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The story was interesting, and the art was still lovely. That's why this book still gets such a high rating. However, all the further romantic complications kind of got on my nerves. Aren't two women enough?! With Ai's amnesia to drive him crazy, I don't think it was really necessary to add another girl (Nobuko) to the list of people Yota loves/likes too much to want to hurt. I suppose I'm just glad that Masakazu Katsura changed Nobuko's hairstyle so that it wasn't so much like Moemi's - they looked so alike that I kept confusing them. Anyway, it's still a good series, but I hope that there aren't too many more characters added to the mix.
Without spoiling the second volume, the resolution of the cliffhanger takes up the first quarter of the book, and is the confrontation that provides the climax to the anime OAV series. The rest of the volume is brand-new ground. Ai is rescued from her creator, or perhaps not, as she soon disappears. Yota has the barest of evidence that she existed at all, as he carries on through the rest of winter.
A new school year starts (in spring in Japan), and Yota is held back a year. Neither of his friends, Takashi and Moemi, know what to make of the changes in Yota. A girl named Nobuko met Yota a couple years back and has gotten transferred to his school in hopes of meeting him again, and then there is Ai. Ai shows up as a fellow student in his class, but she has no memory of Yota.
Yota is torn, he still loves Moemi, whose relationship with Takashi is still not working out, Nobuko reminds him a bit of Ai, and she definitely likes him, and Ai is still Ai, even if she is disturbed by how much Yota seems to know about her. Yota's nobility gets the best of him again as he tries to keep from hurting Nobuko even as he tries to figure out what is going on with Ai.
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This is really two books in one. It's partly what's going on today, including some inner secrets. It's also partly a history of presidential air travel. The author tells what happened to AIR FORCE ONE on September 11, 2001, and he also recounts the past experiences of presidents like Franklin D. Roosevelt, who was the first to fly while in office.
AIR FORCE ONE by Robert F. Dorr is by far is the best review yet of the history, types of aircraft and logistics essential to the safe and timely travel by our Chief Executive and an impressive display of American prestige.
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An excellent text for a solid foundation.
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There are very theory technologies but no new contents about DEVS.
Contrary to one reviewer, the book cannot be derived in any way from what's available on the web. If you are interested in new paradigms for technology, it belongs on your bookshelf.
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Meanwhile, back at Troy, Odysseus and the other Achaean chieftains have learned from an oracle that Troy will fall only with the help of Philoctetes and his bow (a juicy tidbit it certainly would have been nice to have known eight or nine years earlier). Odysseus and Neoptolemus, son of Achilles, are sent to bring Philoctetes and his bow back to the war. Of course, Odysseus dare not show himself to Philoctetes and sends Neoptolemus to do the dirty work. Neoptolemus gains the confidences of the crippled man by lying about taking him home. During one of his agonizing spasms of pain, Philoctetes gives his bow to Neoptolemus. Regretting having lied to this helpless cripple, Philoctetes returns the bow and admits all, begging him to come to Troy of his own free will. Philoctetes refuses and when Odysseus shows his face and threatens to use force to achieve their goal, he finds himself facing a very angry archer.
In "Philoctetes" Sophocles clearly deals with the balance between the rights of the individual and the needs of society. But this is also a play about citizenship and the need for the idealism of youth to be give way to the responsibilities of adulthood. In fact, this lesson is learned both by Philoctetes, who is taught by the shade of Hercules who appears to resolve the tenses conclusion, and Neoptolemus, who finds his duties at odds with his idealized conception of heroism based upon his father. Although this is a lesser known myth and play, "Philoctetes" does raise some issues worth considering in the classroom by contemporary students.
"Philoctetes" is similar to other plays by Sophocles, which deal with the conflict between the individual and society, although this is a rare instance where Odysseus appears in good light in one of his plays; usually he is presented as a corrupter of innocence (remember, the Greeks considered the hero of Homer's epic poem to be more of a pirate than a true hero), but here he is but a spokesperson for the interests of the state. Final Note: We know of lost plays about "Philoctetes" written by both Aeschylus and Euripides. Certainly it would have been interesting to have these to compare and contrast with this play by Sophocles, just as we have with the "Electra" tragedies.