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I was attracted to this book as a result of reading, "April 1865". I found General Robert E. Lee to be a particularly fascinating person, both militarily and in his personal life, and so a biography of his wife seemed to be an appropriate progression. I had never read material on this historical figure, so this books promise of the inclusion of her diary for the first time was also an attraction. The book was less than I had hoped for, while Mrs. Lee certainly held a unique place as a result of The Civil War and her relationship to George Washington, this book did not seem to justify its necessity.
Mrs. Lee like many women of the southern wealthy families lost virtually everything she ever called her own as the result of the war. She also was a beneficiary of the provision of a new home, and a more rapid return to a form of normalcy due to her husband's appointments, and then her son taking his father's place as a college president after the war. This was a return that was measurably longer for other families. The transition she did not make with her husband was the progressive acceptance of what had happened, and acknowledging the new reality that post war America would offer to those of the losing side of the conflict.
Mrs. Lee came from a family that was very progressive with regard to abolition and many other issues typically credited to The North. Unfortunately these thoughts did not carry through the war, and when compounded by her illness and the confiscation of the family homestead, she spent the balance of her life growing progressively angry. The US Government did return the title to her Arlington home after her death, and after it had thoroughly been destroyed as a family home. This home was also the site of many of George Washington's belongings, including the bed he had passed away in, his carriage, silver, literally rooms of possessions. This estate that had been the calling place of successive presidents and dignitaries like Lafayette was turned into a deforested piece of land, a squatter's village numbering several thousand people, and a national cemetery that encroached to the edge of her families graves.
The offerings from the diary are fairly slim in their variety and information they share. They are deeply personal notes of a devout Christian woman, however they do not offer great and original insight to her life.
This book is about much more than Mrs. Lee; it could have been called, The Families of Arlington. There is much that is of interest regarding her relations, and details of General Lee's correspondence, however she alone does not fill this book. Other work has been written about Mrs. Lee, and has received high praise; a reader might be better served to read other work prior to setting out with this offering by Mr. Perry.
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Gallagher also attempts to rebuild the reputation of Early destroyed by his defeat in his campaign in the Valley. In doing so, Gallagher explains that a comparison between Early's lack of success and the success in the valley of "Stonewall" Jackson is inappropriate. Early inflicted as many casualties as he could on the forces opposing him, however he was faced with superior generals on the Union side than most of those that faced Jackson. In essance, Gallagher explains that Jackson's success must at least in part be attributed to the fact that he faced incompitent opponents, and Early did not.
There are a couple drawbacks to this book, and while they don't detract from the individual essays, they do detract a bit from the book in its entirety. First, much of the first third of the book, particularly the essays, "The Idol of His Soldiers and the Hope of His Country: Lee and the Confederate People" and "If the Enemy Is There, We Must Attack Him: Lee and the Second Day at Gettysburg" address larger issues than just Lee and his generals, they both seem to me they would have been more appropriately included in Gallagher's work "Lee and His Soldiers."
While the section on the "Lost Cause" and Jubal Early is very interesting, it also seems that it's misplaced in this book. It seems that it should belong in Gallagher and Nolan's book on the lost cause.
The last section in the book on "historical memory" which includes essays on Ken Burn's miniseries "The Civil War" as well as battlefields, seems also to be out of place in this book.
I'm not sure why Gallagher chose to title this work "Lee and His Generals in War and Memory" when so few of the essays included deal directly with the relationship between Lee and his lieutenants.
Another drawback is that the book doesn't have an epologue that attempts in any way to tie each essay together in a larger framework. Absent this, it really lacks a central focus as a book.
I really enjoyed this book because it offers so much fresh material on many popular Civil War leaders, and topics (like Ken Burns video collection). Also, I think that Gary Gallagher brings a very balanced approach to his research and analysis. In other words, I trust his opinion because he always supports his thoughts with detailed research from the latest sources available. Therefore, he can successfully weave together both the battles and politics of the war, and paint accurate pictures of the Southern leaders discussed in this book.
I highly recommend this book to anyone who has a fundamental understanding of the Civil War, and is looking for resources to develop a deeper analysis of this complex war. Learn from someone who is at the forefront of current research, and willing to put in the extra time and effort to get the story right.
