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Henry David Thoreau :: _Walden_ :: _The Maine Woods_
John Muir :: _My First Summer in the Sierra_ :: _Travels in Alaska_
The analogy is almost perfect. Each of these writer-naturalists is most often identified geographically with the setting of his best-known work (i.e., Walden Pond or the Sierra Mountains). Each was intrigued by a vastly different habitat located north of his usual stomping ground -- and was so enticed by that wilderness region that he made multiple visits and took copious notes on everything he saw. For Thoreau, it was the forests and mountains of Maine, while Muir delighted in the glaciers of Alaska. Both made their trips by water with native guides but also with at least one old friend along for companionship. They later produced travelogue essays and / or lectures about their journeys, both describing miles and miles of terrain and the very few residents they encountered along the way. Both _The Maine Woods_ and _Travels in Alaska_ chronicle the discoveries made during three separate trips: Thoreau's adventures occurred in 1846, 1853, and 1857; and Muir's happened in 1879, 1880 and 1890. Both men died of a lung disease (tuberculosis, pneumonia) before making final edits on the third portion, the last journey, of each book. Both of the resulting books were put together by surviving relatives and were published posthumously. Eerie, isn't it?
That being said, my advice to the reader of Thoreau is the same as written in my review of Muir's _Travels in Alaska_: Don't read this one first if you haven't read anything else by him. Read _Walden_ and some of the shorter travel pieces before moving on to _The Maine Woods_. Here Thoreau is at once fascinated by the thickness of the forests and appalled by the devastation caused by the lumber industry. You'll follow him up Mount Katahdin and canoe along with him on lakes and down rivers. You'll learn about the kind of true camping that could be done only in the wilds of sparsely-inhabited country. You'll see lots of trees and plants and animals and hear some of Thoreau's opinions about nature and mankind. And you'll be pleased to know that everyone returns home safely in the end.
Thoreau was asked on his deathbed if he had made his peace with God. His retort was, "I did not know we had ever quarrelled." Even though he told a friend that he would die without regret, these kinds of last-minute questions must have forced him to take quiet mental stock of the events of his life in search of something that didn't quite fit with his philosophy. It is said that his final words were "moose" and "Indian." I believe that, with those utterances, he had finally realized his sole regret in life: that he had witnessed the killing of several Maine moose -- the last one, by his Indian guide -- and had done nothing to stop the slaughter. Whenever the hunters were thus engaged, Thoreau retreated to his botanizing and documenting the plant life in the area. He deliberately put blinders on at a time when he could have prevented the animals' deaths. And perhaps his own rationalizing behavior was not made clear to him until the end. For as he says here in the "Chesuncook" chapter, "Every creature is better alive than dead, men and moose and pine-trees, and he who understands it aright will rather preserve its life than destroy it." That statement could be a personal chastisement, a reminder to himself. If that's the only wrong performed during your lifetime, Henry, then you did pretty well.
Few could be the equal of Thoreau in making an account of wilderness travels: "The Jesuit missionaries used to say, that, in their journeys with the Indians in Canada, they lay on a bed which had never been shaken up since the creation, unless by earthquakes. It is surprising with what impunity and comfort one who has always lain in a warm bed in a close apartment ... can lie down on the ground without a shelter, roll himself in a blanket ... in a frosty, autumn night ... and even come soon to enjoy and value the fresh air."
The pace of the book is slow but rich in natural wonder: "Once, when we were listening for moose, we heard, come faintly echoing ... a dull, dry, rushing sound, with a solid core to it, yet as if half smothered under the grasp of the luxuriant and fungus-like forest, like the shutting of a door in some distant entry of the damp and shaggy wilderness. If we bad not been there, no mortal had heard it. When we asked Joe in a whisper what it was, he answered, 'Tree fall.' There is something singularly grand and impressive in the sound of a tree falling in a perfectly calm night..."
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The text is intended to humanize someone who is mostly mythical by describing and interpreting events in the last years of his life at Point Lobos. It presents the author's analysis of Weston's career, state of mind and the evolution of his late style. There is little or no new material here and the analysis is strained, but thoughtful.
There are some intelligent comparisons presented of Weston's late and early views of the same subject. As a collection this is not a good introduction to Weston. It is a good final chapter to the Daybooks and a beautiful collection of reproductions. It is also a good companion to Ansel Adams at 100, showing how these two friends viewed many of the same subjects so differently. It would be a good addition to reading Charis Wilson's Through Another Lens, showing many pictures of domestic life including Weston's children, cats, and many of Charis Wilson. There is a lot of "inside baseball" here, both explicit and implied.
There is at least one important image in the show that is not in the catalog and there are many important omissions from the show itself, which make this a poor place to start studying Weston's work. For the record, both Weston and Adams experimented with color in the late 40s, shooting the same images in color and black and white. The color images aren't good but they are a very good way to show why their respective monochrome images are so strong.
It is worth repeating that while the printed images are as good as any you'll see, they are not even close to the 8X10 contact prints in the show. This really matters in Weston's work. If you have a chance to see the San Francisco show, before it is put away for another 10 years, you will also see additional earlier prints from SFMOMA's outstanding permanent collection which put the theme of the show into context that is missing from the book.
This is Weston when he was only satisfying his own search for meaning, not making statements or presenting his vision to the world. These are his final meditations and he knew it. They are by far his richest and most abstract work and worthy of a lot of study.
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I approached this task with solid HTML and Javascript skills but no background in ASP or VBscript and no other programmer to consult with. The answers are all there in concise, yet detailed explainations. If you would like to see what I was able to achieve, visit AccessDB.net.
There is no fluff in this book. I would not recommend this book to a novice or casual web site developer. It is packed with detail that will quickly swamp you in technology that you have no intention of using. However, if you are serious about implementing ASP, Microsoft database technology and more, on an NT4.0 server, this is an excellent book that will remain useful for a long time.
The best part is an extended reference at the end of the book, and this time JScript is also covered.
I have a few comments about this book
1. The book should have been thinner, with some chapters on CD-ROM
2. You must be at intermediate level to use this book, else you could get lost easily. Beginners, don't yet touch this unless you know VBScript
In short, without a doubt, the best book ever written on ASP.