The second essay has a little more to sink one's teeth into. The subject is "negative theology" as such, or the (im)possibility thereof. A very penetrating reading of Angelus Silesius' The Cherubinic Wanderer.

The third essay, "Khora" -- non-placeable place, the third genus -- is a reading of Plato's notion of that "mother", "nurse", "the Receiver" that gives place for all that "takes place": A placing, a positing of displacement and differance, a displacement by way of oscillation between two types of oscillation: the double exclusion(neither/nor) and the participation(both this and that).

In short, this collection of essays opens up another (that is to say, the very same) horizon of thinking toward what used to be under the care of religion, and as such can be rewarding reading to those who are already aware of the necessity of reworking the language of absence without resorting to what was once named "mysticism". If Nagarjuna were born into the French language in the 20th century, he'd probably speak like this.

The writing on the back cover says that the last essay will be of particular interest to those in the burgeoning fields of "space studies"(architecture, urbanism, design). Interest? Maybe. Clarity and enlightenment? I wouldn't bet my lunch money on it myself.

The focus of the author's work is research on the behavior of ravens, to which he continuously feeds bovine carcasses. Through his research, he has acquired a strong attraction to the raven, which the reader is unlikely to share. Lacking the excuse of living off the land, the author's eccentricity is confirmed by casual eating of caterpillars, grubs, ants, and mice. I bought this book because of the title and some favorable reviews on Amazon. I was disappointed, but I did learn a few things and the prose is well written.

This is the second book by Heinrich that I have read. The first, Ravens in Winter, I found very enjoyable. (see review)

Based on the title and a review written on the book's back cover, I expected the book to be about Heinrich's year alone, except for his pet raven, Jack. With this in mind I thought we'd learn about his discoveries in nature and also his understanding into his own thoughts as he pondered life in seclusion.

This was not a book about living in the wild woods of Maine in seclusion. Heinrich often went into town and ate, met with neighbors, had family visit, and at one point he had a number of students over for a couple of weeks. Was this bad...no, but not what I expected based on the review on his book's back cover.

Heinrich has a gift in sharing information about nature. His curiosity and excitement for the natural world is contagious. In this respect I wasn't let down. He did go on quite a bit about the various things he noticed, sometimes sharing too much information, but I would just skip the paragraph and move on.

I think what appeals to me most are the times he is in seclusion and reflects on nature and his own life. He endures an amazing amount of cold...below zero, doesn't have running water, and the inside temperature in his cabin dips down below freezing on several occasions. I would enjoy many of the aspects of living in the location he speaks of but I would do it with a few extras...insulation in the walls, and electricity are two that come to mind!

Overall I did enjoy the book and I hope you do too!

That said, I found A Year in the Maine Woods a quixotic mix of science and human exploits - a glimpse at the lives of a whole host of insects, birds, mammals and plant life I never knew existed, and a chance to share in one person's approach to learning.

Examples? Let's take Heinrich's penchant for climbing trees. For a full-grown, adult male he really does spend a lot of time in them, and as a result has some interesting stories to tell. There's the day he finds himself scrambling up a tree to avoid a moose who refuses to yield the right of way on a trail, and the time a doe wanders under the apple tree he is sitting in and proceeds to munch away. No amount of noise or movement on Heinrich's part seems to disturb her until he descends from the tree. Then she's off like a shot!

Here's another example. Heinrich loves ravens. He is fascinated by their intelligence, close-knit family systems, their flying ability and survival skills, and is not above combing the countryside for roadkill in order to provide food for them. Heinrich's exploits with a pet raven are both hilarious and revealing. Here is a man who delights in life itself and is willing to put up with a fair amount of discomfort and irritation to learn about it.

If you enjoy learning about special places on our planet, and the creatures that inhabit them, through the eyes of those who have studied and know them intimately, then this book will delight you. If, on the other hand you like your reading to be full of fast-paced action and spine-tingling climaxes, this is not the book for you. Be prepared to read slowly and savor the pictures Heinrich offers.

