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Set in the San Francisco of 1963, they blend history with fiction in an action packed noirish plot.
Celebrities and pop icons of the day from Joe DiMaggio to Andy Warhol---Jackie Kennedy to Jack Kerouac---Truman Capote to Willie Mays pop up along with a major part for Herb Caen.
It has the feel of Archy McNally meeting up with The Thin Man---snappy dialogue, complex plot, lotsa characters with agendas, many cocktails, dead bodies and an alto sax playing San Francisco Inspector who sits in with the protagonist's (Philip Damon) band.
It is an excellent amateur sleuth whodunit peopled with intriguing characters. The atmosphere of sixties San Francisco is truly captured.
There are many laughs along the way. "Blue Moon" is big fun.
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Kenneth Branaugh, Emma Thompson, Denzel Washington, Keanu Reeves, and Michael Keaton give excellent performances in this film that you wouldn't want to miss. Although the film is a period piece and the Shakespearean language is used, you will have no difficulty understanding it perfectly.
The scenery and landscape in this film are exquisite as well. I never thought there could be such a beautiful, untouched place like that on earth. I would suggest watching the film just for the beautiful landscape, but it's the performances and the story that you should really pay attention to.
Anyone who loves Shakespeare would absolutely love this film! Anyone who loves Kenneth Branaugh and what he has done for Shakespeare in the past 10 or 15 years will appreciate this film as well! There isn't one bad thing I can say about this film. Definitely watch it, you won't be disappointed!!!
What he meant by the comment was, humour is most often a culture-specific thing. It is of a time, place, people, and situation--there is very little by way of universal humour in any language construction. Perhaps a pie in the face (or some variant thereof) does have some degree of cross-cultural appeal, but even that has less universality than we would often suppose.
Thus, when I suggested to him that we go see this film when it came out, he was not enthusiastic. He confessed to me afterward that he only did it because he had picked the last film, and intended to require the next two selections when this film turned out to be a bore. He also then confessed that he was wrong.
Brannagh managed in his way to carry much of the humour of this play into the twentieth century in an accessible way -- true, the audience was often silent at word-plays that might have had the Elizabethan audiences roaring, but there was enough in the action, the acting, the nuance and building up of situations to convey the same amount of humour to today's audience that Shakespeare most likely intended for his groups in the balconies and the pit.
The film stars Kenneth Brannagh (who also adapted the play for screen) and Emma Thompson as Benedict and Beatrice, the two central characters. They did their usual good job, with occasional flashes of excellence. Alas, I'll never see Michael Keaton as a Shakespearean actor, but he did a servicable job in the role of the constable (and I shall always remember that 'he is an ass') -- the use of his sidekick as the 'horse' who clomps around has to be a recollection of Monty Python and the Holy Grail, where their 'horses' are sidekicks clapping coconut shells together.
I'll also not see Keanu Reeves as a Shakespearean, yet he was perhaps too well known (type-cast, perhaps) in other ways to pull off the brief-appearing villian in this film.
Lavish sets and costumes accentuate the Italianate-yet-very-English feel of this play. This film succeeds in presenting an excellent but lesser-known Shakespeare work to the public in a way that the public can enjoy.
The movie is a very good adaptation of the play. The impressive lines that Shakespeare wrote were generally given new life in their delivery. Also, I must compliment Michael Keaton on his role. It isn't a very big one, but if you watch this movie, you'll understand why I mentioned it. Overall, this is simply a fully enjoyable movie, whether you're a fan of Shakespeare or not.
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There's always plenty of surprises in John Wilson's novels, and this one is one of his best. You just can't wait to get to the end to find out how everything is going to turn out. And the characters are always so well-developed you feel like they could be your friends. I read his last mystery, "The Limits of Justice" first, so now I am working on his previous three. It's best if you can start from his first one, and read the whole series in order, although each book stands on its own. If you like mysteries, you'll really enjoy this one, I did.
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I kind of thought the amount of space devoted to ADO was excessive, since if you're trying to implement RDS, you probably already know much of the ADO they teach here. Some of that space would have been better used to expand on RDS a bit.
The included ADO 2.0 reference (Appendix A) and RDS 2.0 reference (Appendix B) are useful, and the sections on Oracle are helpful if your code has to work against Oracle backends.
One other note: In books like this, I rely on the index a lot to quickly get to topics I need. The index in this book is pretty bad. If you want to reference things for future use in this book, buy yourself a highlighter pen.
Bottom line, if you need to use RDS, bite the bullet (kind of expensive) and get this book. For ADO, however, you might want to look elsewhere.
Good for any programmers working with ADO, as always, Wrox made it possible for beginners to understand the book and for experienced programmers to learn new stuff.
Another must by Wrox and I'm waiting to get a hand on the "Professional Ado 2.5 Rds Programming With Asp 3.0" that should be coming out soon.
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I first became interested in Wilson after reading the Illuminati trilogy. This book will only add to anyone's appreciation for that book and its author. This book provides some background into the events which are covered by the trilogy. In general, the Cosmic Trigger series begins with a bang. 4 stars losing one for the sometimes cryptic nature of the writing, but then again, that is RAW.
Does this review capture Wilson, or Cosmic Trigger I in its entirety? Of course not, and Wilson is fully aware that his writings and non-beliefs defy any catagorization (his books are very hard to find in retail stores). All I can offer is my uninformed opinion that there is no wiser, more humorous, and generally more interesting than Robert Anton Wilson.
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However, it offered little advice on which the best places to eat and stay and visit are. It also has very few pictures, which is unfortunate, because out of the thousands of beautiful places to visit in Prague, it is helpful to be able to see which buildings appeal to oneself the most before choosing to visit them.
If you plan to stay in Prague for longer than a week, this is an essential book to buy. However, for quick trips to Prague, I would suggest buying the Rough Guide to Prague (it offers good advice about where to go) and the Eyewitness Guide to Prague (it has tons of pictures). Also, if you plan on spending more than a few days in Prague, buy the Lonely Planet Guide to the Czech and Slovak Republic - there is so much more to the Czech Republic than Prague, and taking a day trip or two outside of the city is time well spent.
Everyone of the restaurants we visited based on LP's recommedation was amazing. (We're thinking of buying the LP guide to NYC so we know where to grab a bite after work).
We also took along the Eye Witness guide when we went to major spots -- Prague Castle, Charles Bridge -- because it had more pictures.
Will buy a LP guide for next overseas travel!!
A great read. It reads like a novel, but leaves you with hard facts that easily pop up in conversation, and give perspective into the future.