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The Anakin story was the best of the lot. Taking place (immediately) before the Jedi land on Tatooine, it shows us Anakin's idealism, his dreams, and a glimpse of his life and friends. The art, while not spectacular, also fits his story very nicely.
Next came Queen Amidala's tale. Taking place right before the podrace, it is similar to one of the levels of the TPM game. A component of Anakin's pod is stolen, so Amidala and Jar Jar take off to retrieve it. The art wasn't very interesting, not bad, but not good, and the whole story is pointless and doesn't really fit into the whole. There are a few neat character interactions here, but not much.
Next come Qui-Gon. The art was the best of the lot, done by Robert Teranishi of "Union" fame. It portrays Watto's double crossing of Qui-Gon as he tries to collect on the parts he needs and Anakin's freedom, and it also includes the scene cut out of the movie where Anakin beats up the Rodian kid. Plus, it has interesting dialogue which sounded right.
Last came Obi-Wan, which was the most dissapointing of the bunch. The art was okay, but the story, written by the guy who did the comic adaptation of the film, was essentially Obi-Wan recapping the entire movie to Yoda, and once in a while a little commentary by Yoda on Obi's performance.
And then came the 1/2 issue. It had little segments by each of the four writer/illustrators of the main stories. The Anakin bit isn't real interesting, but the assassination plot ties into the "Emissaries to Malastare" plotline. The Qui-gon basically just is a little epilogue to the existing story, Obi-Wan is found reflecting on Ani's admirable Jedi traits, and the Queen gets to know Jar Jar a little better on the way to Coruscant.
Overall, a quick enjoyable, read. Recommended.
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All in all this was still a fun book to read, I give it three stars for the characters, action, and the nicely written predator sequences.
The plot is what Predator 2 was originally supposed to be. Arnie's character was supposed to be helping the NYPD with a drugs war in an unbelievably hot summer. But when Arnie couldn't schedual in between Total Recall and Terminator 2 the role was re-written for Danny Glover. So the story here is pretty much as much a decent continuation of the first movie as the film sequel is. But with one big difference...
The role of Dutch Schaefer is changed to Detective Schaefer, Dutch's brother. He's just as big, bad and burly. And guess what...he goes by his own rules. If there was ever a REAL inspiration for 'McBain' from The Simpsons...it's probably Detective Schaefer. While reading the book I couldn't help but think of a Rainer Wolfcastle-type hero.
I've never read many action-based novels and I never knew how they'd work. But Predator: Concrete Jungle does manage to be exciting and is a real page turner. It's a pretty thick book but I managed to finish it in about 3 days. I know this isn't particulary fast but I'm not the kind of guy who can spend all day reading.
Not unless what I am reading is interesting or has a reason keep me reading to the end. And this book is definitely all that. The follow-up, Predator-Cold War, is even better. But I do recommend that if you like the Predator movies and comic books that you check out the novels. There are quite few of them and they are well worth it.
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Twain completely dissects the "good ol' days" of Arthurian Britain by exposing the vicious social practices of the time: white slavery, le droit de seigneur, confiscation of property in event of suicide, the complete lack of impartial justice, the degrading influence of the Church on the mass, etcetera etcetera etcetera...
The Arthurian legends are wonderful tales, but they are a mythic literary production; Twain deals with the brutal reality of daily living in the Dark Ages, and points out that the good ol' days were not so good, anyway.
As for its applicability to modern America, I am not fit to judge. Perhaps it's there. But "The Connecticut Yankee" is a wonderful tonic for those prone to romanticizing the past. Twain seems to agree with Tom Paine that the English nobility were "no-ability", and simply the latest in a series of robbers.
And, of course, the book is stuffed with wonderful Twainisms... My favorite is his observation that a conscience is a very inconvenient thing, and the significant difference between a conscience and an anvil is that, if you had an anvil inside you, it would be alot less uncomfortable than having the conscience.
Twain also mentions the beautiful mispronunciations of childhood, and how the bereaved parental ear listens in vain for them once children have grown.
You'll never look at castles the same again...
The plot is a familiar one in our age of sci-fi and fantasy, though it was innovative when Twain conceived it: Hank Morgan, an enterprising 19th-century engineer, is knocked unconscious and comes to in King Arthur's fabled Camelot. Bewildered but determined to make the best of the situation, Morgan uses his knowledge of history and mechanical skills to convince everyone he is a super-magician greater than even Merlin. Once ensconced as the King's right-hand man, Morgan sets about reforming the country into a republic, a sort of prototype America. Most of the book follows Morgan through a series of haphazard adventures which Twain uses to illuminate the great but often forgotten evils of the Dark Ages, including the abuses of the Catholic Church, the ignorant and useless ruling body that inevitably arises from a monarchy, and the pitiful working conditions of the medieval peasant or slave.
Nor is Twain's critical eye trained only on the far-flung past. Though Morgan is essentially a sympathetic figure, he struggles to find anything the least bit admirable about the knights and nobles he must live with, and considers the chivalric code merely fit for derision. Meanwhile, Morgan's own capitalist code is in full effect, and he takes advantage of every opportunity to cash in his advanced education for the big bucks.
Colorful and sublimely written, Twain's time-travel masterpiece is both a magical fantasy and a stinging dystopian satire. Don't be fooled by the several movie versions of this story, some of which are great fun in their own right. Yes, the novel is funny, often riotously so, but the humorous skin hides a deadly earnestness beneath, and the finale is far less optimistic than one who has first seen the film versions will doubtless expect. A deservedly immortal literary gem.
BY: Christian J. Vazquez
As a final thing worth mentioning, many reviewers here have commented that, owing to its use of dialect (something which Mark Twain uses in every single one of his writings, which is part of the reason why he was such a great writer - not to mention why he is the true father of real American literature), it is hard to understand. If these assertions have bothered you, however, rest assured: they are mightly over-exaggerated. The dialogue, though prevalent, is minor, and the meanings of the words are usually obvious - even to children; after all, one must remember who Twain wrote this book for. Most children who would read this book would probably already be familar with these elementary colloquial phrases from the many King Arthur stories derived from Malory. And, even if not, Twain foresaw this - and was helpful enough to include a useful appendix.
This is a good book for a book report for school (5th grade).