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Furthermore, the authors also discuss applications of Revelation to current social justice issues. I really learned a lot form this book. I also used Unveiling Empire to teach an adult education class at my church. The class seemed fairly well received, and part of the reason was due to this book.
Yet most who daily read the most popular book in the world, have never comprehended the last chapter, the Book of Revelation.
"Becoming Empire" identifies hundreds of 'hyper-links' in the text of Revelation to the preceding books of holy scriptures. The veil lifts, and the reader begins to see and hear not fictions of starwars, but God moving through history and pointing to the here and now.
Today is the battle, and God's children are in the front lines. The whole Bible, understood, is their map to victory.
To the author, I implore you to continue to write more about Vincent. What A lovely chAracter.
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Mr. Hudaverdi reviews many problems and unexpected situations in skiing. He comes up with handy, cheap, sometimes funny
solutions and suggestions for many obstacles as well as surprises of skiing.
Although his book didn't get five stars from me for grammatical reasons, it is an interesting one,
especially for guys (not ladies) who want to be creative and attractive to the snow bunnies !
of how to make yourself happy with many technical easy to do tips that made
me aq much happy skier. I learned how to be more comfortable in my ski boots
that i had so many problems with, what color glasses make me see better in
blizzards, how to keep warm in the cold , how to avoid sweating in hot
days,howto prevent my glasses from fogging in case no other remedy is
around,in other words all the things that give problems to the skiers are
solved with easy to do tricks and tips. It does not teach you how to ski but
it does much more important things for you so you enjoy your skiing better.
It is easy entertaining reading. highly recommended.I will tell all my ski
friends.
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So little is known of Vermeer as to leave his biographers only slightly better off than those of Shakespeare, imagining that this document indicated this mood, this painting signifies that political opinion...such supposition is not terribly interesting to the lay reader.
But in his detailed recreation of 17th century Delft and his lush and delicate descriptions of the major canvases, Bailey makes up for the limitations of his subject. This period of Dutch history is so rich it seems almost a shame to spend so much of the text on a figure about whom so little is known, and Bailey recounts it beautifully.
An excellent book, then, unless one really wants a biography of Vermeer.
It's wonderful to think of Vermeer painting his silence-drenched, calm and mysterious images amid the noise and tumult of his house filled with eleven children. Perhaps his paintings were a world of perfect order and quiet that he could retreat to when his messy and noisy surroundings became overwhelming. I also liked Bailey's point that perhaps Vermeer painted so few images because almost all of his best work had sunlight streaming through a window, and the Dutch climate doesn't offer too many sunny days to paint from!
The book opened with a bit more 15th and 16th century Dutch history than I would have cared for, but hold tight, once he switches his focus to Vermeer's paintings the book takes flight, and you will never look at the paintings in the same way again. The black and white reproductions don't do the paintings justice however - I'd recommend having a book of color reproductions of the paintings (there are only 37 known Vermeers!) next to you as Bailey gently helps you see these familiar images in wonderfully new ways.
While very little is known about Vermeer's life, through the genius of Bailey, you come away from this book feeling you know the man. What we do know is that he lived in the mid 17th century, was a Reformed Protestant until he married the Catholic Catharina Bolnes and fathered 11 children as well as 35 masterpieces. At a time when painters were in abundance in Delft and industry was striving, the picture of Vermeer is still that of a struggling artist trying to feed and clothe a large family. It is a wonder, Bailey points out, that amidst all the noise and commotion that must have gone on in his house and the financial problems that must have weighed heavily on his shoulders, that he was still able to paint such masterpieces that put the beholder at ease merely by their stillness. Vermeer was never an "all-inclusive artist" notes Bailey and none of his paintings incorporate a single flower. He favored the use of the "local colours" of yellow, white and blue. Bailey also notes that he was "fond of rendering the effects of sunlight and sometimes succeeded to the point of complete illusion."
The author mentions the trademarks found in Vermeer's paintings -- the white wine jug, the map on the wall, the bowl of fruit on a carpeted table, finials in the form of a lion's head at the back of the chair and, my personal favorite, the black and white floor tiles that helped the artist establish perspective. He also explains Vermeer's possible use of the camera obscura to focus his view. There were so many interesting things presented by the author, one of which was the different way Vermeer signed his name. Bailey shows five different signatures all playing around with the V and M in Vermeer's name. Another thing I found engrossing was how Vermeer put things into his paintings and then painted them out. We can only see this now because of modern X-ray and infrared equipment.
I could go on and on about all I learned after reading this book but some of the more interesting parts occur after Vermeer's death and have to do with Hitler's possession of some of these masterpieces as well as Van Meegeren's forgeries of Vermeer's works in the 1900's. Of the 35 known Vermeer works, one painting, The Concert, is still missing, having been stolen in 1990.
I culminated my fascination of Vermeer with a trip to the Metropolitan Museum of Art this week to see the Delft/Vermeer exhibit. Having just read Bailey's book, I felt quite knowledgeable not only concerning Vermeer but all things Delft in general. Upon exiting the exhibit, I walked directly into the gift shop where Anthony Bailey's book was not only on sale but being purchased by all those around me. So not only do I congratulate this author on a work well done, but also on the best timing possible for publication that one could imagine.
I'll end this review with my favorite lines from the book -- those that sum up Vermeer's life in the eyes of Anthony Bailey. "He remains in some respects, the missing man in some of his own paintings: the person who has just left the room, or who is expected at any moment. He is impatient to be found, to be seen, but while he waits, he paints stillness."
Anthony Bailey has made Johannes Vermeer come alive for me with interesting stories, things that might have been and a wonderfully descriptive Delft region by which Vermeer was obviously inspired. To me he is no longer lost, but found on the pages written by Bailey.
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The pages of this work are information-dense, providing physical, geometric, and mathematical descriptions of vibrations. Introducing the sine-wave, vectors and complex-exponentials as the fundamentals of periodic motion, the topics then progress to combining vibrations, masses and springs, harmonic and torsional oscillation, forced vibrations, coupled oscillators, Fourier analysis, orthogonal functions, energy transporting, decay of free vibrations, nuclear and optical resonance, diffraction and inference patterns to briefly name but a few. Physical considerations and methods are discussed in detail as well, and exercises at the end of each chapter indicate what the reader is expected to have extracted from each section [selected answers are provided].
The text within each section is written in an extremely clear, systematic and enthusiastic manner and speaks to an intelligent, inquisitive beginner of the subject matter. The numerous excellent black-and-white illustrations diagrams and photographs supplement the written descriptions admirably. The typefaces and even the feel of the paper of the book are high quality and elegant.
This is an introductory work regarding oscillatory analysis, however some mathematical knowledge is assumed by implication. Within the first 15 pages alone are equations which include derivatives, vectors, polar coordinates, complex numbers, and infinite series. It is probably best treated as a supplementary work to an on-going effort in mathematics, the natural sciences, or engineering. Essentially a good foundation in calculus should be sufficient. Given such background so as to understand the crucial mathematics, this work provides an incredible array and range of topics. The preface indicates that this series, by MIT Press, was established to assist in the educational process specifically, and it was tested and evaluated with this objective. As such this book is inherently a supplementary work, and prepares the reader for further research in and comprehension of an incredible range of subjects. Quantum physics, music, human movement, engineering disciplines, the natural sciences, astronomy and more have oscillation as a common thread and basis of understanding. The mechanics of the vibrational processes underlying all of these are elaborated upon to an amazing level of detail and precision within this work.
This book gets my highest recommendation for the focused subject matter it so eloquently and successfully discusses.