Used price: $12.00
Used price: $3.67
Buy one from zShops for: $3.98
1) We see them as white people with extra pigmentation. We don't really notice any difference and blithely assume that they're "just like us".
2) We see them as gods and superheros, running faster, jumping higher, dancing better, and better endowed in various ways.
3) We demonize them--welfare mothers pumping out babies, gangstas, crack ho's & that junkie pulling a smash 'n' grab to feed his habit.
Rarely do we ever try to understand what it's like, growing up different. Langston Hughes, in this powerful little book, opens a window for us. Although aimed at children of all races, perhaps the people who benefit most from this work will be white "liberals" who think racism is horrible until an African-American family moves in down the block.
"Misery is when the taxi cab won't stop for your motoher and she says a bad word."
"Misery is when you first realize so many things bad have black in them, like black cats, black arts, blackball."
"Misery is when you go to the Department Store before Christmas and find out that Santa is a white man."
"Misery is when you start to help an old white lady across the street and she thinks you're trying to snatch her purse."
These, and a whole host of others, are poignantly illustrated by Arouni. The book is introduced by Jesse Jackson, who points out that some things are dated (society has evolved a bit since 1967), but that plenty of room for progress remains. Historical events, such as the presidential election of 2000, demonstrate that deep and systematic racism still pervades American life. This was the last work that Langston Hughes wrote. He died in 1967, while working on the manuscript.
Both my 13-year-old son and my 8-year-old daughter have found the book touching. Reading it with them has helped them to have a better understanding of what it might be like to be "different." I believe this book opens the way for genuine dialogue between people of different races, instead of maintaining projections and biases.
Used price: $34.14
Used price: $1.58
Collectible price: $6.87
Buy one from zShops for: $8.50
Used price: $19.95
Collectible price: $12.71
If earlier attempts to form historical connections from the pre-Contact past to the ethnographic present have been confounded by unintelligible data, new developments in Maya hieroglyphic translation radically collapsed many of the previous barriers to consulting the pre-Contact records, especially from the Classic Period (ca. 100-900 CE). Blaffer's fascinating (1972) ethnozoological monograph focuses on bat symbolism, from pre-Contact mythology and iconography to modern ethnography and folklore of the Tzotzils around Zinacantan, Chiapas. Specifically, Blaffer is interested in the continual identification of the bat with what in structuralism is termed the "ambiguous" or "anomalous intermediate category," a type of entity that obtains characteristics from both poles of otherwise diametric oppositions: nature/culture, life/death, male/female, animal/human, and so forth.
Used price: $39.77
Used price: $10.50
Buy one from zShops for: $26.50
List price: $19.95 (that's 30% off!)
Used price: $13.92
Buy one from zShops for: $12.98
Roberts' book includes a foreword by Barbara Smith, a Black lesbian writer who continues to be a forceful presence as a writer and activist (see, for example, Smith's 1999 essay collection "The Truth That Never Hurts," published by Rutgers University Press). In her foreword Smith declares, "This book should be available in every library in this country, particularly those in Black communities."
Roberts' entries cover six primary areas of study: "Lives and Lifestyles"; "Oppression, Resistance, and Liberation"; "Literature and Criticism"; "Music and Musicians"; "Periodicals"; and "Research, Reference, and Popular Studies." A marvelous gallery of photographs and an appendix of materials related to a "lesbian witch hunt" on a U.S. Navy ship further add to the book's value.
A wealth of books, magazine articles, recordings, and other materials are covered. Particularly fascinating is the section on literature and criticism, which undoubtedly introduced such Black women writers as Becky Birtha, SDiane Bogus, Anita Cornwell, and Pat Parker to many readers for the first time.
These writers are just part of a remarkable gathering of Black lesbian lives. The priestess of a witches' coven, a joyfully recovering drug addict, the co-parent of a child conceived through artificial insemination--these and many, many more have their stories made more accessible thanks to Roberts' careful scholarship.
In the foreword Barbara Smith declares, "The book you are holding in your hand is a kind of miracle." In a society that is often stifled by the triplet horrors of racism, sexism, and homophobia, "Black Lesbians" is indeed a miracle. I know of no other edition besides the original 1981 edition published by the Naiad Press. But if you are a scholar of any of the three fields mentioned at the beginning of this review, you will want a copy of this historic work for your library.