List price: $14.99 (that's 30% off!)
Used price: $9.59
Buy one from zShops for: $8.98
Used price: $8.21
Buy one from zShops for: $14.98
There is an inherent flaw in summary books of this type, and regardless of how well such a book is written, the editors cannot avoid it. This flaw lies in the reader's acceptance of the editor's expertise in choosing representative works that tie in with the editors' stated intent. Now who am I to put my own puny vision above that of the distinguished and erudite editors?
Still, since I am both a rational and critical thinker, Magill's choices, which include acts of commission as well as omission, often leave me gasping in disbelief. I have no problem with standard choices like Faulkner's AS I LAY DYING or Mark Twain's LIFE ON THE MISSISSIPPI or even thoroughly controversial ones like Nabokov's LOLITA, but too many literary near-misses, has-beens, and never-wases somehow wind up included at the expense of far more worthy contenders. Why include potboilers like Erskine's TOBACCO ROAD or routine westerners like McMurty's LONESONE DOVE?
I would have appreciated an introduction that contained a rationale for Magill's choices. Had he approached the always dicey question of what makes one work of literature stand out enough to be a 'masterpiece,' then the reader's ability to think about such abstact qualities as characters' impacting both on each other and on the reader might be stimulated enough to lead this reader to take the book of plot summaries and do something really daring--to read the work itself and draw his own conclusions. And that to me is the ultimate goal of any piece of criticism.
It is an irreplaceable guide for students and scholars, or anyone who appreciates our American heritage of literature from the colonial times to the present.
The reader is afforded a complete description of the principal characters, a synopsis of the story, and a critical evaluation of the story, as well. The type of work, the author, the type of plot, the date of the work, and the location of the work are also provided.
You will feel like you just read each literary work, even if you have never read it before.
Used price: $4.55
Used price: $18.50
Used price: $23.95
Collectible price: $24.00
Used price: $7.99
Buy one from zShops for: $17.85
If there is some uncertainty about Halivni's views concerning the superficial similarity of the Chumash with the original written Torah, it is because Halivni's focus is on the evidence for and theological implications of the notion that the present written Torah is the product of a restorative project by Ezra and his entourage. Halivni argues that the very fact that the Chumash contains uncertain passages, self-contradictions, and laws at variance with the Oral Torah, means that the compilers were working with source documents that were already considered so sacred that the compilers felt they could not make any corrections to the text being compiled. They selected and arranged the scriptural heritage, but they dared not correct it or add to it. Their project was to "restore" a unified written Torah from the strands and traditions available to them. They operated more like those who restore damaged paintings, than as painters.
Halivni aims to show that traditional Judaism can survive the onslaught of critical scholarship because the probablility that the written Torah is a composite document compiled from strands and traditions doesn't mean that it isn't a trustworthy "restoration" of the Torah given to Moses. If the component strands and traditions were various reliable witnesses to, or remanants of, the original Sinaitic revelation, then a restorative compilation of those trustworthy witnesses renders a written Torah which is Holy Writ.
There are many interesting sub-arguments in this book, all insightful, and I highly recommend it to anyone with an interest in Jewish Biblical Criticism or theology of revelation.
Used price: $59.95
Buy one from zShops for: $59.95
List price: $15.95 (that's 30% off!)
Used price: $4.50
Buy one from zShops for: $10.43