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The authors attempts to answer four questions that are often raised: 1) Why did Chinese economy grow slowly before the reform in 1979 but then grow rapidly afterwards? 2) Why did cyclical fluctuations - the "vigor/chaos" cycles - become part of China's reform process? 3) Can China continue the trend of reform and development and maintain a sustained, rapid growth in the future? 4) What are the general implications of China's experience for other developing and transition economies?
The book remains optimistic about the future success of China's economic reform. Yet, it also points out several problems with the economic reforms that are needed to be dealt with, such as the difficulties in the reform of State-owned enterprises (SOEs), the increasing unevenness in regional development and income distribution, etc. For more discussions on the SOE reform, the book "Stated-owned Enterprise Reform in China" written by the same authors provides a comprehensive study on this issue.
Overall, this book is a very good textbook and reference to students and scholars who are interested in Chinese economy and its future development.
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China was a hotbed of sutras, treatises, and meditation practices in the Sixth Century. Zen practitioners will note that this was the time of the Third Patriarch, Hui-Neng. The most attractive feature of this presentation is that the reader gets some good looks at Chih-I's source material, the totality of Buddhist ideas and attitudes that prevailed in China at that time. The mechanical differences between the views of Hinayana and Mahayana on the same subjects are discussed in ways that are both convincing and thought-provoking.
You read this book with a marking pen in your hand. When you think you have "grokked" the text, you flip to the marvelous "system" charts in the back o! f the book for the summary look.
Meditators will easily recognize the sources of their methods in the many concepts presented.
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Living in the NYC needs courage and confidence for yourself, but you are easy to lost your mind in such sensational city. AI-CHENG LIU has a in-deepth observation and sharp pen to reveal what is New yorker dreaming yet appointing about. I love the one called "Don't crash me on the street" and "A man without shadow" in her 13 stories. It's a real pain if you dare to look into your mind.