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is 2001, this book could have been written 10 years ago.
HOWEVER, if all you have is a dial-up modem, this book will help you.
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At some points, this book will probably be hard for the average reader to get through; Weigel's discussions about the extensive, impressive, grounding in philosophy that Karol Wojtyla had before he became Pope may be too technical for some people, for example. Those defects, however, pale in comparison to the truly inspiring narrative that Weigel has created here; for example, his telling of the rise, fall, and ultimate triumph of the Solidarity movement, and John Paul's undeniable role in the collapse of Soviet Communism, is truly fascinating.
This isn't a book just for Catholics, or Professors of theology, it is the story of a quite ordinary man from Krakow who, due largely to what he would consider the hand of God (though I would add that his intellect had alot to do with it as well), rose to become the answer to Josef Stalin's contemptuous, ultimately foolish, question "How many divisions has the Pope ?"
This book is a long read, but, in the end, well worth it.
The author clearly demonstrates that John Paul is a product of a lifetime's experience. He lived through the Holocaust and saw the worst excesses of human behavior. From that experience as well as the soviet communist domination over his native Poland the reader understands John Paul's strong views on the sanctity of life having lived in societies where the value of human life was reduced to nothing more than a functional entity.
There are some really good philosophical understandings in terms of what drives this Pope now in his eighty first year. The author also looks at issues like the Popes Health and how growing infirmities have frustrated a man who was very physically active prior to the assassination attempt in 1981.
If you buy this book you will go back to it again and again it is not just a biography its an excellent reference of where the catholic church has been in world affairs for the last quarter century.
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A priest's life is challenging. He must be attentive and sympathetic; critical and watchful with regard to historical developments; a giver of Christ; a spiritual father -- especially in the Confessional; holy; constantly training, studying and updating; promoting the family; defending mankind; in dialog with the youth; in dialog with the culture; intellectual and scholarly; and living the Gospel.
But a priest's life is most rewarding. The priest is "a steward of the mysteries of God." An essential part of his mission is fulfilled in the Confessional. The priest is an essential being in the only suitable offering that man can make to God, the offering of God-made-man, an offering made at every Mass. The priest is so united to Christ at Mass that he is "in the person of Christ." What a beautiful reflection on the Mass is offered by the Pope!
The challenge of the priesthood seems overwhelming. It would be without God. It is "a mystery of divine election."
Every parent of a potential priest should read this book.
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An important message in this book is reiterated strongly by JPII's pontificate: Be not afraid. Great advice from probably the greatest Pope we've had in a long time.
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Charles gets the girl. Or maybe not? It doesn't matter. Fowles' novels are always superficially simple and unplumbable in their philosophical depths: *The Collector*, *The Magus*, *The French Lieutenant's Woman*, *A Maggot*.
Sarah Woodruff is at once utterly inexplicable and absolutely believeable. And her believeability extends to the unthinkable. As well as we "understand" her, we cannot choose the "right" ending any more than Fowles can.
Humans are creatures of dizzying Hazard. I once heard Richard Loewentin argue that even if behavior could be "determined" by complete knowledge of motives and stimuli, as the social Darwinists believe, the sheer volume of those motives and causes would allow virtual free will. Even so, no depth of understanding can determine Sarah's behavior, no fount of self-knowledge binds her to any course.
Chance circumstances, trivial as the nail lost from the horse's shoe, trigger the chaotic avalanche of the action after the incredible sex scene. So it is in life; the trivial becomes the deciding element.
I lost a Sarah, as randomly and as much through my own error as Charles did. And I remain as uncertain as he of the magnitude of that loss, however familiar I am with the scale of my grief. What a heartbreaking book, what terrible truths.
I digress...The prose is excellent. The novel remains quite accessible and engrossing while still tackling complex ideas. I loved the exisentialism ideas swirling around the novel, and in Charles and Sarah, Fowles has created two unforgettable characters "seeking to escape the tryanny and cant of their age," as it is stated on the cover of my book. This novel captures the essence of the Victorian period as well as Dickens or Eliot would, but the difference is that Fowles skillfully penetrates through the hypocrisy and artificiality of the time with his sharp observations. Ever the postmodernist, Fowles provides us with both a Victorian ending (perhaps as Dickens would have liked it; it is practically overflowing with sentimentality) and a Modern ending. A must read!
Throughout the novel, Fowles inserts information about the era, and highlights in particular the hypocrisy of sexual attitudes and roles. Charles and Sarah find themselves victims of these restrictions, and as such their romance is doomed from the start. Charles convinces himself that he has a truly selfless motive in attempting to help Sarah, whom he sees as a victim, and ends up weaving a web of deceit to himself and others as he fails to see himself falling in love with her. As the novel progresses, one can read in the comments about Victorian standards, commentary about our own modern age. By holding this bygone age up to our own, Fowles shows us how far we've come, and how little we've left behind.
To enhance the immersive storytelling, the prose is written in a style reminiscent of the Victorian authors themselves. In fact, in one section where Fowles points out such contradictions as the fact that in this age when lust was a forbidden topic, one in every sixty houses in London was a brothel, the paragraph might easily be read as "It was the best of times, it was the worst of times..." But even in this emulation, he uses more modern literary methods, such as giving a false ending more than a hundred pages before the real end, and inserting himself as a character in the story. These feats are done with expertise and flair, and though they are jarring at first, it quickly becomes apparent that even the tricks are part of the story.
Held up against the story of the upper-class Charles is the subplot of Sam, his manservant. Sam also has his own romance with Mary, a maid in Ernestina's aunt's household. The societal standards for Charles and for Sam are compared and contrasted throughout the book, creating an intriguing duality of storytelling, which leaves the upper-class Victorians looking somewhat the worse for comparison.
If you don't mind a novel that's hard to put down, and very tempting to re-read as soon as you've finished, I strongly recommend The French Lieutenant's Woman.
This book is an excellent source of daily spiritual inspiration. Buy it and keep it handy.