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I'm disappointed too in the general trend for many historians to ever search and highlight as much negative as they can about our historical figures, especially military leaders.
It's easy to second guess and use modern beliefs to define the past. Blount (or anyone else for that matter go lead men in battle for four years) and then write your book.
No, these books -- essays, almost -- are introductions to, surveys of, key historical figures. The question shouldn't be, Did Blount give us all the answers about Lee? but rather, Has Blount painted a sharp enough portrait that we have a clear idea of who the man was, why he did what he did, and what impact his life had? I think the answer to that latter question is a decisive Yes.
Unlike Keegan and Johnson, Blount is not a professional historian. But he's done a fine job with a subject all biographers admit to be a man very difficult to get close to. This fact in itself forms part of Blount's theme, as he explores the roots of Lee's famous reserve and inapproachability. He largely avoids pop psychoanalysis -- when he wades into those waters, he tells us he's doing so -- and his insights seem to make sense.
I particularly appreciated the way Blount addressed the issue that defines (many, if not most) modern treatments of Lee: the question of whether he can justly be called a Great Man while having fought, if not explicitly for slavery itself, at least for a nation and a culture in which slavery played a central role. The fact that Blount sees nuances to the discussion, instead of making the absolute, unarguable, definitive statement "Lee = slavery = evil", may cause ideologues, or people who just don't know any better, to reject his reasonings entirely. But that would be their loss because this section, too, is rewarding reading.
I said this book is good pure biography. That's because Blount is an excellent writer and storyteller, as well as a fine presenter and interpreter of facts. As a "humorist," (I've always hated that term), he has a keen eye for the ridiculous, both in human behavior and in historians' more labored interpretations.
So, no, this isn't a scholarly, definitive, biography that will become the new gold standard in Civil War Studies. But as a highly readable thumbnail portrait of one of the most loved and reviled, admired, misunderstood, and dare I say, greatest, figures in American history, I think it will be hard to beat.
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The pictures are poorly taken: they are snap shots that make the palms themselves look like giant weeds.
And the pictures are not large - there are 4 or more on every page.
The printing quality is poor to average - the printer was just going through the motions when producing this book.
To sum up - it may be a good reference if you're good at long latin names and cluttered, muddy photographs... but it is not in any way a beautifully made book.
The photographs are snapshot rendered, but in my opinion, any lapse of quality which results is more than compensated by the adequacy of detail.
Though the authors provide notes on seed germination, they avoid a more thorough discussion of propagation. The authors generously supply hints on cultivation of many species covered in the book, but they do not discuss diseases which afflict growing specimens.
There is no doubt that the book is worth the price paid.
I don't understand the Canadian review which seems to fault the book because some of the palm species cannot be grown in much of the continental USA. Go far enough north and NONE of them can be grown! This is simply a fact of nature, not a fault of the book.
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Inside Director tries to teach general multimedia rather than the fundamentals of Director. The book attempts to teach you how to create sound and digital movies in other programs(Which has nothing to do with learning Director), yet it severely lacks in explaining how to handle sound and movies in Director. The book also teaches you more about how to write HTML(Which also has nothing to do with learning Director), then how to create streaming shockwave movies with net Lingo.
Save your money and buy a different book.
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First, Nostradamus-- I'll admit that I'm more or less uninterested in the prophecy side of the verses. I was interested in reading them for their historical value. As such, it's a great read. Through the verses, you get a look at the period's preoccupations-- who is named pope, the future of France, alchemy, and the desire to distinguish prophecy from astrology. Nostradamus has had an enduring impact on writing since he put his prophecies on paper, and you can trace that legacy here from the original verses.
The commentary-- Henry C. Robert's interpretation taught me more about World War II than anything else-- he seemed determined to prove that a disproportionate number of the verses referred to the second World War. Probably unsurprising, given that he first wrote his interpretations in 1947. However, he stretched so hard to fit the words to his ideas, that it unfortunately made me suspect his translation. I also could have done with more of an effort for establishing on what basis he was assigning some of the meanings (explanation of period symbolism, the alchemical references, etc.).
If I get a chance to buy another translation version and compare, I probably will.
