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You can't forget about the little toy soldiers (a poem) at your feet because when you are sick for days, you can imagine all kinds of things in your mind. The curtains billow like sails, the bedpost is your anchor. I sat there in bed and just floated away with the fun of having someone to share my illness. It seemed like a had a friend right there with me.
I loved the pictures too. The little kids are old fashioned and it made me laugh because the boys wore silly clothes, but they fit the time period, my mom said.
I love this book and keep it by my bed when I need to be relaxed.
Hayley Cohen
Isles uses an arsenal of utterly frivolous flowers, borders, insects, birds, kings and queens, fairies, and more to expand upon the imagination exhibited in Stevenson's poems. The children in these pictures are depicted as being in charge, being at one with their environment, and being delighted to be alive.
Some of the illustrations hint at the influence of artists more famed than Isles (Henri Rousseau appears to be a special favorite of hers--see the illustration for "The Unseen Playmate," in which a boy lies down in weeds that might have sprung from the edge of Rousseau's painting "The Dream"). Using both primary colors and pastels, Isles creates a world within the world of Stevenson's verse. The marriage of the two is a happy one.
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The book is severely limited by the lack of access to the principal players in Mitchum's life: his wife, sons, and many of his closest relationships. There are disadvantages to an "authorized" biography if the family wishes only the positive virtues of the subject to be included. However, without their input or cooperation, it is almost impossible to get any realistic picture of the man. Before I read this book, I knew Mitchum was a drinker, a brawler, a womanizer and a bad boy. When I finished the book, I didn't have much to add to that impression. His early life though sketchy, was interesting. His famous detachment is easily understood when you read about his childhood. His mother, though a hard worker, was a drifter and her children more or less raised themselves.
The direct sources are questionable. His sister is an unusual woman who claims "ESP" with Robert; though her view of him is so laudatory I sometimes wondered if she was speaking of an entirely different person. The tales from "barroom buddies" are just that - highly questionable. He seems to have been aloof toward his children and slightly skeptical. Mrs. Mitchum is a mysterious character throughout the book. Why did he stay with him? Why did he keep coming back? We never find out. According to the book, he had a long relationship with Shirley MacLaine, yet the author did not have one conversation with her.
Robert Mitchum remains an enigma. The definitive biography remains to be written.
The Mitchum book is written in the same style. It's full of great stories and details, particularly about his early life on the road, his infamous Reefer Bust, and how many of his movies were developed. There are numerous and lively anecdotes about many well-known directors and actors (John Huston, Charles Laughton, Jane Russell, Marilyn Monroe) and some others who should be better known (Jane Greer, Edward Dmytryk, Anthony Caruso, Jacques Tourneur) The blend of Mitchum's actual life and his film life is shown seamlessly and there are no phony explanations about any of his actions. He is shown in many aspects: poet, partyer, brawler, and father. Warts and all. The book is a long one with many details but it is written in a crisp and fast-moving style. A very enjoyable read. Anyone who wants to learn more about: Mitchum, Film Noir, Hollywood, and a fascinating slice of 20th Century history should pick it up. This one's a keeper!
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The quality of the paintings are uneven, and each one has its favorite. Like many people, I find Hague lacking, but also Edelfeldt, who isn't bad but whose style is not unique enough in my opinion.
My favorites, on the other hand, are Howe, Garland, Nasmith, Lee and Galuidi. Garland, my favorite, has a unique and glowing, almost 'mystical' style that does the book justice. Howe's pictures are also intriguing and beautiful, and feel true to the book (and thankfully, he seems to dominate the book in terms of the number of contributions). Nasmith has some splendid landscape pictures, though his vision of the characters leave something to be desired (especially of a fat, distorted Boromir!) Galuidi's sci-fi, computerized style may not appeal to some, but I find them interesting. Finally, Lee's soft watercolors are very appealing, and his vision of the characters is near-perfect (especially Galadriel and Gandalf).
Inger Edelfeldt: 7 paintings
Tony Galuidi: 2 paintings
Roger Garland: 10 paintings
Robert Goldsmith: 2 paintings
Michael Hague: 7 paintings
John Howe:10 paintings
Alan Lee: 10 paintings
Ted Nasmith: 10 paintings
Caro Emery Phenix: 2 paintings
My personal favorite is John Howe. He brings out a lot of dark imagery. I don't know why, but Hague's stuff just does not appeal to me. I have seen him do Lewis's Pilgrim's Regress, and some other stuff, and I just don't like his style (also saw his illustrations for WIZARD OF OX). His are of THE HOBBIT. Galuidi has almost a computer generated quality, and his work is especially intriguing, although there are only 2 of his paintings in this collection. Lee is good. All in all, this is a fair book, collecting the paintings of artisits brining about their own vision of Tolkien's classic saga. Over all, a four star book (bumped up one star because of Howe's supreme quality).
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There many great stories in the actions of the Flying Tigers, and this is one of them. I would recommend this book to anyone who loves to read war stories. The adventure of Colonel Scott and his P-40 was great to read.
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The bad thing about thing about this book is the interviews with the interviewers; these are nothing more than opinions about Bruce by men who, in my book, didn't know Bruce long enough to warrant their opinions to be worth printing in a book. I think these were included to give volume to the book. Because I was only interested in Bruce's own words, I learned nothing from these bits. (It is because of these wasteful bits I only given 3 stars)
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The military side of Lee is, of course, a major part of Thomas's story. However, he has attempted to paint a charactor study of Robert E. Lee so that his deportment and decisions during the Civil War can be seen to flow from a man molded by tradition, duty, honor and the uniquely historic family from which he came.
This means that the book spends much time on Lee's pre Civil War life as well as time delving into his relationships with his family and others. The result is a readible book that gives the reader an entre into the man Robert E. Lee. Those looking for a military expose or exploration may be somewhat disappointed, but this is still a worthwhile book.
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This smaller, quieter version of Stevenson's poetry helped me finally, actually read all the Garden poetry. True, the illustrations are spare, but delightfully accurate. My children (7 and 10) were not as mesmerized by this book as they are by others with fanciful graphics, illustrations and larger type to accompany the poetry.
Still, this small book found its way into my purse to be used for waiting moments, e.g. at the orthodontist, doctor, and also to my bedside, where it's shear diminutive size did not dissuade me from reading "for only a minute or two." And within Stevenson's words and language lie the ferment of creative pictures. I liked to have my children close their eyes while I read short poems to 'force' them to use only their mind's eye.
I thoroughly enjoyed the adventures, moods, and images Stevenson conjures and at long last can understand why his poetry remains so classic.