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Such a description might make the novel seem stuffy, but it is not. _A Dance to the Music of Time_ is at times very funny indeed, and always interesting. always involving. It features an enormous cast of characters, and Powell has the remarkable ability to make his characters memorable with the briefest of descriptions. In addition, Powell's prose is addictive: very characteristic, idiosyncratic, and elegant.
The long novel follows the life of the narrator, Nicholas Jenkins, from his time at Eton just after World War I to retirement in the English countryside in the late '60s. But Jenkins, though the narrator, is in many ways not the most important character. The comic villain Widmerpool, a creature of pure will, and awkward malevolence, is the other fulcrum around which the novel pivots.
This final volume of the University of Chicago's beautiful Trade Paperback edition includes the last three books. _Books Do Furnish a Room_ is set shortly after World War II, when Nick Jenkins is moving in London literary circles, dealing with such characters as the doomed, eccentric, novelist X. Trapnel, his mistress Pamela Flitton Widmerpool, and of course Kenneth Widmerpool himself, clumsily but successfully trying to maximize his political influence with the help of a literary magazine. _Temporary Kings_ features Jenkins at a conference in Venice, then back in London, and introduces a couple of curious Americans, Louis Glober and Russell Gwinnett. It also features the final destructive acts of the terrible Pamela Flitton's life. _Hearing Secret Harmonies_ concludes the sequence, as Jenkins rather bitterly views the radicalism of the '60s, and especially Widmerpool's usual attempts at ingratiating himself with the latest fads in power. The novel closes with a remarkable vision of Widmerpool's end, oddly, bitterly echoing his first appearance.
A great, great, series of novels. Incomparable.
If one is willing to make the commitment of time, I wholeheartedly recommend this superb series. In a hundred years time, it might be the single work that I would recommend to anyone wanting to know what life in the 20th century was like.
Ron Davis MCSE, MCSD, MCDBA, MCP+I, MCP+SB, MCT, CIW, CI, CTT
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Green days is the book, not just for Caribbean born folks ( I am one!) but for any one who have love and lost and loved again. It desires to be bought.
Covering everything from an Asian child sold into sexual slavery, to African boys thrown away by their families, to a midwestern American gay, to girlfriends in Northern Ireland, Alison's stark photos are a gritty compliment to the voices that speak with painful honesty. There is a universal commonality that ties these young people together--their desire to do something with their lives, their need to be valued, and their overwhelming responsiveness to help and love when it's offered by some very special, very caring people who also get to speak.
Every family with a troubled child, and every troubled child, should have a copy of this book. It is a tool that could bridge a lot of the gaps between parents and children.
Most highly recommended.
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I think it's great at filling in some holes in the Beatle mythology. Brian's talents are very fully explained. His weaknesses are, too. Therefore, for the first time, he comes across as a more complete person.
He was obviously ahead of his time in terms of the music business. His artists loved him and respected him, but they didn't fear him.
It's interesting that after all this time, there's still conflict about his demise--did he or didn't he kill himself. It reminds me a bit of the Michael Hutchence accidental/suicide death.
I like the style of the book--the oral history with additional explanation. It leaves the history to the people who were there.
But despite the cheesy cover, I went ahead with my purchase & was not disappointed. One would think that just about every aspect of the Beatles has been absolutely covered and trampled to death. Then along comes Debbie Geller with this gem - the Brian Epstein angle has been an untapped vein up until this point. It's not so much a traditional book about her subject as it is an oral history. Geller's coup is to get Paul McCartney - among many other voices - to comment at length on Epstein's role with the group.
The book's main themes and premises, of which a strong case is made by all the book's participants:
1. There would be no Beatles without Epstein. During the very early sixties when they were no more than a crude band distinguished only by their Hamburg experience, Epstein's belief in 'his boys' was indefatigable. He created a new image for them, and sold that image - after much rejection - to London.
2. Epstein created rock and roll management and promotion as we know it today; it simply did not exist before he came along, & it is around today mainly in the guise that he created.
3. Epstein was a terribly complex and conflicted man. No one participating in this project makes the case that he was 'nice' or easy to get along with. In fact, he comes across as a holy terror at times. Jewish in a non-Jewish world, openly gay prior to any societal openness on that front, a manic-depressive (some posit) before a clinical diagnosis for such an afflication existed, addicted to various uppers and downers.
This was a terribly complex, troubled - but enormously gifted - man. To think that he fit all he did into 32 short years. Amazing.
Thank you Debbie Geller for honoring this blazing comet named Brian Espstein, who willed the Beatles into this world.