Overall, mostly a waste of my time.

As a novelist beginning to accumulate those unimaginative rejection form letters, Mr. Wood convinced me that, regardless of the guidelines, send at least a synopsis along with the query letter. The two pages he devotes to writing the novel synopsis are worthless, however, and according to Writer's Digest, perhaps dangerously outdated. As indicated by WD, for today's agents and editors, the novel synopsis should never exceed five double-spaced pages. (See "format Your Novel Proposal" by the editors of Writer's Digest in the August 2002 issue to get the scoop on cover letters, synopses and chapter-by-chapter outlines.)

The WD article is not helpful for novel query letters though. Mr. Wood devotes 11 pages (out of 185) to the novel query, including his model sample and one successful query. You might get as much by surfing the web. Still, I don't regret buying this book.

The majority of "Attention Grabbing..." discusses query letters and correspondence relating to non- fiction. Although non-fiction isn't by cup of tea, Mr. Wood's plentiful advice appears to be useful.

This book would be a valuable resource for me if I were a non-fiction writer. The sections on non-fiction book and article proposals took up most of the book, with the section on the novel proposals, query letters and synopses taking up about a quarter of the book.

On a positive note, the book does include good examples of things writers shouldn't do when writing and submitting these documents. Many books on the subject describe your formats, but don't show you an example of a well-written document.

One thing I noticed immediately upon opening the book, was the large typeface. I liked this, as it made the book easier to look at. I've read entirely too many books with miniscule typefaces, only to come away with a headache from squinting at it once I'm done reading. I liked this, but then, the large typeface also made the book longer and made it look as though it contained more material than it actually did.

I couldn't give it 5 stars for reasons mentioned by other reviewers, but if you are a non-fiction writer or a fiction writer in need of additional references, this is a good book.

Recently reading another Modern Library Paperback Classic, THE ESSENTIAL WRITINGS OF RALPH WALDO EMERSON, prompted me to revisit Thoreau in this new paperback edition of his collected writings. It opens with a revealing biographical Introduction to Thoreau (1817-1862) by his friend, Emerson. Thoreau "was bred to no profession, he never married" Emerson writes; "he lived alone; he never went to church; he never voted; he refused to pay a tax to the State; he ate no flesh, he drank no wine, he never knew the use of tobacco; and, though a naturalist, he used neither trap nor gun. He chose, wisely no doubt for himself, to be the bachelor of thought and Nature. He had no talent for wealth, and knew how to be poor without the least hint of squalor or inelegance" (p. xiii). This 802-page edition includes WALDEN in its entirety, together with other writings one would expect to find here, A WEEK ON THE CONCORD AND MERRIMACK RIVERS, "Walking," and "Civil Disobedience," among others.

"The mass of men lead lives of quiet desparation" (p. 8), Thoreau wrote in 1854. Few would disagree that WALDEN remains relevant today. "Most men, even in this comparatively free country" Thoreau observed more than 150 years ago, "through mere ignorance and mistake, are so occupied with the factitious cares and superfluously coarse labors of life that its finer fruits cannot be plucked by them. Their fingers, from excessive toil, are too clumsy and tremble too much for that" (p. 6). "Our life is frittered away by detail" (p. 86); Thoreau encourages us to "Simplify, simplify" (p. 87). "To be awake is to be alive," he tells us (p. 85). "If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away. It is not important that he should mature as soon as an apple tree or an oak" (p. 305). Truth be told, WALDEN is as much a about a state of mind as the place where Thoreau spent his "Life in the Woods," 1845-47.

WALDEN is among the ten best books I've ever read. Thoreau was a true American original thinker, and the writings collected here could change your life forever.

G. Merritt

If you are merely looking for numerous ideas for one style of fence (i.e., picket fence), you are better off looking elsewhere.