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In the past, I have generally hated the X-Men's adventures in the Savage Land, or whenever they would go to outer space or get into really super sci-fi type situations. I always felt the X-Men stories worked much better when they were grounded in very normal, down-to-earth settings, because it made the X-Men themselves stand out and seem that much weirder. But this book is an exception to the rule. It's a big, crazy, larger-than-life adventure, part of which takes place in the prehistoric Savage Land, and part of which gets hyper technological, and it works out OK.
The artwork is tough and gritty. Jim Lee draws a mean, shadowy, ugly Wolverine who kills lots of villains and looks like he needs to take a shower very badly.
And Lee's women - whoa. This book contains more gratuitous cheescake shots than any X-Men graphic novel I've seen, but it's all very pleasing to the eye. Especially the scenes with Rogue, whose bare skin can kill anyone she touches and thus, understandably, was always the one major female character who kept herself completely covered at all times. This was the first storyline in the series where they finally drew her as a scantily-clad, sexy heroine. A real treat for male Rogue-fans who'd been reading the series patiently for years.
This storyline also chronicles the transformation of innocent young Psylocke into a mature woman trained in the art of Ninjitsu, and she becomes an ultra-violent, sexy bad girl. And then there are cameo appearances by other Marvel superheroes, namely Captain America (from the Avengers series) and The Black Widow (from the Daredevil series). All in all, it's a satisfying, action-packed, well-drawn, crowd-pleasing comic book in trade-paperback format.
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Jim Thompson created an image for himself. This is merely the autobiography of that self-made image. If you want more fact than fiction you should check out one of his biographies. I wouldn't recommend this as a first Thompson book. Get familiar with him first...and then check out this wonderful book.
Jerome Wilson's story is simply amazing, by the way, I've taught it for years to give my students hope.
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I believe that the author choose a SF setting to (thinly) disguise his criticism of current political and cultural issues. In a sense the novel is very similar to novels (or non fiction books) about americans (or western men in general) who spend some time in Japan, teaching English and trying to adjust to a very different culture (like "Ransom" or "Angry White Pyjamas").
Just don't read it for the Science in "Science Fiction"; it would probably disappoint you.
Apart from this, I found it funny and touching, and the author surely has a vivid imagination.
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This book shows the development of the legendary skills of George Perez, on the title that made him famous to not one but two generations of comic readers. It reprints Volume One issues 161, 162, 194, 195, 196, a short Jarvis story from 201, and Annuals 6 and 8. The inking is inconsistent, with the best being Pablos Marcos's inking on 161 & 162 and Joe Rubenstein's inking on 194. The rest can be pretty rough, but you still get to see the development of one of the greatest comics storytellers of all time.
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Other tales include 'The Latest Craze,' the story of what happens when owning miniature demons becomes a fad for the rich and snooty, and 'Double Cross' about a demon who resembles the Alien on steroids and has a knack for being in two places at once. Then there is 'One Small Promise,' a Buffy/Riley tidbit and 'City of Despair,' an interesting story that pits Buffy and Angel against each other in a final confrontation in yet another dimension. The remaining two tales are 'Bad Dog,' in which Oz is freed to so that a geek with low self-esteem can drain Willow's power, and 'Punish Me with Kisses,' a ghost story that is a bit too cute.
On top of offering a set of interesting, well conceived stories, 'Food Chain' has a stellar cast of illustrators. Both the stories and the full page artwork offer a far greater variety than the regular Dark Horse productions, which gives the reader a chance to appreciate different styles and better understand the arcane art of comic book production. If you aren't normally drawn to the graphic novel format, but want something that offers a representative sample of its potential this is the one to own.
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If you enjoy the work of Jim Thompson, then you must read this book! As it states on the back of the book: Hard times have never sounded so good!
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The wolf has been maligned for centuries, and it's absolutely crucial that we teach our children the importance of the wolf's role in nature; we have only to look to Yellowstone for a direct object lesson in what losing the wolf does to an ecosystem. In 1930, the US Government proudly shot the last wolf in Yellowstone, and that began a 60-year slide into an environmental disaster. Now, with the wolf replaced only seven short years ago, the park is almost completely back in balance again. It's crucial to understand that there are no "extra" animals in nature, and this book is a wonderful way to begin that learning path.
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worked in to fill out the two men's lives. Particularly when the action moves to the baseball diamond, the novel perfectly captures both the leisurely pace and rhythms and the terrific tensions of the game.
Anyone who's read "Ball Four" would know that the pitcher, Sam Ward, is closely based on Bouton himself--all the stuff about knuckleballs is a tip-off--and the stone wall building as therapy after a marital separation comes directly out of Bouton's own experience, as described in the Epilogue to "Ball Four." Sam Ward is Bouton in the same way that Father Blackie Riley is a kind of fantasy stand-in for Father Andrew Greeley in the latter's novels.
Maybe the most difficult thing to write in a novel is a good sex scene and Bouton succeeds with what seems like unpromising material: an anecdote about Ward relieving his pre-game tensions by masturbating in his hotel room before going to the ballpark to pitch. Bouton spares the reader any description of what Ward is actually doing; instead he recounts in rapid succession the series of vivid fantasies that pass through his character's mind, then ends with a humorous zinger that picks up a punch line from earlier in the story. The episode is very sexy (as well as romantic, since he's fantasizing about his estranged wife) and very funny--a rare combination that few writers could capture so successfully.
Not a great book, but a worthwhile read for baseball lovers. (I think the pitch-by-pitch description of the crucial game would drive non-fans out of their minds!)
The authors of this book really went into detail about everything, making the book more understandable. A bad thing about the detail is the it makes the book longer than it should have been, because the book takes place in a twenty-four hour period and there is so much detail it made it kind of drag on. "Strike Zone" is very well-written and things are written as if one could actually see them. The authors convey their purpose very well by telling every single detail, but once again a little too much detail can be bad.
Honestly, The Cage was infinetely more interesting to me than this book was, but The Cage is without a doubt the best book I've ever read. To Life is not uninteresting by any means, however.
The struggles Riva must go through are heart-wrenching. It really makes a person appreciate the life they have. When something good finally happens for Riva, the reader feels happy for her because she's been through so much. If you're going to read this book, you've just got to read The Cage first.