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This book is laid out as follows. First, there is a helpful introduction, which lays out Brewster's essential claims. She provides useful, carefully compiled information here, to suitably prepare the minds of readers who may not be conversant with the basic de Vere theory. Don't skip the introduction, if you aren't a de Vere buff. It also provides information to help the reader visualize the setting of the Elizabethan period.
After the introduction, Brewster walks us through careful descriptions of the lives, and personae, of the women in de Vere's life. We learn about his mother; his sister; his unhappy first wife; Queen Elizabeth; his mistress; his second wife; and his daughters. Each person is given a chapter, and we see over and over again the range of references in "Shakespeare's" plays which seem to refer to these women. It's usually pretty convincing, frankly. Now and then I feel like Brewster might be reaching a little, in her enthusiasm over the topic, but not often. She does a lot of very impressive detective work here.
The book concludes with sections about Shakespeare's First Folio, and with some issues raised by the known portraits of Shakespeare and of de Vere. There is a very useful bibliography for further reading. Also, each chapter concludes with a subject-specific bibliography, which is often quite useful.
People who are interested in this subject need to know about the original book that put forward the basic theory. This book was "Shakespeare" Identified as the Seventeenth Earl of Oxford," by J. Thomas Looney, published in 1920. Please don't be too put off by Looney's last name (ha ha) -- his ideas are sane, lucid, and compelling. This idea is sort of depressing to me in many ways -- one likes to think of Shakespeare as an untutor'd genius who simply made up all the plays based on trips to a local library of some kind. Well, for examples of that kind of genius, there are always scientific geniuses like Ben Franklin, Einstein, or Edison! Sadly, Eleanor Brewster has convinced me that Shakespeare can't be counted among their ranks. Oh well. This is still a great book, however, and I give it two thumbs up.
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Henrietta Maria, a Catholic, found herself married to Charles, a Protestant, living in a Protestant country, among a Protestant people. The English, at the time, viewed Catholics with deep suspicion, as the excesses of the Catholic Queen Mary, "Bloody Mary", the daughter of Henry VIII, were still not forgotten. A fervent Catholic, however, Henrietta would not put aside her religion, nor was she particularly discreet about her devotion to Catholicism, and, as such, was never fully accepted by the English people.
Henrietta Maria was an impetuous and pretty, young woman, fond of musical revels, fashionable clothes, and gossip. Her husband, Charles, a family man of principle and integrity, was devoted to her, and together they would go on to have a number of children. Their marriage of state, made for the purpose of maintaining a Franco-English alliance, turned out to be a true love match.
Henrietta Maria was also, however, a puppet of Rome, charged with leading Protestant England back to Catholicism. This was to cloud her judgment, at times, and cause much trouble down the road, and, ultimately, serve to pave the way for the rise of Cromwell and his Puritans. They would make her devotion to her religion and her influence over her husband a focal point for turbulence and civil war. Her loyalty and love for her husband was legendary, but not even she could keep him from the road that led to regicide.
Written in the first person, this is a wonderfully told tale of an enigmatic, little known Queen, who wielded great influence over her beloved husband. Rich with historical detail, it is an enormously entertaining novel that is rife with the political intrigues of the day. All those who love reading well written, historical fiction should enjoy it.