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That having been said, I am not totally satisfied with Nolan's approach. He rightfully criticizes various historians for drawing conclusions about Lee based on single statements or letters written by Lee (often after the fact). However, Nolan is often guilty of the same misdeed. While I suspect that the documentary record would tend support Nolan's thesis than undermine it, nonetheless the documentation Nolan provides is quite limited. Carefully selecting the evidence that supports your argument might work in a court of law, but not in a work of history.
I also think that Nolan at times indulges in unnecessary hair-splitting, such as in the 5-page Chapter 5, where he discusses Lee's feelings towards his adversaries. The chapter seemed to me to be totally superfluous and contributed nothing to the book overall.
Nolan, in an effort to discredit the dogma of the Lost Cause, at times goes overboard in his assumptions. When criticizing Lee for undermining the Confederacy's war effort by going too much on the offensive, Nolan states that the South actually had a realistic chance of winning the war. His argument is that if Lee had preserved his manpower more prudently, the South could have withstood the North's attempts at conquest. This is a valid argument, because it is obvious that Lee did a good job of wrecking his army from 1861-1863.
However, Nolan's larger argument rests on the supposition that the South was effectively managing its war effort elsewhere. Ironically, like many of the devotees of the Lost Cause, Nolan ignores the impact of the war in the Western Theatre while focusing on the Eastern Theatre. The reality was that in the Western Theatre, especially in the first two years of the war when North & South were more or less equally matched in the field, the South was steadily losing ground virtually from the beginning. This is due as much to the incompetent generalship of the Confederacy as anything else. Even if Lee had carefully husbanded his manpower, he could not have undone the damage caused by generals such as Polk & Bragg in the Western Theatre.
The best part of Nolan's book is the final chapter, where he discusses the overall effort by the South (with very willing collusion from the North) to turn the Civil War & the Antebellum period into some sort of idyllic fairy tale, due to the racist attitudes that both regions shared. He gives a convincing argument about century-long effort to change the very nature of the war, of which the Lee mythology is only one element.
While at times this book veers dangerously close to being a commonplace chop-job, overall it makes a decent contribution to the literature. If Nolan had provided more comprehensive documentation, its impact would be all the better. As it is, one cannot consider it the last word, but it has ushered in an honest debate on the subject.
And change that he does. Perry rehabilitates Mary Custis Lee from a whining, neurotic invalid whose weakness and selfishness made everybody around her miserable and demonstrates that she was, in fact, a charming, attractive woman who turned heads in the Supreme Court chamber as a teenager and who almost certainly received a marriage proposal by no less a man than Sam Houston.
"Over her sixty-five years," writes Perry, "friends, relatives, and perfect strangers consistently described her as cheerful, smiling, welcoming, and industrious. She read Latin and Greek, and when she ordered a copy of LES MISERABLES, she wrote the bookseller to send it in either English or French, whichever was more readily available."
True, had not her great-grandfather been George Washington, and had she not have married Robert Edward Lee, the greatest of Confederate generals, we probably would never have heard of Mary Anne Custis. But Perry shows that she was a fascinating and inspiring woman in her own right.
Mary Custis Lee was an excellent painter, a published author, a legendary hostess, a tireless fund-raiser for charities, a devout Christian, staunch patriot, the mother who cared for seven children when their father was away from home for years at a time, and a devoted wife who nurtured her beloved husband's career even as arthritis crippled her body and the ravages of the Civil War drove her from the only home she had ever known.
Through diligent and dedicated research, John Perry has tracked down false rumors, half-truths, and conflicting claims about his subject and, by bringing the real Mary Custis Lee into the light, has set the record straight.
"Certainly the most exciting discover was Mary's prayer journal at the Virginia Historical Society in Richmond," writes the author. "As far as I can learn, none of it has ever been published or even examined before. Filled with her innermost thoughts, hopes, and fears, it casts new light on every word we have from her."
Was the discovery of Mary's prayer journal a blessing or a curse? Although some readers may rejoice in Mary's expression of religious emotions (concerning which Perry puzzlingly writes, "No one would ever read this"), others may find her diary to be overwrought, tedious, repetitious, and ultimately boring.
Be that as it may, Perry's diligent and dedicated research has tracked down false rumors, half-truths, and conflicting claims, and, by bringing the real Mary Custis Lee into the light, has set the record straight.