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Anne (12): I think this was a really moving book, but some of the writer's opinions, I didn't quite agree with. Jack London says that we are shaped by our society, but I believe that we can change ourselves, because we have free will.
Michelle (11): It was a great book, but I didn't like the middle portion, because White Fang was all hatred, killing all the dogs he met.
John (9): The best part was when White Fang was sitting at the shore as boats came up, waiting to kill all the dogs. I think White Fang was good and bad. He would be a good guard dog. But he was bad because he tried to kill. He never let any dog retreat to save themselves.
Mom: This was really a good book, but I recommend it as a read aloud. The reading level is way above my kids heads, but they understood it in context as a read aloud. There are some very ferocious parts that I skipped as I read, because I thought them too graphic. But the book did inspire us to discuss the idea that we are shaped by our surroundings, and that we have free will to make our way. But also, we shape other's lives by our own choices -- so we are responsible before God to others.
The storyline follows a young gray cub called White Fang, who is thrown into the midst of human culture against his will. The young cub develops into a dominant wolf and experiences confrontations beyond his vivid imagination. White Fang possesses unique and distinctive qualities for a wolf which is wonderfully detailed in the characters countless struggles.
This is truly a well-written book, with more than enough excitement to keep any apathetic reader intrigued. Although an interesting and insightful look at the nature of animals, the book's beginning can be considered a toil to accomplish and perhaps even tedious for some.
Fortunately, with the introduction of mankind, the story sweeps into action as White Fang strives to fuse with society, and the domesticated animals that come along with it. White Fang's Possession changes multiple times during the novel, keeping readers enthused and captivated. Be advised however, the exhilaration reaches a climax only halfway into the book, and never achieves the high level of excitement at any point afterward.
Despite the less absorbing material in the first and last parts of the book, Jack London's timeless account of a ferocious wolf molded by the fingers of civilization is well worth the read. The emotional attachment one attains from reading the pages of White Fang is more than enough to engage readers of all types. Don't miss out on this book.
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The second volume provides an updated city guide of chicago which details all of the major players left in the city after the adventure "Under a Blood Red Moon"--which is also included in this volume.
The adventure is quite stimulating, featuring an all out war between Lupines and Vampires in Chicago. Whereas the city guide provides all one needs to know to role play a campaign in Campaign.
While this volume can probably stand on its own, it is very helpful to have the first volume as well. The first volume helps to acclimate the players to Chicago prior to having to engage in a challenging all out war in the city.
The odd thing about the three volume set is that the adventures detailed in the third volume seem to chronologically come before the events set in the second volume.
Again, these are wonderful supplements that are great to revolve a role playing campaign around. But, if nothing else, they are also fun reading that can inspire any other campaign.
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I took the cue from my feelings on this book to stop reading and start practicing. But I recommend it to anyone needing more teaching.
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The other stories are also powerful tales of survival (or demise) in the face of nature's harshness. I feel I am not alone in saying that I cannot recall most of the stories I had to read in school in my younger years but I distinctly recall "To Build a Fire." London's real, visceral language and description is hard to forget, as is the human pride and stupidity that characterizes the protagonist--London seems to be saying that we must respect and understand nature in order to survive and prosper. The protagonist's demise is more comical than tragic because of his lack of understanding and appreciation for the harsh realities of his environment. All of the stories bear the same general themes as the two I have mentioned. In each, man or beast is forced to battle against nature; survival is largely determined by each one's willingness or freedom to recede into primitiveness and let the blood of his ancestors rise up within his veins. Those who refuse to give in to their lowest instincts and who do not truly respect nature do not survive. I feel that London sometimes went a little overboard in "The Call of the Wild" when describing Buck's visions and instinctual memories of his ancestors among the first men, but his writing certainly remains compelling and beautiful, an important reminder to those of us today who are soft and take nature for granted that nature must be respected and that even her harshest realities are in some ways beautiful and noble, and that the law of survival applies just as much to us as it does to the beasts of the field.
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