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"For nothing is impossible with God." We are reminded once again, the love that God has for us and we need only ask and we shall receive.
My favorite story was Triumph In The Sky, the story of a baby's journey to receive a liver transplant and the pilot who aided him on his journey.
Miracles do happen. As Joan says, "His light is eternal. His love prevails."
All the stories are beautiful and I recommend this book highly. You will be changed - you will be left thinking and you will be crying and smiling and at peace.
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The strength of the Famous Artists series remains its emphasis on allowing young readers to experiment with the techniques of particular artists through the use of hands-on projects (e.g., proportion, composition, carving in relief) as well as by providing preliminary sketches and materials to show the artistic process at work. Each two-page spread features an illustration of the artist's home or environment, the continuing story of the Michelangelo's life, details and examples of the his work at that particular time, and a feature on the artist's technique with practical projects to try. Often there are enlargements of key parts of the work and there is always a symbol indicating the size of the work relative to a human being. As a general rule, these are excellent books for providing readers, young and old alike, with a basic art appreciation introduction to the world's greatest artists.
Buonaratti after reading this. He truly was a miserable man, yet his committment to his art was never diminished for a moment. In the end the story of his life is inspiring and humbling. Inspiring because it proves what man can acheive, humbling in the sacrifices that were made in order to fulfill his destiny as one of the great geniuses to have ever lived.
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CERTAINLY WORTH THE COST. THE BEST AOL BOOK I HAVE PURCHASED.
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I looked up the Chinese Signs of several of my close friends and was amazed (so were they) at how closely their personalities matched the descriptions in the book. My Chinese sign described me to a "t".
I highly recommend it. It is very enlightening and easy to read and understand.
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Bryan struggles to stop reivers from raiding and to keep his charges safe. His cousin Francis, who obtained this job for him, orders Bryan to search for his missing predecessor Leod Hume, who everyone feels, is dead. As he uncovers the truth behind Leod's previous activities as a warden and his subsequent disappearance, Bryan and Megan fall in love and he with her son too, but neither one trusts the other.
FOREVER, MY LADY is a debut novel that is an exciting Scottish romance starring a law-abiding outsider and a local fiery widow. The story line works because of these two protagonists and the secondary cast that provides depth to the plot and understanding to the lead players, especially Megan. Fans of Scottish historical romances will relish Jen Hollings' novel and seek out her debut tale, A TIME FOR DREAMS.
Harriet Klausner
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In "A Doll's House" (1879), Ibsen casts us into the world of Nora Helmer, a young Norwegian housewife and Nordic Madame Bovary. Highlighting the restricted position of women in male-dominated society, the play sparked such an uproar in Scandinavia when it appeared that "many a social invitation during that winter bore the words: 'You are requested not to mention Ibsen's Doll's House!'" In fact, Hedwig Niemann-Raabe, the actress who was to play Nora on tour in Germany, was so appalled at the ending of this play -- at this female "monster" -- that she demanded Ibsen write an alternative one in German, which he did (a "barbaric outrage", in his words). McFarlane has appended this German-language ending (and a translation in English).
Based on the theme, "The sins of the fathers shall be visited on the children," "Ghosts" (1881) is one of Ibsen's most riveting plays. Like "A Doll's House", it, too, was denounced on its début ("crapulous stuff", "an open drain", one London reviewer called it -- certainly a Victorian exaggeration). As in most of his plays, Ibsen probes the hypocrisies of patriarchal society, which he deems to be rotten at its core, and stultifying provincial life ("Doesn't the sun ever shine here?"). Typically, he also casts women in a favorable light.
"A Doll's House" and "Ghosts" established Ibsen's reputation as one of the finest playwrights in Europe, but his next two plays -- "Hedda Gabler" (1890) and "The Master Builder" (1892) -- gave him undisputed international fame. As McFarlane points out, the 1890s "were the years when the publication of a new Ibsen play sent profound cultural reverberations throughout Europe and the world." "Hedda Gabler" marks Ibsen's shift away from highly controversial dramas primarily concerned with social and sexual injustice to "domestic" plays that addressed the struggle of individuals to control each other, people who "want to control the world, but cannot control [themselves]." "Hedda Gabler" is a thoroughly electrifying drama about a married woman's devouring sense of decay and confinement. "The Master Builder", which Ibsen coupled with "Hedda Gabler", is his riveting look into sexual potency and the domination of youth by age.
These plays are not as dark and dirty as they might seem. Whatever reviewers may have said about them when they came out and whatever gloomy stuff psychiatrists have written about them since, if you're at all familiar with prime-time television, they won't offend you -- in fact, you probably wont even lift an eyebrow. Still, I found myself glued to them for hours and I've read them before. Find a copy for your shelf!
want to list the names of the four included in this volume:
A Doll's House;
Ghosts;
Hedda Gabler;
The Master Builder.
Masterful social drama (to sound like a back-of-the-book blurb).
Seriously though, Ibsen's plays are wonderful.