What Debbie Geller conveys so beautifully is that transition from a normal life to a life lived in the strange swirl of celebrity. And by "curating" the book, rather than writing it (ie, leaving it in the words of the people she and Wall interviewed for the documentary), Geller allows the protagists to remember Epstein - it makes for an impressionistic protrait of him: complex, contradictory, filled with incredible life.
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Some of the topics include The Church, Jesus, the Nicene Creed, Icons, Sacraments (i.e. mysteries), Prayer, and the Bible. Coniaris' tone is non-polemical, and he does not condemn others as he lauds the Orthodox faith. This is in contrast to Frank Schaeffer's writings, which are also intended for those discovering Orthodoxy. In some ways all 215 pages of this book read like a historical Christian commentary on major themes, because the writings and wisdom of the ancient Church are generously quoted. However, Coniaris does keep the discussion current as well. He uses many jokes and modern illustrations to explain key theological points. For instance, when describing the mystery (and difficulty) of the Trinity he tells of a boy singing in the choir of a Church that uses the Athanasian creed. When the little boy sang the 8th verse, the boy would sing under his breath, "The Father incomprehensible, the Son incomprehensible, the Holy Spirit incomprehensible, ...the whole thing incomprehensible!"
Overall, this is a fine book for those exploring the Orthodox Church, those in it, and those who just want a taste of ancient Eastern Christian theology. Often in the Western churches the wisdom of Chrysostom, Gregory Palamas, Symeon, and other great theologians are largely ignored. Thus, this book has many purposes, and even if you don't read it all the way through, keep it as a reference book; there is a lot of great theology contained within.
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It's not written at a sixth-grade level -- a plus for me -- but nowadays I doubt an editor would let Fuller get away with all the French phrases and excerpts he put in the book. Back then I suppose authors could assume they had a more sophisticated readership. I liked the sprinkling of French, sometimes even original letters (translated to English, of course), but if you don't know any French at all, you might want to read this with a dictionary at hand.
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Overall, this is a good book and hope the authors will bring a quick second edition with more topics on the state-of-the art technologies.
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Kepel comes to an interesting and controversial conclusion. At a time when the US administration is making vast increases to the budget to fight the war on terror (against Muslim terrorists), Kepel writes that Islamism has seen its peak as a political movement and has been on the decline since the mid 1990's. He wrote in his conclusion:
"In spite of what many hasty commentators contended in its (September 11th) immediate aftermath, the attack on the United States was a desperate symbol of isolation, fragmentation, and decline of the Islamist movement, not a sign of its strength and irrepressible might."
My reaction to this conclusion (I read the conclusion before reading the entire book) was similar to what Walter Laqueur wrote in his article 'A Failure of Intelligence', published in The Atlantic Monthly - March 2002:
"However, the same conditions that gave birth to Islamism thirty years ago persist: economic stagnation or even negative growth, the unemployment of the young. So do resentment and free-floating rage. If Islamism is bankrupt, where is the ideology to replace it?"
These are good observations, but they miss the point of Kepel's book. Kepel does not cover what he thinks will replace Islamism. Laqueur's arguments make me wonder if he even read the entire book. (Laqueur also finishes with some ridiculous statements about a lack of Middle Eastern self-criticism, which makes it sound like Laqueur has digested the ideas of the famous orientalist Bernard Lewis more than anything Kepel wrote.) Kepel is not making a sweeping statement about Islam and the West - that the tension is over and everyone will live happily ever after. Kepel realizes there will be violence in the name of Jihad. For example, his conclusion also stated:
"This does not mean that we shall not see other outbursts of terrorism that claim the mantle of jihad. The Israeli-Palestinian conflict in particular will be ripe for more violence."
Kepel's book is more informed and specific than Laqueur acknowledges. It is about specific movements within the Islamic world, started by theorists such as Mawdudi from Pakistan or Qutb from Egypt. These movements seemed to be ready to take over the Middle East as recent as five years ago. Islamist movements succeeded in Iran and Afganistan, and in various other places in the Middle East. But since then the theories behind Islamism have not been as accepted. This is due to complex reasons, such as the increased power of the middle class in the various countries, which Kepel covers in detail.
If there is a fault in Kepel's 'Jihad', it is that the text takes a while to get used to, since it was originally written in French. I found myself reading some paragraphs two or three times over - especially in the first half. I'm not sure if I got used to the text in the second half, or the writing improved. Also, he could have spent some pages on a definition of Islamism - what theorists such as Mawdudi and Qutb wanted. You would have to get that research from another book, such as Qutb's 'Milestones'.