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Fun and light-hearted, yet also enlightening, heartening, uplifting and utterly profound. Can't recommend it too highly.
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Since the author visits such a long list of out-of-the-way places, you would expect his prose or reporting to suffer as the book progresses. Rather, Wolff keeps the story light and full of offbeat humor, while using his sharp skills to sniff out a story. For example, the author learns much about the Phillippines' national league and even meets the country's greatest player. Yet he is not satisfied with basketball's role in the country until he wanders the streets and unearths the tale of a local's fight to build a community court.
The story is broken down into epsiodes, as Wolff devotes each chapter to one of his stops. This makes it easy, should a particular subject or country interest you, to read the book slightly out of order. Yet the author does tie together many of his threads, and makes Big Game, Small World an informative look at the ways the game of basketball is shaping (and being shaped by) the world, as well as doubling as a minor commentary on many countries' natures and traditions.
'Big Game, Small World' documents the intercontinental journey of Alex Wolff, in pursuit of his self-stated goal: rediscovering the game of basketball. From Ireland to Angola, Wolff provides us with unique and often amusing anecdotes showcasing how universal basketball has become.
Alex Wolff only further establishes his already unquestioned position as the premier sportswriter in America. His prose is always clear and concise, and he never fails to get the story everyone can appreciate. His mastery of the craft is as evident in this book as anywhere.
For all fans of modern basketball, young and old alike, 'Big Game, Small World' is the one piece of basketball literature you must own.
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Winnie the Pooh, Piglet and all their friends have been family friends of us for a long time, and it was a treat to find this book about Christopher Robin, and be able to read about what it was like to be him. Did he really have a bear named Winniw the Pooh, did the Hundred Acre Wood excist, did he and Pooh play on Poohstick Bridge? What a fantastic childhood he must have had?
Of course the imagination in my mind was not all correct, at least not the fantastic childhood part. In this book Christopher Milne tells us from his heart how it was to be the son of A.A.Milne, the creator of all our childhood friends. The book is written with alot of charm, but we can also read between the lines about the negative effects of being a "famous" child, a boy with a childhood who belonged to, and still belong to the whole world.
If you know Winnie the Pooh, and who doesn't, this book is a little diamond, a book full of great details, a book which gives a unique view of the Christopher Robin myth.
Britt Arnhild Lindland
I have a special interest in this book because Christopher Robin, of all the characters, was my favorite -- indeed, my alter ego. I knew from an early age that there was a real boy behind the fictional character, and I sensed the three of us were a lot alike. It was a delight to find out just how right my intuition was.
The subtitle of the book is "A Basic Course For Movement Educators. This provides the book with an organizing principle, but fails to convey the book's potentially broad appeal. It could be read with pleasure by all homo sapiens who wish to gain an enhanced understanding and appreciation of their evolutionary inheritance.
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Arntzen, Bernie: "On My Honor" Nicholas, the narrator, is and isn't the Oranian Royal Assassin; he's also Roarke's most secret agent in the Oranian court. Now he's been ordered to bite off the hand that feeds him: the queen has ordered him to kill her despicable brother-in-law, the King of Roarke. (Nicholas' humor isn't quenched by his dilemma. "Assassin sarcasm. Another occupational hazard.")
Edgerton, Teresa: "Dying By Inches" Set in the same world as _The Queen's Necklace_. Few of the Rowans survived the two years of imprisonment in barbarous conditions before their names were cleared. When Odilia hears a rumour that the Marquis committed the crime that sent her family into limbo, she plans to exact revenge, with or without proof.
Edghill, Rosemary: "War of the Roses" In the Argestian States, assassins have replaced war as the last resort of diplomacy. But checks and balances are necessary: the Flower Guild exists to hunt down assassins who have become too dangerous. Redlorn, who styles himself the Red Rose, is their next target; the Guild's agent is the legendary White Rose. The feel is _Thief_-like, as Redlorn makes a point of getting into and out of his target's home without touching the guards, and *his* pursuer likewise toys with *him*.
Elrod, P.N. "Myhr's Adventure in Hell" Terrin and Myhr *really* want to earn enough gemstones to let them escape to a more civilized world, broadly defining 'civilized' in terms of plumbing. Their client's husband - this world's Hitler-equivalent - is already dead; she wants to make sure his soul can never reincarnate. Myhr, the narrator, is nominated by his wizard-partner to make the hit. (Myhr trusts him on magic, if not on splitting red velvet cake equally.)
Flewelling, Lynn: "Raven's Cut" The young foreign assassin, when it's his turn to tell the evening's tale, remembers the best assassin he ever knew.
Huff, Tanya: "Death Rites" Very Thiefy feel: the two young assassins attached to 7th Army are the best hope of prying the rebel commander out of her captured stronghold - the secret entrance can't be blocked without cutting off her water supply.
Jefferson, Leyte: "He" Moonback is an assassin whose master remade him into a werewolf. His canine instincts predominate as the moon waxes; at that point, even in human form he reacts like a dog, approaching his master on his belly, licking his hands - losing some of his vocabulary, but remembering some of his professional skills even when he can't remember the word 'army'. Disturbing.
