the adventures of the murderously ambitious Steerpike, the maturity and self-awareness of Titus Groan, with some colorful side-trips into a courtship, the revelation of a creature completely antithetical to all that Gormanghast stands for, and a natural disaster that heightens the intensity of the conclusion.
I would heartily recommend starting with Titus Groan (it seems the only available edition has all three volumes in one), and working through them in sequence. But make sure you avoid all the scholarly apparatus that follows Titus Alone until you've finished all three: there are a few spoilers there.
As for the comparisons to Tolkein, I'm afraid I don't see it: they as different as can be. This is not a hero's quest and where it does come down to good versus evil, it's more to do with survival: the world of Gormenghast is a world of murk and shadows, with no clear delineations or values. Titus Groan's self-awareness and the choices he makes are what drive the story. In The Lord of the Rings, there's a sense of destiny to the decisions and actions: Gormenghast is much more personal, with Steerpike's ambition, Sepulchrave's sense of duty, Flay's vigilance, Titus's maturity all helping to propel the action.
Now go read this monster.

These books rank with the greatest books of world literature, and only one of them is still in print? Every library in the world should have a copy of the trilogy. Anyway, here we find the story of the adolescence of Titus Groan. We are also given more depth into the other characters. I'd like to note that my veiw of Steerpike and Flay changed. When I read Titus Groan, I found Steerpike more a sympathetic character than Flay, here it is otherwise. I'd also like to mention on how the events in the previous book effect the life of Titus Groan in such a way that it seems as if it happened in real life. We see the conflict inside of him between the pride of his linege and the desire for freedom, that eventually has Titus flee the great castle. The conflict between freedom and desire for the home is carried into Titus Alone.

There is a lot to like about this book. It has the usual host of colorful and varied characters that one finds in Trollope's novels. There are strong and complex women, sturdy and weak-willed men, and some wonderful set-pieces. It's a bit of a let-down after _Phineas Finn_, though, which to my mind is the greatest political novel in the English language. The previous two 'Palliser' novels having been clearly both for and about Liberals, I think that Trollope was struggling in this novel to write in a way that would both reflect and appeal to more Conservative sensibilities. So we get a lot of domestic gossip, a little mild anti-semitism, and endless lectures about the Proper way for a Gentleman to Behave to a Lady. Still, the protagonist, Lizzie Eustace, is a gem.

Lucy Morris is a bore. If you like Jane Austen you will like this novel! It has all the necessary ingredients to keep you turning the pages. It's fun and charming to read just like its heroine Lizzie Eustace. Trollope argues that she is no heroine at all but it is when she appears that your interest is held the longest and that you laugh the loudest. She is wicked and selfish and vain and yet childike spoiled and that's what makes her great. Lucy Morris in comparison bores you with her goodness and her morality and her prim and proper attitude which although greatly admired in 19th century women leaves her nonetheless dull and insipid in comparison to charmingly wicked Lizzie.

I have only read one Anthony Trollope novel, and I had the very good fortune of having chosen "The Eustace Diamonds." This superbly constructed novel begins with what is probably my favorite opening sentence of a novel--it's right up there with the opening sentence to Jane Austen's "Pride and Prejudice":

"It was admitted by all her friends, and also by her enemies--who were in truth the more numerous and active body of the two--that Lizzie Greystock had done very well with herself." The second sentence further clarifies Lizzie's character when it goes on with, "We will tell the story of Lizzie Greystock from the beginning, but we will not dwell over it at great length, as we might do if we loved her."

Lizzie Greystock--eventually to become Lady Eustace--is a fascinating combination of cunning and foolishness, of avarice and pitiable character, of steely backbone and whimpering fits. She reminds me so very much of both Emma Bovary and Scarlett O'Hara. Her determination to keep the Eustace family diamonds entirely for herself is what sets the novel in motion, and with this rather simple device, Trollope goes on to spin out a tale which encompasses morality, greed, Victorian social mores, the corrupting influence of money, and the blindness it can cause to everything else of value.

Lizzie is contrasted, with every shade under the sun, with the sweet and constant Lucy Morris. Picture the contrast as one very much like that of Scarlett O'Hara and Melanie Wilkes. "The Eustace Diamonds" is a deliciously satisfying book, and a classic for a very good reason: despite having been written in the 19th century, what it has to say reverberates as soundly now as when Trollope first published it. I can't recommend it highly enough.