Leigh, Stephen: "Green Stones" The scarred man is only the latest in a long series of fools seeking to learn at the feet of the Green Stone. The trademark green stones left on the victims were always from the flanks of Goat Fell, so the would-be assassin's apprentice has come to Maire's lonely tavern. (Scar doesn't have the sense he was born with, but the reader shouldn't be *too* smug.)
Lindskold, Jane: "A Touch of Poison" Set in the same world as _Through Wolf's Eyes_. The assassins' tool of choice to reach the Supreme Affluent is Adalia, his chief baker; they've taken her infant son as surety. But Adalia knows she has no guarantee they'll return the baby, or that they won't reveal whose hand poisoned her master's pastry. (The culture of Waterland, where administration - there is no 'government' as such - and status are tied directly to money, is interesting in itself.)
Oster, Anna: Mallon is being stalked by a young fool who believes she killed his sister; Mallon, in exasperation, tells him he should have studied "History and Economics" instead of (obviously) poetry at university. (The Silent Guild is quite legal - and it's the client, not the assassin, the boy should be concerned with.)
Patton, Fiona: "The Svedali Foundlings" 'In Cercicava, the dead were revered far more than the living.' Coll can testify to this on several counts; he survived the burning of the Svedali Innocenti Foundling Home fourteen years ago during the duc's little expansion project for the necropolis, only to be picked up as an organ collector by the death mages. But someone else survived the burning: Drey, an assassin now stalking the corridors of power.
Reichert, Mickey Zucker: "Darkness Comes Together" Josafah envies the fame of the assassin known as Nightfall; no hire would dare waste Nightfall's time, as he'd just as soon destroy an unworthy hire as destroy his target. When Josafah encounters Nightfall outside his target's home, he suggests that they cooperate - who's to know? (Josafah's gratuitous violence contrasts with Nightfall's minimalist approach.)
Rusch, Kristine Kathryn: "Coin of the Realm" Orsem's assassins are competing for the public executioner's job - most of whose work is outside the kingdom - and the winner will be he who kills the most important victim, increasing the king's holdings in the process. *Not* the safest time to bring foreign dignitaries to court, as the king's daughter Rosalind is being sold into marriage to a neighbouring kingdom's heir.
Sherman, Josepha: "Never Say...Uh...Die?" Rather than ordinary humans, the narrator assassinates rampaging ogres, sorcerers plotting to usurp kingdoms - like that. His current target, a Koshchei, has learned subtlety in the art of hiding his heart outside his body. (*Not* a retelling of the Firebird legend.)
West, Michelle: "Echoes" Kallandras' family was murdered because someone learned they had a child with demonic powers - command-voice, among other things - and sought to take him. Kallandras survived as a beggar until the day the Kovaschii, the brotherhood serving the Lady's darkest face, took him for testing. The story is told in flashback, as the adult Kallandras remembers the tests of his training in a land far away.
In this book there are 15 stories of assassins who are unique characters unto themselves, and no where near typical.
My favorites were Death Rites, about the brother sister team of Vree and Bannon, assassins for the empire. Also Coin of the Realm, which gave a very interesting twist, and Darkness Comes Together, about an assassin who is nearly as dangerous to his employer as his mark.
Echos was a good story to me, but then I have read the other books featuring Kallandras. For thoses who haven't, it may just be a little confusing.
I didn't care much for He, or for History and Economics or Dying By Inches. They seemed a little stilted, and not quite as smoothly flowing as some of the others.
But all in all, this was a good book, especially if you enjoy tales of darkness and deception, and of the ever mysterous assassin.
All assassin lovers should give this book a try.
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One at a time I checked out his books from the local library. Unfortunately, The Case of The Vanishing Boy was not in their collection. I wish I had experienced it back then.
I read it a couple of weeks ago, and it was very hard to put down. I'd force myself not to stay up too late reading it. Big mistake. As an adult, I found myself analyzing and anticipating plot developments. Very unfortunate, as I was accurate quite a few times. I highly recommend that you read it all in one sitting (it's short enough to allow for that). You can be swept up in the plot without thinking much about it.
Does anyone know why The Forgotten Door seems to be the only book still published? All of Alexander Key's stories merit immediate reprinting!
I'd give the vanishing boy 5 stars except ... don't worry, I won't give anything away. But if you're like me and don't want to know any little thing in advance, stop reading right here.
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The only disappointment I had was the sudden ending. Drawing closer to the end of the story, the action was building and driving along full force. All of a sudden, it was over. Just a few more pages would have been nice; The Forgotten Door has a beautiful epilogue that greatly enhances your reading experience. Again, this is just a grown-up's point of view. It'd be great to hear from some kids!
There's no comparison here to Kipling or his ilk - the language is comfortable but not flowery - but in terms of story, as well as a place to come back to, this book remains a good friend. Besieged as we are these days with family values and violence on the telly, my daughter will find this book on her shelf when she begins reading - coffee stains and all.
Should I happen to find it at a yard sale or somewhere online, a second copy will join (but not replace) the one I keep under my bed with the family photos and computer manuals.
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